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I loved Paris. Now I’m home and optimistic. – The Wisconsin Jewish Chronicle

Posted By on April 6, 2020

Bonjour, gut morgn is the typical greeting at La Maison de la Culture Yiddish Bibliothque Medem in Paris (MCY).

Studying through Smith Colleges Junior Year in Paris, I had the privilege to immerse myself in both Yiddish and French. While any time spent in Paris feels too short, the program ended suddenly due to COVID-19.

Even though I left earlier than anticipated, studying abroad allowed me to experience the strength and vibrancy of the Parisian Jewish community. I was most happy when learning about Jewish culture in French or French culture in Yiddish.

At MCY, I attended classes, lectures, and concerts and often helped teach the childrens cultural program. I also spoke Yiddish in London, Stockholm and Antwerp. Most notably, I participated in Yiddish Marathon over winter break, where Yiddish speakers of all ages and backgrounds gathered at a hotel in Greece to speak only Yiddish for one week.

In Paris, French Jews welcomed me to Shabbat dinners and Jewish text study groups and even a Tu BShevat park clean-up. It wasnt easy to be an outsider, but I worked hard to integrate myself, and made wonderful friends. The vast majority of Parisian Jews today are Sephardic, and I loved experiencing Sephardic traditions for the first time.

My wonderful host mom Bella was born in Morocco, and her first language was Judeo-Spanish. She cooked delicious cookies for Jewish holidays and let me try on her familys hundred-plus year old, traditional Sephardic wedding dress.

My proudest moment during my study abroad experience was at the Moishe House Paris Rpublique, which hosts events for young Jews. Hazzan Jeremy Stein of my shul, Congregation Beth Israel Ner Tamid, sent me a recording of him chanting the chapter, and I practiced it for weeks. I also put together the perfect Purim costume to honor French and American culture: the Statue of Liberty.

Finally, Purim arrived. Several of my friends and Bella attended the gathering and heard me chant. I beamed when people congratulated me. I laughed when they told me they had never heard chanting like mine with my Ashkenazi trope and American accent. Coincidentally, another Megillah reader also dressed up as the Statue of Liberty. The more, the merrier, I thought.

A few days later, I was told I had to go home. I cried while saying goodbye to friends, but I knew I wanted to be with my family as the situation escalated. I am grateful to be back in Milwaukee. This is a difficult time, and I am deeply concerned for our community members mental and physical health.

We cannot be together in person, but we need to support each other, now more than ever. I am heartened by the explosion of virtual Jewish events. Using technology to attend classes and discussion groups and services is new and unfamiliar for me, but I am optimistic about it.

I have experienced the challenges of finding new Jewish communities for myself, and the rewarding results. And I feel like all my hard work has paid off when I log on virtually to community events happening around the world and greet people with either bonjour, gut morgn, or both.

Related

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I loved Paris. Now I'm home and optimistic. - The Wisconsin Jewish Chronicle

Brooklyn’s Orthodox neighborhoods have especially high rates of the coronavirus – JTA News

Posted By on April 6, 2020

NEW YORK (JTA) Four heavily Orthodox neighborhoods in Brooklyn have especially high rates of the novel coronavirus, according to data released by this citys Department of Health.

The record of positive COVID-19 tests in the five boroughs shows that Borough Park, Crown Heights, Williamsburg and Midwood all have above-average positive test rates. In Borough Park, more than 67% of coronavirus tests have come back positive the highest rate in Brooklyn and sixth-highest of any Zip code in New York City.

In Crown Heights, 63.4% of tests are positive, while in Williamsburg the figure is 62.5% and in Midwood it is 60.3%. The average positive test rate across the city is 53%.

The five city Zip codes with the highest positive test rates are in Queens, with the Corona neighborhood topping the list at more than 77%. Many of those neighborhoods are home to working-class New Yorkers whose jobs do not allow them to stay home.

Borough Park also has the third-highest raw number of positive tests of any neighborhood in the city with 771, and total tests with 1,146. In both cases, its behind only Corona and Elmhurst, adjacent neighborhoods in Queens.

