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Bill Seeks to Close Loophole That Helped Accused Poway Shooter Buy a Gun – Voice of San Diego

Posted By on February 10, 2020

This post originally appeared in theFeb. 7 Sacramento Report. Get the Sacramento Reportdelivered to your inbox.

The 19-year-old man accused of tearing through a Poway synagogue last year, killing a woman and injuring others, should not have been in possession of a semi-automatic rifle. California limits the sale of an AR-15 to adults who are 21 and older but makes an exception for registered hunters.

Court records show that John Earnest, the man accused of carrying out the rampage, had completed a hunting education course online by the time he purchased a rifle in April 2019, but authorities have said his hunting license wasnt yet in effect. The states Fish and Game Code defines a valid hunting license as beginning July 1 of the year its been issued.

To ensure theres no confusion over this point in the future, state Sen. Anthony Portantino, a Democrat from the Los Angeles area, introduced a bill last week requiring the California Department of Justice to verify a hunting license during the 10-day waiting period. If state officials cannot, theyre obligated to immediately notify the dealer and cancel the sale.

The dealer, in the meantime, is supposed to visually inspect the persons hunting license and write down the dates it goes into effect.

Sadly, no one can undo the tragedy that occurred in Poway, Portantino said in a press release. I pray for the families and hope the lessons learned can be used proactively for a better and safer place for our Californians to worship and for families to raise their children in safety.

Another law that took effect on Jan. 1 SB 61, which was also written by Portantino prohibits the sale of semi-automatic center fire rifles, including AR-15s, to anyone under 21 whos not in the military or law enforcement. That means SB 914 applies to other types of long rifles, basically those with bolt action.

It has the support of San Diego County District Attorney Summer Stephan, said a spokesman for her office.

In an interview with the Associated Press this week, Sam Paredes, executive director of Gun Owners of California, questioned whether the state DOJ would be able to quickly and accurately verify hunting licenses because of all the other things the agency does. Last summer, the state began requiring ammo buyers to undergo a background check to screen out felons, domestic abusers and others.

Michael Schwartz, executive director of the San Diego County Gun Owners group, told VOSD he considered the original law limiting firearm ownership to 21-year-olds unconstitutional. (Several gun groups are suing to stop it.) He also defended the dealer in the Earnest case, arguing that the state hadnt been clear on when a hunting license was actually in effect.

A search of local and state court records suggests the dealer has not been charged with a crime.

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Bill Seeks to Close Loophole That Helped Accused Poway Shooter Buy a Gun - Voice of San Diego

Bennett: Everyone is targeting us in their campaigns – Arutz Sheva

Posted By on February 10, 2020

Yamina chairman and Minister of Defense Naftali Bennett spoke on Monday at the Knesset plenum about a new Shabbat newsletter that he came across for the first time in synagogue this past Shabbat.

"I will tell you a story," Bennett said as he turned to Labor-Gesher-Meretz chairman MK Amir Peretz, who was sitting in the plenum. "I was at the synagogue over Shabbat, I found a wonderful Shabbat newsletter put together by some party. You would think it was Shas, you would think it was Likud, but no, it was put out by Labor-Meretz. It's beautiful, it's flattering."

"Now I say to myself, I ask myself: This is an awfully interesting thing, this is a campaign I have never seen before. Everyone is targeting religious Zionism," Bennett added.

"Blue and White have a campaign with the flag which is stained with mustard (a play on the Hebrew word Chardal which means both mustard and is also an acronym for Haredi Leumi -ed.), the Labor party is targeting us, Liberman is targeting us, Shas launched a religious Zionist headquarters, not to mention Likud," he continued.

"Listen to a story," Bennett continued. "Last Shabbat I was in Haifa at a hesder yeshiva. I visit 15-20 synagogues every Shabbat, it is exhausting but important. I was in the not-so-famous yeshiva of Rabbi Zini in Haifa. I am told yesterday that the Prime Minister is going to visit the same yeshiva. Everywhere I go, everyone else follows. And all we have is seven lousy seats.

"Why is everyone targeting religious Zionism? I'll tell you why. Religious Zionism, until ten years ago, we were valiant, nice and with no power to make an impact at all. With those seven seats, we had a Science and Space Minister who was not even a cabinet member. They told us go to the settlement enterprise, go to the army, go the elite units, but when it comes to state affairs, step aside, deal with issues of religion. And now today, oh no! There is a Defense Minister with a kippah, a Justice Minister from the religious Zionist party, who are cabinet members. We are making an impact, Bennett explained.

