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The message of the fig | Sharona Margolin Halickman | The – The Times of Israel

Posted By on February 15, 2020

In Parshat Yitro, Bnei Yisrael received the Torah as a community, yet each individuals relationship with the Torah is personal and unique.

In the Talmud, Eruvin 54, Rabbi Yochanan asks why the words of the Torah are compared to a fig tree as it says in Mishlei (Proverbs) 27:18, He who guards the fig tree shall eat its fruit. Rabbi Yochanans answer is that in the case of the fig tree, every time a person handles it, they find a ripe fig, the same is true for the words of Torah: Every time a person studies them, they find flavour in them.

Every time that we study Torah, we can always find a new idea. We just need to know where to look. Some find new ideas by reading the text more closely, others study commentaries that they have not read before while others choose to study with a teacher with whom they have not yet studied, who can give them a whole new perspective.

While we celebrated Tu BShvat this past week, we were reminded to internalize the messages that the seven species of Israel, including the fig, teach us.

The compilation of midrashim, Yalkut Shimoni Yehoshua 2, presents a similar question to the one mentioned in Eruvin: Why is the Torah compared to a fig? Because most fruits contain something inedible- dates have a pit, grapes have hard seeds and pomegranates have a peel. But every part of a fig is good to eat. So too with the Torah- every part of it contains wisdom.

I have been writing a Dvar Torah (short sermon) about the weekly Torah portion each week for the past fifteen years and I have found the words of this midrash to be true. There is always something new to find and ideas that one may have overlooked in previous years can suddenly become relevant.

One idea about the fig that I especially find meaningful this year is in Micha 4:2-5:

But they shall sit every man under his vine and under his fig tree; and none shall make them afraid for the mouth of the Lord of hosts has spoken it. For let all people walk everyone in the name of his god and we will walk in the name of the Lord our God forever and ever.

Just a few weeks ago, delegates from around the world came to Jerusalem to mark 75 years since the liberation of Auschwitz. Lets hope that this is the beginning of the fulfilment of Michas words, hoping for a time when the nations of the world will be at peace with Israel and when members of all religions will have respect for one another while enjoying the beauty of Israels grape vines and fig trees.

Sharona holds a BA in Judaic Studies from Stern College and an MS in Jewish Education from Azrieli Graduate School, Yeshiva University. Sharona was the first Congregational Intern and Madricha Ruchanit at the Hebrew Institute of Riverdale, NY. After making aliya in 2004, Sharona founded Torat Reva Yerushalayim, a non profit organization based in Jerusalem which provides Torah study groups for students of all ages and backgrounds.

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The message of the fig | Sharona Margolin Halickman | The - The Times of Israel

White supremacist propaganda spreading, Anti-Defamation League says – The Denver Post

Posted By on February 15, 2020

NEW YORK Incidents of white supremacist propaganda distributed across the nation jumped by more than 120% between 2018 and last year, according to the Anti-Defamation League, making 2019 the second straight year that the circulation of propaganda material has more than doubled.

The Associated Press

The Anti-Defamation Leagues Center on Extremism reported 2,713 cases of circulated propaganda by white supremacist groups, including fliers, posters and banners, compared with 1,214 cases in 2018. The printed propaganda distributed by white supremacist organizations includes material that directly spreads messages of discrimination against Jews, LGBTQ people and other minority communities but also items with their prejudice obscured by a focus on gauzier pro-America imagery.

The sharp rise in cases of white supremacist propaganda distribution last year follows a jump of more than 180% between 2017, the first year that the Anti-Defamation League tracked material distribution, and 2018. While 2019 saw cases of propaganda circulated on college campuses nearly double, encompassing 433 separate campuses in all but seven states, researchers who compiled the data found that 90% of campuses only saw one or two rounds of distribution.

Oren Segal, director of the Leagues Center on Extremism, pointed to the prominence of more subtly biased rhetoric in some of the white supremacist material, emphasizing patriotism, as a sign that the groups are attempting to make their hate more palatable for a 2020 audience.

By emphasizing language about empowerment, without some of the blatant racism and hatred, Segal said, white supremacists are employing a tactic to try to get eyes onto their ideas in a way thats cheap, and that brings it to a new generation of people who are learning how to even make sense out of these messages.

The propaganda incidents tracked for the Anti-Defamation Leagues report, set for release on Wednesday, encompass 49 states and occurred most often in 10 states: California, Texas, New York, Massachusetts, New Jersey, Ohio, Virginia, Kentucky, Washington and Florida.

Last years soaring cases of distributed propaganda also came as the Anti-Defamation League found white supremacist groups holding 20% fewer events than in 2018, preferring not to risk the exposure of pre-publicized events, according to its report. That marks a shift from the notably visible public presence that white supremacist organizations mounted in 2017, culminating in that summers Charlottesville, Va., rally where a self-described white supremacist drove into a crowd of counterprotesters.

About two-thirds of the total propaganda incidents in the new report were traced back to a single white supremacist group, Patriot Front, which the Anti-Defamation League describes as formed by disaffected members of the white supremacist organization Vanguard America after the Charlottesville rally.

The Anti-Defamation League, founded in 1913 to combat anti-Semitism as well as other biases, has tracked Patriot Front propaganda using messages such as One nation against invasion and America First. The report to be released Wednesday found that Patriot Front played a major role last year in boosting circulation of white supremacist propaganda on campuses through a push that targeted colleges in the fall.

Segal said that his groups research can equip community leaders with education that helps them push back against white supremacist groups messaging efforts, including distribution aimed at students.

University administrators, Segal said, should speak out against white supremacist messaging drives, taking the opportunity to demonstrate their values and to reject messages of hate that may be appearing on their campus.

Several educational institutions where reports of white supremacist propaganda were reported in recent months did just that. After white supremacist material was reported on campus at Brigham Young University in November, the school tweeted that it stands firmly against racism in any form and is committed to promoting a culture of safety, kindness, respect and love.

The school went on to tweet a specific rejection of white supremacist sentiment as sinful by its owner, the Church of Jesus Christ of Latter-day Saints, without naming the identity of the group behind the propaganda.

While some of the propaganda cataloged in the Anti-Defamation Leagues report uses indirect messaging in service of a bigoted agenda, other groups activity is more openly threatening toward Jews and minority groups. The New Jersey European Heritage Association, a smaller white supremacist group founded in 2018, contains numerous anti-Semitic tropes and refers to Jews as destroyers in its most recent distributed flier, according to the report.

The Anti-Defamation Leagues online monitoring of propaganda distribution is distinct from its tracking of white supremacist events and attacks, and that tracking does not include undistributed material such as graffiti, Segal explained.