An analysis by The City, a local New York publication, found that testing across neighborhoods has been proportional to their populations. Social distancing has been a particularly stark shift for Hasidic Jews, who make up a significant share of the population in Borough Park, Williamsburg and Crown Heights.

Haredi, or ultra-Orthodox, men are accustomed to attending communal prayers three times a day, and social lives revolve around synagogue and lifecycle celebrations like weddings. Haredi families are also larger than average and tend to live in dense neighborhoods in the city.

In some haredi neighborhoods, social distancing measures like school closings came later than in the rest of the city.

Israel is experiencing an even more extreme phenomenon, as more than a third of the total population of the haredi city of Bnei Brak is estimated to have coronavirus, according to the Times of Israel.

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Brooklyn's Orthodox neighborhoods have especially high rates of the coronavirus - JTA News

Hasidic community in Canada placed under lockdown after 20 diagnosed with virus – The Times of Israel

Posted By on April 6, 2020

Some 4,000 members of the Hasidic Tosh community in the Montreal region have been put under quarantine after around 20 of them tested positive for the new coronavirus following a trip to New York, Canadian health officials said Monday.

They started to have symptoms last week. We got first test [results] yesterday, said Eric Goyer, the head of public health in the area of Quebec that includes Boisbriand, where the Jewish community is located.

Of the first 40 people tested, about half came back positive, alarming health authorities.

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At the start of the month, several members of the community traveled to New York state, which is now the epicenter of the epidemic in the United States, to attend events for the festival of Purim, and some members of the community studying in the city returned home to visit family. The Tosh Hungarian dynasty is entirely based in Canada.

Illustrative. Jewish men use social distancing as they pray outside the Chabad Lubavitch World Headquarters in Brooklyn, New York, March 20, 2020. (AP/Mark Lennihan)

Theres a lot of coming and going, people have parents and brothers in New York and there are weddings and celebrations, Abraham Ekstein, leader of a neighboring Jewish community, told the Montreal Gazette.

The community has asked local police to make sure nobody enters or leaves unless they are providing an essential service, the report said.

The highly religious Yiddish-speaking community shuns listening to the radio or watching television. Most members have a rudimentary understanding of French or English, although Goyer said the community had translated a number of publications about coronavirus into Yiddish.

He said the community had voluntarily placed itself in isolation for 14 days and that its members were providing an extraordinary amount of collaboration with health authorities.

Canada as a whole had 6,671 declared coronavirus cases, and 67 deaths, as of Monday, according to a tracker run by Johns Hopkins University.

In Quebec, which accounts for roughly half the countrys confirmed cases, police checkpoints have already been set up to curb access to eight parts of the province in order to stem the viruss spread.

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Hasidic community in Canada placed under lockdown after 20 diagnosed with virus - The Times of Israel

Unorthodox: How Shira Haas Crafted Her Riveting Performance in the Netflix Drama – IndieWire

Posted By on April 6, 2020

Imagine delivering a career-defining performance in a language you dont even speak. That was the challenge presented to Shira Haas, the Israeli actress whose galvanizing turn propels Unorthodox, a four-part Netflix limited series about a young woman who leaves her Hasidic community behind.

As the courageous lead character Esty, who abandons everything she knows in her search for self-actualization, Haas cycles through many different phases of her characters journey, from childhood to marriage to her new life in Berlin. She embodies these transformations in Yiddish and English neither one is her native Hebrew tongue with poise, nuance, and specificity, delivering a tour de force that makes Unorthodox entirely gripping from start to finish.

Based on the eponymous memoir by Deborah Feldman, Unorthodox is set between Williamsburg, Brooklyn, and present-day Berlin. Esty is part of a specific Hasidic sect called the Satmar Jews, who are descendants from a small Hungarian village almost entirely wiped out in the Holocaust. Growing up in Israel, Haas was more familiar with ultra-orthodox Judaism than the average person, but she had much to learn. Her previous work in the Israeli series Shtisel, also on Netflix, helped less than you might think, as the communities are very different.

It did require me to do a lot of research, which included, of course, reading the book a few times, but also the internet and seeing a lot of interviews and lectures and reading about the rituals, which are very different, and the language, of course, Haas said in a recent phone interview.