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Bennett: Everyone is targeting us in their campaigns - Arutz Sheva

JSLI trained Rabbi Jordania Goldberg brings peace to the world – PR Web

Posted By on February 10, 2020

"It is Rabbi Goldberg's mission to heal the world one person at a time, and in this book she explains the way she uses kabbalah, physical technique and energy to yield a very powerful roadmap towards holistic healing-that of mind, body and spirit. " Rabbi Steven Blane

LAS VEGAS (PRWEB) February 10, 2020

A graduate of Jewish Spiritual Leaders Institute and member of the Union of Jewish Universalist Communities, Rabbi Jordania Goldberg spreads her vision of peace. From co officiating at High Holiday services in Greece to the publication of her new book she continues her efforts of repairing the world (Tikun Olam.)

In January, Rabbi Jordania opened iPath Counseling where she will be conducting virtual care counseling as well as published her book, KSTechnique, Helping Heal the World One Person at a Time. KST is a culmination of Rabbi Jordanias life work. It is an effective healing modality that is based on traditional Kabbalah. Endorsements from Rabbi Steven Blane, Daniel C. Matt and Susanna Adamovic, MFT, describe the book well and more information will be available at kstechnique.com.

This past year Rabbi Jordania co-led High Holy Day services at Etz Hayyim Synagogue in Crete, Greece. Her two days of Rosh Hashanah services ended up being eight days of services that went through Sukkoth. During the High Holiday season, two of her photographs were incorporated into an art show at Etz Hayyim. The show celebrated the 20 year rededication of Etz Hayyim following its destruction during WWII.

Rabbi Jordania is proud to be a part of Etz Hayyim since it directly mirrors the values or both JSLI and UJUC. Rabbi Jordania is an example of how the UJUC community of rabbis are helping express the diversity of Universalism in Judaism today.

"Rabbi Jordania Goldberg has created a new healing modality utilizing energy healing, framed through the wisdom of Kabbalistic concepts. In this book she shares KST (Kabbalah Somatic Technique) with the world. It is Rabbi Goldberg's mission to heal the world one person at a time, and in this book she explains the way she uses kabbalah, physical technique and energy to yield a very powerful roadmap towards holistic healing-that of mind, body and spirit. One can only be grateful for her insight, passion and dedication. May KST yield great success for Rabbi Jordania and the world!" -Rabbi Steven Blane, Sim Shalom Jewish Universalist Synagogue

ABOUT SIM SHALOM, JSLI AND UJUC

Sim Shalom is an interactive online Jewish Universalist synagogue which is liberal in thought and traditional in liturgy. Created in 2009 by Rabbi Steven Blane on Manhattan's Upper West Side, Sim Shalom offers a means of connecting the unconnected. Rabbi Blane leads accessible and short Shabbat services every Friday night using a virtual interface and additionally Sim Shalom provides online education programs, conversion and life-cycle ceremonies along with weeknight services at 7:00PM EST led by other Rabbis.

Rabbi Blane is also the founder and director of the Jewish Spiritual Leader's Institute, http://www.jsli.net, the online professional rabbinical program and co-founder of the Union of Jewish Universalist Communities.

Sim Shalom, a non profit 501 (3) tax-exempt organization, nurtures a Jewish connection through its mission of innovative services, creative education and dynamic outreach to the global community.

For more information visit http://www.simshalom.com or call 201-338-0165.

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JSLI trained Rabbi Jordania Goldberg brings peace to the world - PR Web

Daniel Mendoza and the Ascent of Modern Combat Sports on Conder Tokens – CoinWeek

Posted By on February 10, 2020

By Jeremy Bostwick Senior Numismatist & Cataloger, Stacks Bowers

Though neither pugilistic techniquebe it in boxing or in MMA (mixed martial arts)nor the idea of pay-per-view are anything new, these concepts werent always the case in the world of combat sports and entertainment. Prior to the late 18th century, boxers generally stood still, attempting to land blow after blow on their opponent until one fighter was left standing; no attempts were made to act defensively or in anticipation. Likewise, back alley or pub fighting was commonplace, with the event serving more as a chance to gamble on the eventual winner than as an actual spectacle for which patrons would pay to view.