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White supremacist propaganda spreading, Anti-Defamation League says - The Denver Post

The Importance of Being Anti-Fascist – The Nation

Posted By on February 15, 2020

A counterprotester confronts members of the Proud Boys and other right-wing demonstrators during an End Domestic Terrorism rally in Portland, Oregon. (Noah Berger / AP Photo)

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Several hundred anti-fascist activists gathered in Lownsdale Square, a small park in downtown Portland, Oregon, on February 8 to oppose a Ku Klux Klan rally organized by Steven Shane Howard, a former imperial wizard of the North Mississippi White Knights. But after local anti-fascist groups mobilized to counterprotest, Howard contacted the Portland Police Bureau to cancel his event. When the KKK didnt show up, we held a victory party instead.Ad Policy

Unfortunately, while we anti-fascists in Portland danced to a brass band dressed in banana costumes (the beloved Banana Bloc), more than a hundred members of the white nationalist group Patriot Front marched through the National Mall in Washington, DC, wearing white masks and chanting Reclaim America! and Life, liberty, victory!

In the aftermath, #AntifaTerrorists trended on Twitter. The hashtag tends to emerge when the right has an optics problem and needs to spin the narrative. An optics problem like, for example, white nationalists marching through the nations capital.

For all of the right-wing hand-wringing over people dressed in black wielding silly string and oranges, nearly all the domestic terrorists in the United States emerge from the extreme right. A 2019 report from the Anti-Defamation Leagues Center on Extremism showed that all 50 of the extremist killings in the United States in 2018 had links to right-wing extremists. Since 2001, the extreme right has killed 109 people. Over that same time period, anti-fascists are responsible for zero deaths.

The goals of anti-fascism are simple: oppose hate and prevent its spread. The goal of white nationalism, as established in core texts such as Siege: The Collected Writings of James Mason and the white nationalist utopian novel The Turner Diaries, is to destabilize American society and initiate a civil war. Amid the chaos of a fragmenting country, the white nationalists plan to seize control and establish a white homeland. (That nationalist doesnt refer to the United States. It refers to the white nation theyll form from Americas ashes.) Its far-fetched, but the improbability doesnt keep us safe from domestic terrorists working toward it.Related Article

Domestic terrorists are like mushrooms. Mushrooms are the surface expression of a complex network that lives beneath the soil and can span thousands of acres. Above the surface: A hate-filled personalmost always a white mancommits an act of terror, like the Tree of Life Synagogue shooting or the El Paso massacre. The popular narrative may describe him as a lone wolf, lashing out at society because of a personal grievance. We want to believe that; it renders each horrific attack an isolated event. But white nationalists are deliberately encouraging vulnerable individuals to carry out terrorist acts. In addition to message boards like IronMarch, 4chan, and StormFront, white nationalists rely on rallieslike the one planned by Howard in Portland and the one carried out in Washington, DCfor recruitment and radicalization. Rallies give them an opportunity to identify and connect with individuals who they deem open to indoctrination, as well as generating a trove of often sensationalized media coverage that they can mine for online propaganda.

In the spring of 2017, a Vancouver, Washingtonbased group called Patriot Prayer began crossing the Columbia River into Portland to hold right-wing extremist rallies. Emboldened by the Trump administration, they came to challenge Portlands reputation for progressive politics and values. Their intention was not to protest but to instigate conflict. Theyre frequently accompanied by members of the Proud Boys and known white supremacist groups, including the American Guard, the Three Percenters, and the Oath Keepers. They come dressed for battle, with helmets and body armor, sticks and bear spray, knives and guns. Oregon is an open-carry state, and the alt-right takes full advantage.Current Issue

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Theyve been confronted by anti-fascist protesters marching in black bloc as well as those rallying in solidarity. But theyve also been helped by the Portland Police Bureauan organization that includes among its ranks an officer who built a shrine to Nazi soldiers in a public park. In a series of hundreds of friendly text messages between Portland Police Lieutenant Jeff Niiya and Patriot Prayer leader Joey Gibson from 2017 to 2018, the lieutenant shared information about anti-fascist activist movements, including the locations of unrelated leftist events.

On the morning of a Patriot Prayer rally on August 4, 2018, police found members of Patriot Prayer with a cache of loaded weapons on a rooftop overlooking the location where the rally and anti-fascist counterprotest would take place. The weapons were taken and the Patriot Prayer members redirected. There were no arrests, and police returned the weapons after the event. The Portland Police Bureau informed neither the public nor the mayors office of this potential sniper threat until months later.

When the police form a line to separate one side from the other at these events, they always stand with their backs to the alt-right and their weapons facing the anti-fascist counterprotesters. Dispersal orders and crowd-control weapons like tear gas and stun grenades (flashbangs) go only one way, often deployed against the anti-fascists to allow Patriot Prayer to leave the area. Nonviolent protesters have been struck and seriously injured by flashbangs fired directly into the crowd by the police.

So why do we keep showing up to protest Patriot Prayer and their white supremacist friends? Why did we come together last Saturday to protest the KKK? Critics often tell us, Stop giving them the attention theyre looking for!

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We keep showing up, because ignoring hate doesnt make it go away; it only allows it to spread further. If we permit white supremacists to march through our city, theyll grow bolder. If we dont show up each time and prove that we outnumber them, their numbers will swell. Imagine the recruiting power of an artfully edited video of white supremacists marching unchallenged through the streets of a major US city like Washington.

On August 17, 2019, Patriot Prayer, the Proud Boys, and other extremists came back to Portland. Anti-fascist protesters recognized that videos of clashes have been used as right-wing propaganda, and so the anti-fascist group PopMob organized the Spectacle, an event designed to shut that down. PopMob encouraged Portlanders to wear whimsical costumes to an anti-fascist outdoor dance party adjacent to the far-right rally. That resulted in the confrontation of about 300 far-right demonstrators with roughly 1,500 unicorns, cats, witches, and bananas (the Banana Bloc, of course), joined by a contingent of protesters in a black bloc forming a front line to protect us. It was a very Portland protest, and it was also very effective. The far right called it quits after 30 minutes, retreated to their rental buses, and went home.

This past Saturday, the KKK wanted to test Portland, and once again we organized and claimed victory. Portland leftist organizations including PopMob, Rose City Antifa, Portland DSA, Jobs with Justice, Banana Bloc, the Direct Action Alliance, and others have formed a community to face down right-wing extremists.

When we counterprotest white supremacists in Portland, were working to cut off white nationalists recruitment and radicalization tools as early as possible. If you are opposed to fascism, you are an anti-fascist, and our fight is your fight. As a favorite chant at these anti-fascist rallies goes, We are many! They are few! We need to prove that nationwide.