She arrived in Berlin two months before filming began in order to study Yiddish with the shows religious consultant, Eli Rosen, who also plays the Rabbi.

I went to sleep with Yiddish and I woke up with Yiddish, she said. We spent hours every day. I recorded him and I watched videos and I wrote it on the page. It was so important to me to know my lines well and to know what I was saying, so that when I came to set I wouldnt have to think about it, so I would be able to actually be in the scene. It was a major part of preparing for the role.

Haas was supported by a design team just as committed to authenticity. The German production was shot almost entirely in Berlin, filming in New York only for exteriors. Cinematographer Wolfgang Thaler painstakingly matched Berlins interiors to New Yorks exteriors. The entire production team, from the set to costume to production design, went to great lengths to ensure the accuracy down to every last detail. (For more on the impeccable craftsmanship, check out the 20-minute behind-the-scenes short following the series.)

For Haas, that first costume fitting was a major turning point in her transformation into Esty. She had already been researching and studying Yiddish for a month when she first tried on each of Estys outfits in one long session. The character goes from wearing multiple wigs to sporting a buzz cut, and slowly transforms from her conservative skirts and long sleeves to more contemporary clothing. With each change, Haas physicality relaxed ever so subtly in order to match Estys internal shift.

Unorthodox

Anika Molnar/Netflix

I remember somebody putting the costumes on me and I almost felt immediately like Esty, like all the effort I put into the emotional part had a physical reaction as well, she said. It was a very long day of trying everything, and I remember I was really emotional. For Esty, her costume is also an emotional journey shes going through.

While Unorthodox is very careful not to demonize the conservative religious community it portrays, part of Estys decision to leave is motivated by the fact that she is not happy in her marriage. When Estys unable to get pregnant after a year, her mother-in-law sends a community elder to teach her about marital relations. After painfully using dilators and many thwarted attempts, she finally consummates her marriage. The ensuing scene is extremely difficult to watch, not because it is exploitative or lewd, but simply because of the incredible emotional burden Haas is able to convey.

This is a story about a woman trying to find herself, and part of the series is also finding yourself as a woman, so it was very important to see these intimacy scenes, said Haas. It was a major part of her journey and it was always treated like that, very gently with such a sensitivity. We talked so much before about why we need this and how to do it, and it was really important to show, not just to show physical views or pain, but also to show her emotional journey. Shes given up so much, and shes even in a way given up part of her own body, so it is crucial and it was treated very, very gently.

It helped there were so many women on the set, holding the creative reins from creators Anna Winger and Alexa Karolinski to director Maria Schrader and many members of the camera crew. Another big relief for Haas? The actor playing Estys sweetly naive husband Yanky, Amit Rahav, is an old friend.

It really felt like a mishpocha, as you say in Yiddish, kind of like a family in a way, she said. We had our humor during every hard scene; we always had our laughs in between takes and our inside jokes. We had such a good relationship, and it was nice to know that I can really trust him to feel very, very free, so it was nice to have a friend.

Unorthodox has received near-universal raves, and its success will almost certainly propel Haas to the next level of her career. After landing her breakout role in the Natalie Portman-directed A Tale of Love and Darkness, she appeared opposite Jessica Chastain in Niki Caros The Zookeepers Wife, as well is in Shtisel, which was a small hit internationally. For now, she is based in Tel Aviv and travels between Los Angeles, New York, and Berlin for work. She is part of a new generation of non-American actors who can achieve success in Hollywood without leaving home.

Something happened in the last few years, and now lots of international projects are being sold abroad, from Israel but also from all over the world, she said. You see so many series on Netflix that are international, and its beautiful because I think people really want to see something that is different from them to understand and to say, Huh, maybe its not so different. The world is much more open now.

Unorthodox is streaming now on Netflix.

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Unorthodox: How Shira Haas Crafted Her Riveting Performance in the Netflix Drama - IndieWire

Emily Writes: Netflixs Unorthodox is the uplifting television we need right now – The Spinoff

Posted By on April 6, 2020

Netflixs four-part series Unorthodox traces a womans escape from a Hasidic Jewish community in Brooklyn. Emily Writes considers the lessons we can all learn from her journey.