All of this changed with Daniel Mendoza, a somewhat undersized Sephardic Jew born in Whitechapel in 1764.

Daniel Mendoza grew up in a fairly poor family of Spanish and Portuguese Jewish descent (known as Sephardic), in the East End of London. Following his education, he worked a number of blue collar and semi-skilled jobs, before eventually competing in his first fight at the age of 16. In this initial bout, he acted on behalf of his employer in order to settle a dispute over a delivery of tea. Despite being vastly inferior in stature to his rather burly opponent, Mendoza quickly developed a reputation for his success but also his revolutionary, scientific approach. This style incorporated various techniques, such as stance (having ones knees somewhat bent and fists raised while arms extended, providing better balance and an ability to deflect an incoming punch) and side-stepping (having the ability to roll out of a blow or to cause ones opponent to throw an erroneous punch, leaving that opponent vulnerable to a counterpunch). These new tactics, seemingly obvious today, allowed Mendoza to compete quite easily with men who vastly outsized him.

In addition to his new style, Mendoza was also at the center of another aspect that would revolutionize the sportpaid admission. Up until the late 1780s, boxing wasnt really a form of entertainment that someone would purely care to view. Instead, just like cockfighting, it provided a spectacle on which wagers could be placed, facilitating gamblers. Mendozas manager and mentor Richard Humphries saw an opportunity to capitalize on the fighters newfound popularity, scheduling a series of four fights between 1787 and 1790. For the second of these bouts, they collaborated on the price of admission, as droves of patrons sought to watch the duel.

Humphries even employed the earliest form of trash talk through hyping the event in the media of the daythe newspaper. In so doing, even more interest was attracted, and a new business modelwhere none had really existed beforewas created. Despite the popularity and massive sums of money involved in boxing and MMA today, the idea that one could bring more attention and hype to an impending fight merely by jabbing verbally with the opponent was unparalleled before the Star of Israel a.k.a. Mendoza the Magnificent.

Though able to create a name for himself, helping to raise the image of Jews in England (in a time when antisemitism was rampant) and pocketing a good deal of money along the way, Mendoza proved far less skilled with his earnings and finances than with his footwork. Later life found him serving numerous stints in debtors prison, as he was never able to manage successfully the popularity that he enjoyed in the late 1780s and early 90s. Upon his death at the age of 72 in 1836, his wife and family of 11 children were left in poverty, wholly unaware of the role that he had played in what would one day amount to a sports entertainment industry.

Capturing Mendozas iconic status in this period is a rather interesting Conder token dated 1790 that will be offered in our February CCO (Collectors Choice Online) auction. This lustrous Gem, graded PCGS MS-65 Brown (tied with just one other example for the finest in their census records), features Mendozas bust on the obverse along with his name, DMENDOZA. The reverse shows two fighters squaring off and, though both have their fists raised, one cant help but notice that the pugilist on the left has a bit better stance, possibly a nod to Mendozas newly observed tactics. Around the combatants is the phrase FASHIONABLE AMUSEMENT, encompassing the contemporary feelings about the craze that Mendoza had set off.

To view our upcoming auction schedule and future offerings, please visit StacksBowers.com where you may register and participate in this and other forthcoming sales.

We are always seeking coins, medals, and pieces of paper money for our future sales, and are currently accepting submissions (until May 4) for our June 2020 CCO (Collectors Choice Online) auction. Before that, however, our next larger format sale will be our Official Auction of the Hong Kong Show in March 2020a monumental event that will mark our tenth anniversary of auctions in Asia! If you would like to learn more about consigning, whether a singular item or an entire collection, please contact one of our consignment directors today at 800-458-4646 or by email at consign@stacksbowers.com and we will assist you in achieving the best possible return on your material.

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Daniel Mendoza and the Ascent of Modern Combat Sports on Conder Tokens - CoinWeek

Why Does No One Care About Jewish Heritage Month? The …

Posted By on February 10, 2020

So how did you commemorate Jewish American Heritage Month this May?

If you didnt or if you didnt even know such a month existed you are in good company, that of the majority of American Jews.

But after nearly a decade of relative obscurity, Jewish American Heritage Month got national recognition this year when President Obama took a rare trip from the White House to Washingtons Adas Israel synagogue to deliver an address in honor of the month-long occasion on May 22.