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The Importance of Being Anti-Fascist - The Nation

ADL: Extremists are Using Coronavirus Outbreak to Stoke Hatred Against Jews – Algemeiner

Posted By on February 15, 2020

Supporters of medical workers hold a flash mob protest to back their strike to demand Hong Kong closing its border with China to reduce the coronavirus spreading, in Hong Kong, China, February 3, 2020. Photo: REUTERS/Tyrone Siu.

JNS.org Neo-Nazi and white supremacists are using fears of the deadly coronavirus to stoke hated against Jews and spread conspiracy theories on social-media platforms, according to a new report released by the Anti-Defamation League.

Following a well-worn pattern of capitalizing on major news stories to advance their bigotry and antisemitism, extremists have latched onto fears surrounding the coronavirus story to promote conspiracy theories and even boogaloo, referring to the extremists code word for violence, the ADL report said.

According to the ADL, extremist-friendly platforms such as Telegram, 4chan and Gab have been filled with messages posted by racists.

Extremists hope the virus kills Jews, but they are also using its emergence to advance their anti-Semitic theories that Jews are responsible for creating the virus, spreading it to increase their control over a decimated population, or they are profiting off it, the ADL said.

February 15, 2020 1:04 pm

Additionally, more widely used and mainstream social-media platforms like Twitter, Facebook, Instagram and Reddit have also seen concerning messages being spread by extremists.

The report said that on these platforms, posters are calling coverage of the coronavirus a hoax and a distraction designed to frighten the public, while others are arguing that the viruss impact is far worse than authorities want people to think.

As of Friday, the World Health Organization reported 31,211 confirmed cases globally, with the vast majority in China and at least 637 deaths.

The relatively small [number of] cases outside China gives us a window of opportunity to prevent this outbreak from becoming broader global crisis, said WHOs Director General Dr. Tedros Adhanom Ghebreyesus, during a press conference on Friday. Our greatest concern is about the potential for spreading countries with weaker health system and lack the capacity to detect or diagnose the virus.

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ADL: Extremists are Using Coronavirus Outbreak to Stoke Hatred Against Jews - Algemeiner

What the Worlds Best Chefs Will Be Cooking At The 2020 South Beach Wine And Food Festival – Forbes

Posted By on February 15, 2020

Have you ever seen babaganoush this pretty? Tomas Kalika of Mishiguene in Buenos Aires, No. 20 on ... [+] Latin America's 50 Best Restaurants, will be serving his smoked eggplant seasoned with lime, olive oil, culis of organic tomatoes, toasted almonds, zaatar and tahini sauce in Miami at the South Beach Wine and Food Festival on February 19

Every February, The Food Network & Cooking Channel South Beach Wine and Food Festival (SOBEWFF) takes center stage in Miami. From February 19 to 23, 2020, there will be more than a hundred events taking place with an expected attendance of over 65,000 people. As in prior years, proceeds will benefit the Chaplin School of Hospitality and Tourism Management at Florida International University.

This year, I am particularly interested in the dinners. Some of the worlds best chefs will be flying into the city to cook just for one night.

Here are my top 5 picks, in order of dates:

Toms Kalika

February 19 Wednesday (7:00 PM to 10:00 PM)

Los Fuegos by Francis Mallmann at Faena Hotel Miami Beach

$300

Tomas Kalika of Mishiguene in Buenos Aires, Argentina

Buenos Aires-based Toms Kalika, who helms Mishiguene (No. 20 on Latin Americas 50 Best Restaurants 2019), pays tribute to Argentinas Jewish immigrant heritage by reinventing Ashkenazi, Sephardic, Israeli and Middle Eastern dishes. He will be cooking in Miami for the first time at fellow Argentine Francis Mallmanns Los Fuegos restaurant at Faena Miami Beach.

Jewish cuisine is one of the largest culinary maps in the world, shares Kalika. The Jewish people have migrated throughout the planet since the very beginning of time. In these migrations, something fascinating happened: the exchange of ingredients and spices; thus the repertoire of recipes of our people has been enriched. Without a doubt, Miami is part of this map with its very large Jewish community. It is a great honor for us to be able to bring our gaze on Jewish cuisine to a city as cosmopolitan as Miami.

The dinner will be taking place at Los Fuegos by Francis Mallmann at Faena Miami Beach

Some dishes to expect: Babaganoush, kibbeh naia (steak tartar, bulgur, harissa sauce, labneh), varenikes (potato ravioli served with candied onions and schmaltaz mit gribenes) and pastrami short rib (truffled farfalach and honey-cognac reduction in natural juice)

Paired with: Via San Pedro wines including Sideral 2017, Altair 2016 and Cabo de Hornos 2016

Jos Andrs and Friends: Feeding the World

February 20 Thursday (7:00 PM to 10:00 PM)

SLS South Beach

$200

Humanitarian chef Jos Andrs will be hosting a walk-around dinner serving dishes from places his ... [+] World Central Kitchen (WCK) Chef Relief Team has deployed around the world

Times 100 List Honoree 2018, Worlds 50 Best Restaurants 2019 Icon Awardee and James Beard Award-winning chef Jos Andrs will be hosting a walk-around tasting dinner at the SLS Hotel serving dishes from several locations where the World Central Kitchen (WCK) chef relief team has operated. Last year we did Taste of Puerto Rico, shares chef de cuisine Karla Hoyos. We had the different Puerto Rican chefs who helped during Hurricane Maria. This time, we will have chefs from all over who have helped WCK during multiple disaster relief operationsso theres going to be food from Indonesia, Venezuela, Mexico, Puerto Ricothe places where WCK has helped. Thats why its called Feeding the World. Its what WCK doesthey feed the world. Participating chefs include: Abe Moiz from Krakatoa Indonesian Cuisine in Hollywood, Florida; Ruffo Ibarra from Oryx in Tijuana, Mexico; Jose Enrique Montes of Jose Enrique in San Juan, Puerto Rico; and Carlos Garcia of Alto in Caracas, Venezuela and Obra Miami.

Similar to last year, Feeding the World will be a walk-around event

Some dishes to expect: Singang (Abe Moiz), Baja sunset soup (Ruffo Ibarra), Achiote braised pernil and amarillo mash (Jose Enrique), Ripe plantain ceviche (Carlos Garcia), Seafood paella (Jos Andrs), Jamn Ibrico de Bellota (Jos Andrs)

Jos Andrs and his team will be serving Jamn Ibrico de Bellota

Paired with: Grard Bertrand wines and libations from Patrn

Dario Cecchini, Eyal Shani and Fabio Vaccarella

February 21 Friday (7:00 PM to 10:00 PM)

The Patio at the Continuum

$275

The world's famous butcher Dario Cecchini

Eyal Shani of HaSalon and Miznon will be serving some of his signature dishes at this year's SOBEWFF

Born and raised in Palermo, Sicily, chef Fabio Vaccarella executive chef of The Patio at The ... [+] Continuum comes from a family of chefs

The worlds most famous butcher Dario Cecchini (credited with turning Panzano in Chianti into a tourist destination thanks to his Antica Macelleria Cecchini and whom youve also most likely seen on Netflixs Chefs Table), The Cauliflower King Eyal Shani (whose Miznon has expanded from Tel Aviv to Paris, Vienna, Melbourne and New York) and host venue The Patio at the Continuums executive chef Fabio Vaccarella will be marrying Italian and Israeli dishes. This is the first time the resort-style oceanfront condominium is participating in SOBEWFF, with the poolside event open to only 100 guests. While the dinner is primarily for residents and their guests, a select number of tickets have been made available to the public on the SOBEWFF website.