There was a moment watching Netflixs miniseries Unorthodox when I felt like I was actually in Berlin, where much of the show is set. I felt hope and fear, as if I was actually on a journey alongside Unorthodoxs brilliant, complex and heart wrenching protagonist Esty. If that isnt escapism I dont know what is. And has there ever been a time when we need escapism more than now?

Unorthodox tells the story of Esther Esty Shapiro (Shira Haas). Married as a child, she lives in the specific kind of prison that is a fundamentalist religious community. Hers is an ultra-orthodox Hasidic Jewish community in Williamsburg, Brooklyn, but her story feels true to what we know of young women escaping from fundamentalist Christian groups like New Zealands own Gloriavale or Mormon polygamist sects in US and from honour killings and slavery sanctioned by religion.

Estys story is that of so many women trying to find their own way against almost insurmountable odds. Its the story of the iron grip religious groups have on young girls, how they chain them with marriage, babies, and abuse.

Yet Unorthodox does what many shows about religious abuse cannot do. It unflinchingly shows the misogyny of belief handed down by men, while also showing the dignity of religious women. It shows the beauty and community in religion as truthfully as it shows the pain religion can inflict on the women who devote their lives to it.

The Hasidic community Esty lives in has similarities to religious communities all over the world. There is song, dancing, love, and a history that separates the community from others in a way that even the most close-minded viewer will understand. There are treasured rituals and traditions that have survived against all odds, despite fears that theyd be lost to the horrors of the Holocaust forever.

One of those rituals is depicted in Unorthodox: Estys wedding to her husband Yanky. Its a scene that is beautiful, visceral and surreal all at the same time, lifting a veil on a world none of us will likely see with our own eyes. A scene set in a mikvah, a pool of water used for purifying rituals, is the same: so painfully private that you dont want to watch but cant look away.

Esty is the TV alter ego of Deborah Feldman, the author of the 2012 memoir Unorthodox: The Scandalous Rejection of My Hasidic Roots. Like Esty, she was married at 17, pregnant at 19. The book details her escape from the Hasidic Satmar group in Williamsburg, Brooklyn, and Unorthodox, the miniseries, is loosely based on her experiences.

Shira Haas stars as Esty in Netflixs Unorthodox. Photo: Netflix.

Israeli actor Shira Haas is luminous as Esty. Its almost painful to witness the innocence and bravery that lights up her face as she flashes between child and adult and back again. She could be any young woman seeking freedom, any young woman wanting to find a true life beyond the brutal control of others.

Amit Rahav is infuriating and heartbreaking in equal measure as her husband Yanky, imprisoned by the community in a similar way to Esty, but protected by his place as a man. His cousin Moishe (Jeff Wilbusch), tasked with retrieving Esty and returning her to the community at any cost, is a chilling character, but far more complex than your average one dimensional muscle. Everyone has something to lose; everyone has already lost.

Unorthodox is a testament to the power of the human spirit and to the power of women. It does something that we need right now it takes us out of our homes and into the world. It encourages us to uplift ourselves, to open our hearts, at a time when our world is getting smaller and smaller until it is the size of a single room.

Esty is an example of hope, and of courage. The courage to continue on into a future that is not known. The courage to have faith in others that they will care for you, will look out for you, will hold space for you and be there if you fall.

At a time when we are forced to put our trust in others, to cling to what we know, Unorthodox has something to teach us. Esty has something to teach us.

Were just lucky that most of us will learn her lessons from the comfort of our own homes, and not through enduring it ourselves.

Unorthodox is streaming on Netflix now.

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Emily Writes: Netflixs Unorthodox is the uplifting television we need right now - The Spinoff

Unorthodox shines, despite hitting the usual ‘Orthodexit’ beats – Canadian Jewish News

Posted By on April 6, 2020

Its not surprising that most films and TV shows featuring Hasidic Jews paint them as villains. Theyre not cartoonish moustache-twirlers per se, but usually religious zealots plotting to thwart the protagonists goal, which is invariably escaping their insular community. As a cultural critic, Ive seen this tired tale more times than I care to count; you might call it the Orthodexit genre.