JAMH organizers believe the event, which was intensively covered by national and international media, could boost the otherwise little-known celebration of American Jews and their contributions, and lift it from obscurity. But even for the month of May, they face some ruthless competition. May is also officially the month for celebrating Asian Pacific American heritage. Its Older Americans month, too.

Still, JAHM proponents saw the Adas Israel event as a potential turning point.In the first 10 years of Jewish American Heritage Month, a large part of what has been done was Jews talking to Jews about the contribution of other Jews, said JAHM board chairman Greg Rosenbaum, a private equity investor who used to head Americas largest kosher poultry producer, But in order for it to be a success, it needs to tell non-Jews the story of Jewish contribution to American society.

JAHM may not stack up as one of the nations most visible ethnic commemoration months, but that doesnt mean it has not been a lot of fun for Jewish communal figures attending events. It is what brought Obama to Adas Israel on May 22; it is the reason 250 Jewish activists crammed into a congressional hall two days earlier to mingle with lawmakers commemorating the event, and for several years, JAHM also gave the president an opportunity to throw an annual reception where the lucky couple hundred guests got a chance to rub elbows with Jewish luminaries such as Sandy Koufax, Ruth Bader Ginsburg and Barbara Walters.

Dedicating a month to a certain part of the population is the governments way of making the group feel that its history, heritage and struggles are recognized by the nation.

The most well known of the 10 congressionally officially proclaimed months is clearly African-American History Month, which is marked each February in schools across the country, in TV specials and with a series of events. Other groups that can show an officially proclaimed month for their name include Latino-Americans, Italian-Americans and Indian-Americans, and there are also months dedicated to womens history, disability awareness, and gay and lesbian pride.

At best, ethnic heritage months increase awareness for a finite amount of time, said Jason Low, a publisher focused on books promoting diversity who has written on the issue. Once the month has ended, the very problem that the given heritage month was designed to address resets itself, and those books are put away and ignored for another year.

But William Daroff, senior vice president for public policy at the Jewish Federations of North America, believes that at least in the case of Jewish Americans, heritage month had an impact.

Every year were a little bit better off in it being clear to the American public that we are an essential part of the mosaic that makes up America, he said.

Daroff was among the Jewish leaders who brought JAHM to life a decade ago. The original idea was the brainchild of Representative Debbie Wasserman Schultz, a Florida Democrat. Alongside Senator Arlen Specter of Pennsylvania, Wasserman Schultz pushed for the legislation that marked May as the month for recognition of Jewish contributions. Daroff then reached out to President George W. Bush, who helped the legislation overcome its final hurdle by convincing Republican lawmakers to exempt Jewish American Heritage Month from a rule they passed limiting the number of officially mandated days. Similar resolutions were easily approved in the following years.

Bush proclaimed the first Jewish American Heritage Month the next year, in May 2006.

There were no political considerations, said Jeff Berkowitz, who was Bushs liaison to the Jewish community at the time. He noted that Bush was not up for re-election and that his sole purpose was to make Jewish heritage commemoration commensurate with a range of other heritages so recognized.Politics is still considered out of bounds for JAHM, but it nevertheless slips in sometimes.

In a recent video message for JAHM, Wasserman Schultz noted that like many American Jews I found a natural home in the Democratic Party.

Establishing May as Jewish American Heritage Month came on the heels of celebrations marking 350 years of Jewish America in 2005. But while the anniversary gained national attention, JAHM events usually went unnoticed.

This has to do, in part, with the lack of federal funding for the program. In its early years, JAHM received some federal grants. But when this funding dried up, the JAHM organization found itself relying solely on donations from the community. Events, mainly in scholarly settings, have since been funded by the organizations hosting them, with JAHM providing a framework for organizing meetings and publicizing events. One year, events got commercial sponsorship when Manischewitz thought it would be good for business to support events celebrating Jewish American history.

It was Obamas decision in 2010 to host a first-ever Jewish American Heritage Month White House reception that added some glitz to the month. Obamas receptions, which took place three years in a row, gave the president a chance to show that he cared about the Jewish community despite growing tensions with Israel. The receptions also emerged as a high point for Jewish communal officials, who routinely bombarded the White House liaison to the Jewish community with requests to be invited.