The Patio Restaurant at The Continuum. This is the first time the resort-style oceanfront ... [+] condominium is participating in SOBEWFF, with the poolside dinner event open to only 100 guests

Some dishes to expect: Roasted whole snapper with Mediterranean vegetables, wine sage and butter (Eyal Shani), Linz Heritage Angus Bistecca alla Fiorentina with baked potato and Chianti butter (Dario Cecchini), Ricotta cheesecake with pistachio del bronte and orange coulis (Fabio Vaccarell)

Paired with: Italian wines from Southern Glazers portfolio including Toscolo Vernaccia di San Gimignano DOCG 2018, Cignale Colle della Toscana Centrale IGT 2013, Supremus Toscana IGT 2015

Eyal Shani's Roasted whole snapper with Mediterranean vegetables, wine sage and butter

Dario Cecchini's Linz Heritage Angus Bistecca alla Fiorentina

Daniel Boulud with Kristen Essig and Michael Stoltzfus

February 21 Friday

7:00 PM to 10:00 PM

Boulud Sud

$275

Daniel Boulud returns to SOBEWFF, this time hosting James Beard Awards semi-finalists Kristen Essig ... [+] and Michael Stoltzfus at his Boulud Sud

James Beard Award semi-finalists Kristen Essig and Michael Stoltzfus, chefs/ owners of Coquette in ... [+] New Orleans

Worlds 50 Best Restaurants Lifetime Awardee 2015, Michelin-decorated and James Beard Award-winning chef Daniel Boulud opens his Boulud Sud to James Beard Award semi-finalists Kristen Essig and Michael Stoltzfus, chefs/ owners of Coquette in New Orleans, to celebrate flavors of the Mediterranean and Gulf coasts.

Boulud Sud Miami is located at the JW Marriott Marquis

Dishes to expect: Pissaladire Moroccan beef tartare (Daniel Boulud), Potato beignet with smoked trout roe Louisiana crab salad (Kristen Essig & Michael Stoltzfus), Louisiana long grain rice hogshead cheese, crawfish tails, celery (Kristen Essig & Michael Stoltzfus), Honey-glazed duck with cumin, endive, raisin, pine nuts (Daniel Boulud)

Paired with: Wines from the Grard Bertrand portfolio

Daniel Boulud and his team at Boulud Sud will be serviing their honey-glazed duck with cumin, ... [+] endive, raisin, pine nuts

Mauro Colagreco

February 21 February (7:00 PM to 10:00 PM)

Flories at Four Seasons Resort Palm Beach

$500

Mauro Colagreco of the No. 1 restaurant on the World's 50 Best Restaurants and ... [+] three-Michelin-starred, Mirazur in Menton, France, at his first US restaurant, Florie's at the Four Seasons Resort Palm Beach

Florie's at the Four Season's Resort Palm Beach

When the chef of the No. 1 restaurant on the planet (according to the The Worlds 50 Best Restaurants), which also happens to hold three Michelin stars, comes to cook at SOBEWFF for the first time, you know its going to be a night to remember. Mauro Colagreco of Mirazur in Menton, France will cook at his first US restaurant, Flories, located in the Four Seasons Resort Palm Beach. All the dishes will be off-menu, created specifically for this special evening.

Some dishes to expect: Carabinero prawn, Four Story Hill chicken, kefir lime, beurre blanc, trout eggs; Vermont Creamery goat cheese ravioli; Creekstone Farms dry aged La cote de boeuf with beetroot and roasted Spanish almonds; White chocolate mousse

Paired with: Biodynamic wines from the Grard Bertrand portfolio

For more information and to purchase tickets, visit the SOBEWFF website

Originally posted here:

What the Worlds Best Chefs Will Be Cooking At The 2020 South Beach Wine And Food Festival - Forbes

In new doc, a master of ‘hazzanut’ synagogue music finds his career fading – The Jewish News of Northern California

Posted By on February 15, 2020

Cantor Jack Mendelsons style the operatic hazzanut (classical European Jewish liturgical music), which enjoyed a golden age in early and mid-20th century American synagogues is heard less and less in America today.

The documentary A Cantors Head, playing at Jewish Film Institutes WinterFest on March 1, is an engaging profile of a man with great skill, a master of his craft, who feels he and the music he has devoted his life to are being unfairly cast aside.

Its a quiet, personal documentary about the work of synagogue cantors that sometimes feels like a eulogy for a dying art. For those who appreciate that musical style, the film is chock-full of it.

Though the style of the documentary is nothing special, it paints a touching picture of a big man with a bigger personality and an even bigger voice.

Much of the film follows Mendelson preparing for his final High Holiday season at Temple Israel Center in White Plains, New York.

In one scene, we see him half-clothed, getting ready for Erev Yom Kippur. He notes that one is supposed to use and wear new things on Yom Kippur, then pulls out a new razor to shave. In another scene, he narrates engagingly the dozen pills he takes every morning. This is for my mood. Without it, Im angry at the world, Im angry at myself. Another pill, he notes, makes him pee more.

After that, were with him in his therapists office, where he controls the conversation with her. Mendelson always wants to be in control of the conversation, any conversation.

His son, Daniel, is also a cantor. My dad happens to be the best, if not among the best, cantors in the Conservative world. Hes the Michael Jordan of what he does, he says.

But what good is being the Michael Jordan of something no one cares about anymore?

Twenty-eight years of what I did is finished, over, all of a sudden, Mendelson says later in the film.

Theyre singing music from composers with an American sound, Mendelson says dismissively. And I wasnt against that, as long as that music was a guest in the service and the hazzanut is the host a typical new cantor wont do any hazzanut at all.

His attitude is pessimistic about the future of Jewish synagogue music, derisive toward the new American composers. He complains at one point about a contemporary Christian melody that has become common in some American synagogues and summer camps never mind the long history of European synagogue music being in dialog with European secular and church music.

On one hand, its easy to sympathize with his sadness. On the other, his resentfulness toward new styles is unbecoming. It is true that, as one talking head in the film says, people today dont like hazzanut because they dont know it. But there is a difference between liking or appreciating hazzanut and wanting to hear it in ones own synagogue every week. People can be taught to appreciate it, but you cant teach them to want it. I, like many modern synagogue-goers, go to synagogue to participate. But hazzanut is the opposite of participatory it is performative.