Hasidism is, in reality, a small and often racially targeted minority. In art, it becomes an oppressively patriarchal monolith. I understand the logic behind this depiction: the religious restrictions are overwhelming, while the stigma of leaving is horrifying. While secular liberal Jews like myself might point to proudly religious communities as proof of the success of western liberal democracy, anyone born into it, ironically, lacks the fundamental freedom of choice that the rest of us westerners appreciate.

To sum up this preamble, Im never terribly excited to watch stories about rebels leaving ultra-Orthodoxy, and find the trope by this point a little rote.

Which brings me to Unorthodox, the new Netflix limited series (four, hour-long episodes), based on a true story, about a young womans escape from New Yorks Satmar community into the arms of the freewheeling, beach-diving, music-playing international hipsters of Berlin.

The show, according to Netflixs opaque charting system, is one of the most popular in Canada right now, and its also the first Netflix-produced show to be written mostly in Yiddish. (I suspect its because of the success of Shtisel, which is originally an Israeli program.)

In more ways that I anticipated, and which you can probably guess from my brief description, Unorthodox hits the usual Orthodexit beats. There are slow, long shots of protagonist Esty (Israeli actress Shira Haas, of Shtisel fame) staring out of car windows, fighting back tears. There are domineering black-hat men commanding her return. There are frightened Orthodox women with worried looks in their eyes. There is a scene in the first episode where Esty wades into a lake in Berlin, throws off her sheitel, and cries at her spiritual rebirth, as if dipping into a secular mikveh.

But heres the thing: Unorthodox is also quite good. Its exceptionally well paced, a credit to the co-creator duo of Anna Winger and Alexa Karolinski, who dwell on pivotal moments just long enough for them to resonate, but not so long that they get boring. (This is in fact a very fine line, especially in these sorts of stories.)

Haas is a masterful contortionist of facial and body language. The plot develops steadily, unfolding tantalizing revelations about Estys past throughout the series, rather than all at once, adding a much-needed air of mystery. It all works together quite nicely.

Part of me feels guilty about liking the show so much, because what makes it great TV is likely what would offend Hasidic viewers: it doesnt paint them kindly. You dont need to look further than Wikipedia to learn that the whole escape to Berlin plot is invented; the real-life woman, Deborah Feldman, didnt move to Germany until years after her incremental exit from the community. Writing in Forward, former Satmar member Frieda Vizel slams the show as grossly inaccurate, saying the real community is a lively world of gossip, drama, peer pressure, materialism, competition, family and busybody neighbours. The people in Unorthodox are not that.

This is especially problematic because the show is very clearly geared toward broadly non-Jewish audiences. I fear its portrayal of Hasidic Jews reinforces harmful stereotypes, which in turn gives a plausible defence to the Hasidim themselves, who can brush this off as just another lefty smear campaign that doesnt represent reality.

Its a difficult question: how do you legitimately criticize a system without engendering bigotry? The creators of Unorthodox chose their side. They also made a great show. Great shows need villains, of course its just a shame Hasidim are easy targets.

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Unorthodox shines, despite hitting the usual 'Orthodexit' beats - Canadian Jewish News

Coronavirus Update: NYPD Threatening Action Against Members Of Hasidic Communities Ignoring Social Distancing – CBS New York

Posted By on April 6, 2020

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Coronavirus Update: NYPD Threatening Action Against Members Of Hasidic Communities Ignoring Social Distancing - CBS New York

Netflix’s compelling drama Unorthodox is a striking examination of faith and feminism – inews

Posted By on April 6, 2020

CultureNetflix's superb new drama tells the true story of a young woman who fled her Hasidic Jewish community in Brooklyn

Friday, 3rd April 2020, 12:33 pm

Why is television so fascinated by religious rebels? And why does it never get their portrayal quite right?Anyone who has broken from their faith community in extreme cases, cults, but more commonly, the Amish or Mormons are considered beguiling, different, alien.