But the lack of funding put an end to this tradition as well. The 2013 sequestration forced the White House to cut tours and events, placing the JAHM reception on the chopping block alongside all other public events at the presidential residence. Later, even though money was once again flowing, receptions were replaced with smaller briefings and meetings at one of the White House office buildings.

Looking forward to future years of JAHM, Rosenbaum, who also chairs the National Jewish Democratic Council, believes the focus should be outward, working to educate non-Jewish Americans about the communitys contribution to the country, rather than to serve as a platform for internal celebrations. Jewish American Heritage Month is a preventative measure against any case of anti-Jewish bigotry rearing its ugly head, he said.

Brandeis University professor Jonathan Sarna, who has devoted much of his academic career to researching the role Jews played in American history, found that in most school textbooks, Jews are mentioned only once, when they are murdered in the Holocaust. Thats all. But Sarna also believes JAHM events still have a role to play in looking inward and educating the Jewish community that American history is also their own history.

The conclusion is that it didnt live up to the dream that some people had, Sarna said, pointing mainly to funding issues that kept JAHM limited in scope, but were better off having such a month than not having it.

Contact Nathan Guttman at guttman@forward.com or on Twitter, @nathanguttman

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‘Rendering Witness’ Displays Risks Artists Took While the Holocaust Raged in Europe – The Jewish Voice

Posted By on February 10, 2020

The choice by many victims of the Nazis to document their experiences through art was a form of resistance, and it was one that left a critically important set of records for future generations, says Jack Kliger, president and CEO of the Museum of Jewish HeritageA Living Memorial to the Holocaust in New York City.

By: Shiryn Ghermezian

Museum of Jewish HeritageA Living Memorial to the Holocaust in Lower Manhattan. Credit: New York City Tourism Bureau.

Artwork made by eyewitnesses who documented their experiences during and shortly after the Holocaust, often in secret and while risking their lives, are showcased in a new exhibition at the Museum of Jewish HeritageA Living Memorial to the Holocaust in New York City.

The 21 works of art in the exhibit Rendering Witness: Holocaust-Era Art as Testimony, which opened on Jan. 16, were created in Czechoslovakia, Germany, Hungary and Poland during the Holocaust, primarily in ghettos and slave labor camps, or immediately after World War II.

The items on display include a childs drawings and a U.S. Army soldiers paintings; some of the more introspective pieces are portraits of fellow prisoners and views from cramped bunks. Visitors will view images by a deported cartoonist looking out a barrack window at an SS flag and what the childrens barrack in the Terezin Ghetto looked like from a childs perspective.

These artists documented the Holocaust as it happened around them, providing a personal perspective to World War II not often seen, and while some of the artists survived, others perished in the Holocaust. Many of the drawings were created in secrethidden under mattresses or in ones prisoner uniform. The artists drew not only Jewish prisoners, but members of the SS, and risked facing harsh punishments, including death, if caught.

Resistance during the Holocaust took many forms, each courageous in its own way: mental, physical, spiritual, the museums president and CEO Jack Kliger told JNS. The choice by many victims of the Nazis to document their experiences through art was a form of resistance, too, and it was one that left a critically important set of records for future generations.

Drawing by Helga Weissova titled Childrens Home. Credit: The Museum of Jewish HeritageA Living Memorial collection.

Fourteen of the pieces in the exhibition have never been on display before, and all items except one are curated from the museums collection of more than 380 drawings made during or right after the Holocaust.

Our goal is to tell the story of the Holocaust through the words and objects of the Jews who lived through the Holocaust, the exhibitions curator, Michael Morris, told JNS. I hope that this exhibition reinforces that goal, but this time, focused on the art, biographies of those who produced it, and the contextual history of what they were living through.

Kliger added that since we opened our doors in 1997, the museum has been committed to telling the history of the Holocaust through the lens of the victims and survivors, rather than the perpetrators. Rendering Witness is a wonderful reflection of that principle. As we look to the decade ahead, that commitment to our forebears will remain a constant, even as much else changes about the way we present the Holocaust to younger generations.

Eleven of the artworks were made by Jewish prisoners interned in Terezin, some of whom were professional artists assigned to the ghettos Technical Department, which made plans and drawings of Terezin for official use, or the Workshop for Arts and Crafts and Utility Painting. Their positions gave them access to art supplies.