Anyone who wants to live in the past is going to be out of a job, says one cantor interviewed, though she also expresses shock and dismay at Temple Israel Centers decision to get rid of Mendelson.

Another interviewee, a cantor who knows Mendelson well, discusses and sings his own compositions modern pop rock music but with Jewish content. Its utter shlock. If thats the modern American synagogue music Mendelson is exposed to, no wonder hes disdainful of it. Rick Recht, the master of modern synagogue pop-rock shlock, also puts in an appearance.

Mendelson and the filmmakers appear unaware of the other new modes of synagogue music in America the music of new composers like Joey Weisenberg, who right now is creating an entire new school of American Jewish music, and the neo-Hasidic style one hears from Renewal types. And theres also the growing awakening of American Jews to classic Sephardic music as venerable a tradition as Mendelsons European hazzanut.

Though his longtime congregation has cast him aside, Mendelson is traveling and teaching. When teaching about hazzanut, he comes alive. Hes funny and powerful. One former student calls him a sit-down comedian. In the classroom and outside of it, he tells the stories of his life nonstop, most of them quite funny.

He is working on a one-man musical show on his life. Are these enough on which to build a future? Its unclear. Mendelson is fearful. He is depressed. He has money problems.

Mendelson has struggled with depression his entire life. In one tearful scene, he tells of his bar mitzvah, in which he made error after error while chanting his Torah portion. His father was deeply disappointed. It is a trauma that is with Mendelson seemingly every day of his life.

His mother would tell him hazzanus [another pronunciation of hazzanut] is my life. Not Mendelson, not his brother, not her husband hazzanus is my life, he notes with some resentment. She had a deep wellspring of anger, Mendelson says. She assuaged that anger only in shul, during the Hoshana Rabba service at the end of Sukkot, in which worshippers bash leafy branches on the ground. One can see how Mendelson learned that shul and shul music is the place to express yourself.

Teachers and practitioners of cantorial music interviewed throughout the 86-minute film call Temple Israel Centers decision to get rid of Mendelson insane. And it is. Theres a place for what he does, and for what new cantors do.

The film left me with a renewed appreciation for classical European cantorial music, and hoping that American synagogues can find a place for both. But like many in the film, Im not optimistic that it will happen.

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In new doc, a master of 'hazzanut' synagogue music finds his career fading - The Jewish News of Northern California

Nordic Film Series at FAHC to feature Swedish Drama, Simon and the Oaks | News, Sports, Jobs – Daily Mining Gazette

Posted By on February 14, 2020

The Nordic Film Series at Finlandia Universitys Finnish American Heritage Center continues this month with the 2012 Swedish drama Simon and the Oaks. The film will be shown at 2 p.m. and 6 p.m. on Thursday, Feb. 13.

Spanning the years 1939 to 1952, this is the gripping story of Simon, who grows up in a loving working class family on the outskirts of Gothenburg but always feels out of place. He finally convinces his father to send him to an upper-class grammar school, where he meets Isak, the son of a wealthy Jewish bookseller who has fled Nazi persecution in Germany. Simon is dazzled by the books, art and music he encounters in the home of Isaks father. Isak, on the other hand, draws comfort from learning to do something with his hands, helping Simons dad make boats. When Isak faces trouble at home, he is taken in by Simons family and the two households slowly merge, connecting in unexpected ways as war rages all over Europe.

Based on the best-selling novel of the same name, Simon and the Oaks received 13 nominations for the Swedish equivalent of the Oscar awards, winning two. The film is about 2

hours and 5 minutes long, and does have a few scenes with adult situations and language.

Nordic Film Series showings are open to the public; donations are appreciated. For more information about this months film, call (906) 487-7347.

Go here to see the original:

Nordic Film Series at FAHC to feature Swedish Drama, Simon and the Oaks | News, Sports, Jobs - Daily Mining Gazette

Breaking Glass: How Kyle Soller Found His Way Into the Role of a Lifetime – Broadway.com

Posted By on February 14, 2020

Kyle Soller's callback forThe Inheritance was one for the books. He walked into a London audition room in late 2017 with a great desire to play Eric Glass, the leadrole of the new play.An American actor finding success in the U.K.,something spoke to him about the 400-pagescript, which hed already leapt headfirst into for an earlier seemingly successful audition for esteemed director Stephen Daldry. That afternoon, he was called back to read for playwright Matthew Lopez.

"I wore a retainer at the time,"the boyishly handsome 36-year-old reveals. "I was doing the break-up scene and I was acting so hard that my retainer flew out of my mouth and hit the table and fell on the floor."So engrossed in the moment of Eric passionately accusing his lover of being a fraud, Soller didnt miss a beat: "I picked it up, put it back in my mouth and finished the scene. Apparently, Matthew later said, 'Well, thats our guy!'"

The playwright was indeed wowed by how cool Sollerremained under pressure, a necessary quality for a performer who must be a commanding presence forsix hours of stage time in a six-and-a-half hour story. What Soller didnt know was that Lopez was rattled as he entered the audition that afternoon, reeling from an interaction with an actor who had just performedthe role of Eric Glass ina 10-day workshop of the play.

"[The actor] was really fighting me on a lot of the language that I used for Eric, Lopez remembers. The way Eric employs language, uses it to express himself. He was completely at odds with it. He became very resistant to it, and on that very day of Kyles audition, told me Ive written a role that no one could play. Truthfully, it wasnt the first time Lopez had heard the complaint: Id been told by a lot of peopleactors, producers, people who read the playthat I was putting an unplayable character at the center of my play, a character who was really inactive and passive and uninteresting.

Since Soller performed the break-up scene promisinglyairborne retainer and allLopez dug into his hefty script and slid a page across the table, containing one of the allegedly unplayable monologues, asking the hopeful actor if he minded giving it a go. Soller remembered the words from the script and started: The car turned away, and Eric stood by the hedgerow that protected the property from the road and he stepped for the first time onto the grounds. The monologue, which closes out Part One of The Inheritance, is one of Lopezs richestfilled with beauty in its detail of the moment the character first lays his eyes on the upstate colonial clapboard home hes long dreamedof visiting. Soller finished: Eric breathed and filled his lungs with the past. It stretched before him now, limitlessthe past and the present, mingling together inside this house, inside him.

He read it cold, Lopez remembers. And he did it brilliantly and understood it. I knew in that moment I found the right actor to play Eric Glass. Suddenly, in Kyles hands, all these giant warnings about the role vanished. I believe that Kyles performance of that speech is the thing that won him the Olivier.