Too often in drama, a persons break from the world that has raised them is sensationalised as a total rejection of their upbringing, faith and customs; the individuals simplified as naive oddballs, or wild and off the rails, unable to cope with the trappings of modern society. Which is why the fantastic new mini-series Unorthodox is so striking in its measure and consideration.

This is Netflixs first series filmed in Yiddish. Based on the 2012 memoir by Deborah Feldman, Unorthodox: The Scandalous Rejection of My Hasidic Roots, it follows Esty Shapiro, a 19-year-old who flees her Orthodox Jewish community in Williamsburg and travels to Berlin.

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Through flashbacks - during which we feel lurched far further in the past than mere weeks and months; shots of busy roads and familiar New York street signs remind us were in contemporary Brooklyn - we see glimpses of her former life, and the reasons she had to leave: her marriage to her husband, Yanky, was not happy, and childless. Under much family pressure, he asked Esty for a divorce.

Esty herself is described as an orphan though it transpires that her crazy mother fled when Esty was a toddler. Shira Haas, the 24-year-old Israeli actress who plays Esty, is superb: determined, insular, captivating to watch. She looks even younger than she is, which makes scenes such as her wedding, at which she seems doll-like in her dress, an even starker reminder of the life and liberties she was denied.

Her grit when she reaches Berlin making friends, going to bars, auditioning for a conservatory is all the more staggering for it: she is trying out adulthood for the first time. Isnt it splendid? she is asked, in a club as the techno pounds. I dont know yet, she says. All my life Ive been warned that all this would kill me.

That youth is her most powerful weapon again in the shows most devastating scene, a flashback to the moment she and Yanky were finally able to consummate their marriage after months of failed attempts it had always been too painful for her. Mid-argument, she lies on her back, clenches her jaw and tells him to climb on, covering her eyes with her hands, face scrunched up in pain. She tells him to keep going and when he finishes, beaming, a different kind of innocence has been lost as she weeps in lonely agony beside him.

We never see Esty deliberating about whether to leave: that she has to go is her only certainty

Those contrasts between girlhood and womanhood are the only times Unorthodox sets out to shock. There is no final fight after which she must pack up; tension and conflict with her family is kept to a minimum; and her community and religion are never condemned as simple oppressors.

She told her husband when she first met him that she was different, but we are rarely reminded that Esty is an odd one out the point is, she could be anyone. Symbols of Hasidic Judaism are everywhere, and do not need to be explained for the viewer to understand their importance in one scene, Esty cries as her head is shorn, while younger girls look on in horror; in another, her husbands peyot come to represent his heartbreak. Mostly, though, Esty's imprisonment by a patriarchal world in which her worth is measured in how many babies she has is conveyed through women like her interfering mother-in-law rather than any religious doctrine, which compounds the sense of her entrapment.

We never see Esty deliberating about whether to leave: that she has to go is her only certainty. And when she does, the new freedoms she cherishes are simple: love, music and her mother, who has spent decades making peace with everything she gave up: So much damage done in Brooklyn in the name of God.

'Unorthodox' is available now on Netflix

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Netflix's compelling drama Unorthodox is a striking examination of faith and feminism - inews

Why ‘Unorthodox’ Producers ‘Only Cast Jewish Actors for Jewish Roles’ in the New Netflix Series – Showbiz Cheat Sheet

Posted By on April 6, 2020

Thenew Netflix miniseries Unorthodoxpremiered last month. The show, which has been increasing in interest on the streaming platform, is a story told in four episodes. The plot is based on a book written by Deborah Feldman. The memoir, published in 2012, is calledUnorthodox: The Scandalous Rejection of My Hasidic Roots. A producer recently told Variety why it was important for them to cast Jewish actors for Jewish characters in Unorthodox.

Anna Winger was one of the new Netflix series producers. She talked toVarietyrecently about why she wanted to cast Jewish actors for many of the main roles. The publication reported:

Winger and German co-writer Alexa Karolinski, who are both Jewish, sought to involve Jewish talent in front and behind the camera for a number of reasons.