From its Young Vic Theatre debut a few months later, to a smashing West End run and current Broadway transfer, which opened in November at the Barrymore Theatre, Sollers performance in The Inheritance has earned himacclaim, including the 2019 Olivier Award for Best Actor, besting British stage giants Simon Russell Beale and Ian McKellen. (Soller was previously nominated in 2013 for playing Edmund in Long Days Journey Into Night opposite Laurie Metcalf.)

At the start of the play, Eric radiates warmth and intelligence, and comes off as a kindly, modern New York City gay man. Hes also a character with incredible fortune, like a seven-year relationship with a successful authorboyfriend and, more remarkably, a sprawling rent-controlled apartment on the Upper West Side that has remained in his family for 68 years. Eric thinks of himself as a clued-up gay New Yorker, Soller explains. He has a strong gay community of friends, knows about the Stonewall riots But, Soller points out, what he does nothave is a sense of place and ownership. When Eric'ssettled life begins to crumble,Soller says, He figures out exactly who hes supposed to be.

Key to that discovery is a chance meeting with another gay man: Walter Poole (portrayed by the great Paul Hilton), anolder neighbor who shares a deeply personal account of the devastation the AIDS epidemic laid bare on his circle of friends in the 1980s. Eric says to Walter, I cant imagine what those years were like. I can understand what it was, but I cannot possibly feel what it was," Soller says, "I think thats true for a lot of people. Its incredibly difficult to imagine walking down the streets of Manhattan thinking, When? not If Its just staggering.

Those emotions, and the profound friendship between Eric and Walter, are key to Lopezs intentions in crafting Broadways latest gay epic. Although E.M. Forsters 1910 novelHowards End offers The Inheritance much of its structure, with Eric standing in for heroine Margaret Schlegel (and Walter for Ruth Wilcox, owner of the titular estate), the notion of generations of gay men (including Forster) listening and learning from the pain and passion of each others lives is what makes the play poignant.

Soller and the entire cast of the show have met many Walters at the stage door after performances of The Inheritance, and have witnessed, according to Soller, the beautiful sight of 20-year-olds holding 60-year-old men. During the show,the theater becomes a place of learning, a place of healing, a place of grieving, he says. When we get to the stage door, theres just this outpouring and its amazing, and also hard. But honoring these people and learning from them, helping them heal, is vital to moving forward as a city, and a community, but also as a people. Youre only as strong as the people who are suffering the most.

Although hes become a passionate LGBTQ ally, Soller himself isnt gay. Since 2010, hes been married to British actress Phoebe Fox, an acclaimed stage star known who appeared onBroadway for director Ivo van Hoves 2015 production ofA View from the Bridge by Arthur Miller. Soller says his wife would probably prefer to be married to Eric over Kyle, who comes home from the theater spent and needy[Eric] probably picks up after himself a lot better than me.

When he landed the role, Soller spent a month immersing himself in the lives of Eric and the other characters. I did all the things we talk about doing in the playI went to the Whitney, the Film Forum, the Jewish Museum, gay bars. I spent a lot of time in Sheridan Square [located across the street from the Stonewall Inn]just trying to be a sponge for what was going on and trying to tap into the history of the city. He also devoured a list of movies and books that Lopez offered him and walked West End Avenue, deciding which apartment building Eric lived in. I got swept up in the play completely, he reveals.

Born in Connecticut and raised in Alexandria, Virginia, Soller enjoyed a childhood filled with the arts, adventure and brotherhood. Ive got five brothersIm in the middleand alarge extended family, so I burned myself out trying to please people all the time! Soller exclaims. Suffice to say,surrounding himself with the mostly-male cast of The Inheritance feels natural thanks to his testosterone-filled adolescence.

Playing with his siblings, Soller became a risk-taker at an early age, and paid the price. I was in the hospital five times a year, he laughs. Ive got stitches all over my body. There was a game that involved rocks the size of grapefruits being thrown at me while I was running up a hill. It was a really cool gameactually! I was really good at it.

Athletics were always balanced with the arts. Soller says he had to learn how to be funny, or make a lot of noise, to stand out in such a large family. Performing in community theater came naturally and was applauded by his parents, who also encouraged him to pursue an International Baccalaureate Diploma in high school. Sports had to take a back seat when Soller had a baseball accident, breaking both of his wrists. It was a real universe moment, he remembers. "Things are going to be different after this.

Visits to New York City brought inspiration to Soller when he wasa teen. At age 15, he took a summer art course at Parsons School of Design, which inspired him to study art history at Virginias College of William &Mary after high school. But it was an earlier trip in 2000, that really inspired Sollers future. On that visit, he was lucky to catch David Leveauxs Tony-winning staging of Tom Stoppards The Real Thing at the Barrymore Theatre (now home of The Inheritance), direct from London.

It made me really interested in British actors and the heritage of stage acting in the U.K., he says. So I did a course at RADA [Royal Academy of Dramatic Art] in London between my second and third year at William& Mary, and it was another sort of universe moment. Something clicked and said, This is what youre supposed to be doing, and maybe this is where youre supposed to be doing it. Soller also admits, Bush had also just gotten re-elected and I felt really embarrassed to be an American.

So,off to London he went. I had kind of gone over without a plan, he says. Maybe the plan was to come back and try to make it in New York, but things started happening really quickly. When you fall in love, that makes everything easier.

Phoebe Fox was part of the new RADA class in 2007, as Soller was entering his third and final year. When photos of the new students were revealed over the summer, he was immediately smitten. I saw her headshot and was like, Wow. As did every other guy in my year.

Happily, the wow factor was present for Fox as well. After ushering a performance of Frank McGuinness Dolly Wests Kitchen that Soller appeared in at RADA, she made her move. She just marched right up to me in the pub afterwards, he remembers. I was having a very deep and meaningful talk with an ex at the bar and [Phoebe] sort of pushed her aside and it was just like, bam! There she was.

With Soller in The Inheritance in New York City and Fox filming the upcoming Hulu miniseries The Great in England, face-to-face time is replaced with FaceTime and planned visitsFox was on hand for opening night in November, and Soller just returned from a vacation across the pond. The happy couple is approaching their10th anniversary this summer.We make it work day to day, he says.

Soller still considers London his home and plans to return when his time with The Inheritance is done. But theres little doubt Eric Glass will stay with him forever. Absorbing the words of the script every night, consoling weeping theatergoers after the show, learning a haunting history that isnt taught in schoolsthese things stick with a performer long after the final curtain.

He now often thinks about the older gay men who worked alongside him in community theater when he was a kid, looking after him in ways he didn't see at the time. And he thinks about all of the young men who lost their lives early to AIDSand speaks passionately about how society should be honoring their sacrifice, just as we remember victims of great wars with holidays. It brings to mind a pivotal line from Howards End, which has become a touchstone for The Inheritance: "only connect."

This play has broken open my heart, Soller says,and made me try to be a better person. I think forever, there will be my life before The Inheritance and my life after The Inheritance.

Shot at The Waverly Inn and Garden NYC | Produced by Lindsey Sullivan | Photos by Emilio Madrid | Photo Assistant: Sydney Goodwin | Video Directed by Mark Hayes | Additional Camera: Kyle Gaskell | Styling by Scott Shapiro | Hair and Makeup by Rachel Estabrook

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Breaking Glass: How Kyle Soller Found His Way Into the Role of a Lifetime - Broadway.com

Women learning Talmud – The Jewish Standard

Posted By on February 14, 2020

The Talmud is the basis of everything in Judaism, Rabbanit Michelle Cohen Farber said. Most of our Judaism comes from the Talmud, and learning it creates a different understanding of our tradition and our religion.

Different from what? From the understanding that most Jewishly committed women have, she said. Thats because women traditionally have not learned Talmud. Many women are intimidated by Talmud, she said. They have been taught for many years that the Talmud is not for women.

She disagrees.

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Talmud study is something that Jewish men have done for millennia. Recently, though, its become more public, and more publically celebrated, as large groups of men start and therefore end a cycle of page-a-day Daf Yomi study at the same time, seven and a half years later, and mark it with a massive gathering. This New Years Day, MetLife Stadium hosted about 90,000 people celebrating the end of a cycle in a Siyum HaShas.

Overwhelmingly most of those people were men.

Rabbanit Farber, who made aliyah to Raanana from Long Island when she was 20, 28 years ago, also held a Siyum HaShas for women in Jerusalem, in January. The idea was to create a buzz about women learning Talmud, she said. I thought that having a big event would help women realize that the Talmud is a book that speaks to them, and it has been made accessible by the internet.

Now that all sorts of academic fields have been open to women, there is no reason why Talmud should be closed to them. The idea is to show that Talmud is approachable, accessible, and relevant. And as a result of the siyum, there has been a huge surge of interest in women learning Talmud.

As Rabbanit Michelle Cohen Farber speaks, her image is projected to the crowd. (PHOTO COURTESY HADRAN)

Rabbanit Farber who will be at Rinat Yisrael on Thursday (see box) is one of the founders of Hadran, a group devoted to teaching women Talmud. (Its at http://www.hadran.org.il; its name comes from the prayer you say after finishing a section of Talmud.) She already had recorded a Daf Yomi podcast, and now shes working on the second one. (Whats the difference? Shes older and wiser now, she said; everyone changes in seven and a half years, so the perspective now necessarily is different. But both are good, she added.)

There are tons of Daf Yomi podcasts, but this is the only one for women, she said. I now have about 3,500 downloads from unique users. She records in both English and Hebrew.

They are not aimed only at women, she said. Theyre also for men.

I have two goals in mind. There already are men learning Talmud; my goal was to attract more women to learning Talmud. I got so many responses from women after the siyum, saying that its so interesting, so eye-opening, such an entry into a world they didnt know existed. Introducing women into that world, which she loves so much, is her first goal.

Her second is to have womens commentary on the Talmud, and also to have men see womens commentary. The goal is that womens voices should be heard.

Its also for all women, she added; its not just Orthodox women. There now is a Facebook group, and it is filled with a wide range of women of all denominations, she added.

Everyone sings at Hadrans Siyum HaShas in Jerusalem. (PHOTO COURTESY HADRAN)

Although the cycle already has begun, it is not too late to start now, Rabbanit Farber said. Its never too late to start. In a way, she added, the cycle is just a gimmick, a way to get people involved. Of course its nice to have so many people finish at the same time. But you can start at any point, even in the middle of a masechet. And its not too late to catch up if you want to; were less than two months into a seven-and-a-half-year cycle.

What makes a womans insight into Talmud different from a mans? To begin with, everyone brings something different to it; gender is just one variable. Age, background, historical period, socioeconomics because everyone is different, everyone can read it slightly differently.

But here is an example, she said.

There was a story, just a few pages ago, about a rabbi who asked another rabbi to pray for his son, who was sick. So that second rabbi prays, and the son is cured immediately. Instead of being overjoyed that his son is cured, the first rabbi gets a little bit upset, and he says, Wow. Why cant I do that? So his wife says to him, Is that rabbi really greater than you are? He says no, and he thinks about it, and realizes, he says, that the difference between him and me is that he is like a servant in front of the king, and I am like an officer. The servant has more access because he is there every day. The officer is not as connected.

So you see that the guy, the rabbi, has an ego. It is his ego that gets in the way when instead of being excited about his son he is upset. And then the woman, his wife, comes in and puts it in perspective.

It is a cute story, but you see that the woman had the right perspective.

A woman who completed the Daf Yomi cycle stands, clutching the text, as tears run down her face. (PHOTO COURTESY HADRAN)

Some of this story is relevant today, although some of it is not, Rabbanit Farber said. We dont generally have people praying for immediate healing like that, but we do come across jealousy, and we can use perspective to look at it. The woman provides that perspective.

What I really like about these stories is that the Talmud isnt hesitant to criticize the rabbis, she continued. I think that a lot of people go into depth on theoretical things, but I am interested in the values and the human experience; the experience of leadership and the problem with egos.

I find it very interesting that in the Talmud, everyones opinion is accepted. The youngest of the students can be the one they quote. It doesnt matter. Everyone has something to bring to the table. The extension to women is clear and logical.

You can find a range of opinions, and the culture in the Talmud is that everyone is supposed to respect the other ones opinion.

No one person holds the truth. There are multiple truths. It is a culture about how to engage in debate. It is not about shutting out the other person.

For example, she said, Daf Yomi participants are considering the question of which dough demands a motzie the blessing for bread and which dough is not really dough and so does not. It can be a hard discussion to follow because descriptions of things like dough change over time; words morph in meaning, and technology changes. We are not even always sure what they are referring to, she said. That leads to many different opinions.

The women on stage recite the Hadran prayer, marking their completion of a tractate of Talmud; the words are projected on the screen behind them. (PHOTO COURTESY HADRAN)

In general, when you study Talmud you learn that it is a different language and a different way of thinking, and to appreciate it you have to learn it. You have to see how the logic is, what the games are, and then play them. Its hard to appreciate the system if you dont know it.

She has been learning Talmud for so long that she no longer remembers how she thought before that study began, Rabbanit Farber said, but my pediatrician always used to laugh at me because I would ask him a million questions. Im sure its my talmudic background. It makes you challenge and question. You dont take anything at face value.

As grateful as she is for the technology that makes the Talmud accessible to so many people, and that makes it possible to record podcasts quickly and easily and download and listen to them even more quickly and more easily, she is uneasy with the inherent tension they provide.