Winger said they made a decision that we would only cast Jewish actors in Jewish roles, in part because of the language. Many of the characters in Unorthodox speak a very specific dialect of Yiddish. The actor who plays the lead, Shira Haas, spoke the language, but still had to learn the dialect spoken in Williamsburg.

We wanted people who either spoke Yiddish or had a familiarity with it, had a feeling for the language, the Unorthodox producer explained. If your grandparents spoke it, then you have a feeling for it.

The producer also told Variety what it meant that the Netflix show was producing this in Germany. It made the decision to cast Jewish actors was essential. Germany, Winger explained, has a long tradition of [making] obviously Jewish material that has been produced without any Jews involved.

The Unorthodox producer continued: there have been many films and TV projects that have been made here about Jewish history where nobody on either side of the camera was Jewish. Thats why this casting choice was so significant for Unorthodox.

She also talked about exploring some of the historical aspects of the Hasidic Jewish community portrayed in Unorthodox.

This is a community that is a post-Holocaust revival, a community that was founded by Holocaust survivors, Winger shared. We definitely speak to that. The cast and crew being Jewish, in telling a Jewish story, was important for the creators of Unorthodox.

In every respect this is a very integrated diaspora project, Winger explained. Jews of all stripes were involved in making this TV show.

The show aired on Mar. 26 of this year.

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Why 'Unorthodox' Producers 'Only Cast Jewish Actors for Jewish Roles' in the New Netflix Series - Showbiz Cheat Sheet

‘Unorthodox’: What is the Netflix Miniseries About? – Showbiz Cheat Sheet

Posted By on April 6, 2020

Now that so many of us are stuck inside for the indefinite future, were going to need some new Netflix shows to binge. The Netflix series Unorthodox premiered on Mar. 26 , 2020. Its been picking up in popularity and critical acclaim over the last few days. The four-episode show was based on a 2012 memoir by Deborah Feldman titled Unorthodox: The Scandalous Rejection of My Hasidic Roots. But what is the miniseries really about?

As Forbes recently reported, Unorthodox, is already reaching Netflixs Top 10 chart in the U.K. The author behind the Forbes piece, Sheena Scott, recommended that upon starting Unorthodox, you have four free hours to spare.

You wont be able to stop watching this spellbinding moving story of a young woman seeking her own sense of self, Scott gushed.

Israeli actress Shira Haas plays Unorthodoxs protagonist, Esther, or Etsy, Shapiro. In the first episode, we see her abandon her Hasidic Satmar community in Williamsburg, Brooklyn, to go to Berlin, Germany.

Once Etsy arrives in Germany, Scott writes that she encounters a group of music students from the Berlin Music Conservatory. This leads the young woman to find a new secular life.

A producer on Unorthodox, Anna Winger recently talked to Variety about the show. She explained that for this four-episode miniseries, they wanted to hire Jewish cast and crew members.

Winger and German co-writer Alexa Karolinski, who are both Jewish, sought to involve Jewish talent in front and behind the camera for a number of reasons, Variety reported. Winter explained to the publication:

We made a decision that we would only cast Jewish actors in Jewish roles, in part because of the language. We wanted people who either spoke Yiddish or had a familiarity with it, had a feeling for the language. If your grandparents spoke it, then you have a feeling for it.

While Haas spoke Yiddish, she had to train in the dialect spoken in Williamsburg.

we were producing this in Germany, where there is a long tradition of obviously Jewish material that has been produced without any Jews involved, Winger continued. This is why hiring Jewish people to work both behind and in front of the camera was essential. The Unorthodox producer lamented that: there have been many films and TV projects that have been made here about Jewish history where nobody on either side of the camera was Jewish.

With our story we felt it was really important to turn that around, Winger told Variety.

In every respect this is a very integrated diaspora project. Jews of all stripes were involved in making this TV show, the producer continued. Also inextricably involved in the story? The Holocaust.

This is a community that is a post-Holocaust revival, a community that was founded by Holocaust survivors, Winger shared. We definitely speak to that.

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'Unorthodox': What is the Netflix Miniseries About? - Showbiz Cheat Sheet


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