Talmud has not been like a textbook that a student can take home and study alone. Its traditionally been learned either in chevruta with a partner or in larger groups. This has taken the learning out of the beit midrash the study hall and out to people on their way to work, or in the kitchen, or exercising, or doing whatever it is that they are doing. I spoke to a woman in Philadelphia who told me that she was in a store shopping, and listening to the podcast, and she saw a friend, who was also listening to something, and they didnt even see each other at first.

And it turned out that they were both listening to the Daf Yomi podcast.

A woman holds her baby as she sings at the siyum. (PHOTO COURTESY HADRAN)

Thats great but its also a problem. A fixable one. Given that she knows that there is a vast group of women listening to Daf Yomi, I want to bring them together on a more regular basis, so they can connect with each other in their own communities, Rabbanit Farber said. Thats why the Facebook group is so successful. Its women constantly sharing their ideas. There have been other groups that meet over WhatsApp.

Often those communities have gone from the virtual to the real, she added. There was a woman in Israel, who is about my age and had never learned Talmud before. And then she started listening to the podcast.

She now has a group once a week, and she teaches Talmud; she listens to the podcast first, and then she comes to teach. It is amazing.

So some of the groups will be led by teachers, and others not. A bunch of groups already have started.

She hopes that as a result of her talk in Teaneck, women will feel inspired and empowered to start groups of their own.

When Reb Meir Shapiro started his idea of the first Siyum HaShas that was in 1923, in Vienna, at the World Agudath Israel Congress it was to connect people across the world to the words of Torah. It creates a world-wide conversation.

Who: Rabbanit Michelle Cohen Farber

What: Will talk about Open a daf, you never know what you will find Berakhot 38: Issues relating to birkhat hamazon.

When: On Thursday, February 20, at 8 p.m.

Where: At Congregation Rinat Yisrael, 389 W. Englewood Avenue in Teaneck

For more information: Call (201) 837-2795 or go to the shuls Facebook page

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Women learning Talmud - The Jewish Standard

The Fitbit Generation Discovers the Talmud – Atlanta Jewish Times

Posted By on February 14, 2020

Ive never studied Talmud systematically or regularly. When I do encounter a nugget of wisdom from the vast anthology of rabbinic law and lore, its usually cherry-picked one of a half-dozen or more Jewish texts out of which rabbis and Judaic teachers build a sermon or lesson.

If youre like me, you can probably compile your own Talmud Top Ten of famous passages, like whoever saves a life, it is considered as if they saved an entire world (Sanhedrin 37a). Or the story of Honi the Circle Maker, a Jewish Rip Van Winkle who learns that we need to plant trees now for future generations to enjoy (Taanit 23a).

Learning Talmud this way has its merits, but it is a little like studying Shakespeare out of The Yale Book of Quotations. You get the gist, but not the context. The 2,711-page Talmud is organized into 37 tractates, or massekhtot. Each tractate is ostensibly about a category of Jewish law or ritual. The genre is a conversation among various ancient rabbis in which questions lead to digressions, which lead to anecdotes, which might or might not lead back to the original question.

I am learning to appreciate these meandering paths by doing the Daf Yomi, the page-a-day study of the Talmud that takes a little over seven years to complete. Daf Yomi is having its moment: On Jan. 1, Agudath Israel of America, the charedi Orthodox group, organized a gathering at MetLife Stadium to celebrate the completion of the cycle begun in 2012.

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There is a slew of Daf podcasts and YouTube videos, often catering to an Orthodox following.

But it is outside of typical yeshiva circles where I sense a groundswell. #DafYomi is trending on Jewish Twitter. Tablet magazine launched a daily Daf Yomi podcast. Hadran.org.il runs the Daf Yomi 4 Women Facebook group. It has over 1,400 followers. A similar group, launched on Jan. 2 of this year, Jewish Women Daf Yomi About Anything, already has 1,230 members.

Where you really see the trend is at the My Jewish Learning website. On Jan. 5 it launched A Daily Dose of Talmud, an e-mail with an insight from the days Talmud page and a link to the full text, in Hebrew and English, on Sefaria.org. The email had 17,000 subscribers by its first day, now up to 23,000. Its Facebook group has 6,480 members.

Rachel Scheinerman, an associate editor at MJL, said shes been thinking a lot about why Talmud study has taken off outside of the yeshiva world. At a moment that feels insubstantial, polarized and ephemeral, she said, the Talmud is none of these things. It is ancient, weighty and models respect for debate. And it taps into a search for authenticity and capturing ones roots.

As for the page-a-day format, Scheinerman calls it tailor-made for the Fitbit generation. By that she means the daily commitment is really challenging and really measurable a Jewish equivalent of 10,000 steps. Its hard but if you do it every day there are a lot of benefits. (I add that the latest cycle also began soon after Jan. 1, when people make all sorts of resolutions.)

She also mentions Ilana Kurshan, whose award-winning 2017 memoir If All the Seas Were Ink charmingly chronicles her study of the Daf Yomi. I think she may have inspired imitators the way Cheryl Strayeds Wild made people want to strap on a 50-pound pack and torture themselves on the Pacific Crest Trail.

But Rachel and I both agree that its also a lot about technology: Jewish study has benefited from the full flowering of social media. If you werent raised Orthodox, Talmud is a very difficult text and it takes a great deal of time to learn and a great deal of background, said Scheinerman. The barrier to entry was very hard to scale. Podcasts, videos, emails, and Twitter shrink that barrier. All of these technologies were in place seven and a half years ago, but since then we fully entered the smartphone era, letting us carry our communities in our pockets. Sefaria, which gathers and translates almost all of the classic Jewish library on one app, is almost insanely user-friendly.

I also suspect the Daf excitement is a testament, or reaction, to the revival of charedi Orthodoxy. You can look at it two ways: Agudath Israel started the Daf Yomi in 1922, and its example has inspired thousands of people outside their community. Or perhaps, after years of tension over the Orthodox monopoly in Israel, non-Orthodox Jews want to reclaim Jewish learning from the strict traditionalists. That would account for the popularity of womens study.

Will I and all those 23,000 MJL subscribers continue? At the moment it helps that the first tractate is Berakhot, or Blessings. Its ostensibly about how and when to say various prayers, but it leads into some very contemporary-sounding debates over mindfulness, gratitude and how to solve disputes. How Ill feel about Kinnim, an entire tractate about the counting and sacrificing of birds, may be another story entirely.

For now, however, Ill keep at it. The Talmud has all sorts of warnings about the digital age. (Better to throw oneself into a fiery furnace than humiliate another in public [Berakhot 43].) But that same technology has made the tradition accessible to anyone who wants to make it a habit.

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The Fitbit Generation Discovers the Talmud - Atlanta Jewish Times


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