Draw what you see

Eight men in coats with stars by Peter Loewenstein. Credit: Gift of Herman and Gerda Korngold, Museum of Jewish HeritageA Living Memorial to the Holocaust in New York City.

The exhibition also includes works by two well-known artists: Helga Weissova and Alfred Kantor.

Kantor, a trained artist, was a survivor of the Terezin Ghetto and Auschwitz, in addition to Schwarzheidea sub-camp of Sachsenhausen, north of Dresden, Germany. He memorized scenes that he witnessed during the day and then drew them in the barracks at night. He was also shown kindness by a Jewish physician assigned to the Auschwitz camp infirmary who allowed him to draw there and gave him a small watercolor set, though putting them both at risk of severe punishment.

Kantor continued to draw at night while at Schwarzheide, but destroyed most of his drawings immediately after creating them, fearing punishment by the Nazis. Three of his works are displayed in Rendering Witness alongside an enlarged page from the sketchbook he filled during his time in the Deggendorf Displaced Persons Camp in 1945.

Weissova, now in her 90s and a practicing artist living in Prague, was 12 when she was sent to the Terezin Ghetto with her parents. She brought art supplies with her, and after she smuggled her first drawing, a snowman, to her father Otto, housed in a different barrack, he told her, Draw what you see. Weissova listened and produced approximately 100 drawings, two of which are on display in the current exhibit.

In this particular moment, it is important we revisit the testimony of those like Helga, who experienced anti-Semitisms darkest chapter, said Elyse Buxbaum, the museums executive vice president for strategy and development, at the exhibits press preview. In a world of rising hatred and anti-Semitism, the museum is called upon to be bolder in our mission of education, preservation and outreach than ever before.

Terezin from a Window by Joseph (Jo) Eduard Spier. Gift of Herbert von Peci, Museum of Jewish Heritage, NY.

Also featured are drawings by U.S. Army soldier Marvin Hayle, a member of the 104th Infantry Division that arrived at Nordhausen concentration camp, a subcamp of the concentration camp Mittelbau-Dora, in 1945 to find very few prisoners and thousands of death bodies. Shocked by the sight, Hayle drew what he saw.

Captures the fear and sadness

Before deportations, some artists entrusted their artwork to loved ones. Ahead of her deportation to Auschwitz, Weissova turned over drawings to her uncle, who hid them behind a wall in the Terezin Ghetto. They were given back to her after the war.

Peter Loewenstein gave a portfolio of 70 drawings to his mother, but he, on the other hand, was never able to retrieve them. Loewenstein was deported from the Terezin Ghetto to Auschwitz in 1944, where he was murdered at the age of 25.

His sister, the only surviving member of his family, recovered the artwork after the war.

One of Loewensteins pieces, titled Eight men in coats with stars, is the enlarged image that opens the exhibit and was produced the same year as his deportation to Auschwitz.

For both Kliger and Morris, the image stands out among the artwork in the exhibition. It conveys the weight of the Holocaust without showing anything overly graphic, said Morris.

Portrait of Susan Weiss by Manci Anis

Kliger added that Loewenstein created 70 drawings in ink and watercolor while he was imprisoned in Terezin. This drawing is one of his most striking. Without being graphic, it captures so much of the fear and sadness that characterized the Holocaust.

Rendering Witness follows last years chilling exhibit, Auschwitz. Not long ago. Not far away. That display, which runs through August, outlines the transformation of Auschwitz from a Polish town (Oswiecim) into the largest documented mass-murder site in human history. Kliger told JNS, We must continually tell the history of the Holocaust in new and different ways, and these two exhibitions on display provide meaningful contrasts and connections.

Morris said at the press preview, While curating this exhibition, my mind was on the artists and the historical contexts through which they lived, but this exhibitionlike all exhibitions, educational initiatives and public programs at the Museum of Jewish HeritageA Living Memorial to the Holocauststands against and educates about the dangers of anti-Semitism, racism, bigotry, of any kind and from any source. This is an important facet of our work.

The opening of the exhibit follows the recent announcement by New York Gov. Andrew Cuomo about the museums expansion so that it will become a learning destination for school children across the state and help address the disturbing number of anti-Semitic and other discriminatory attacks in New York. Additionally, just this week, it was revealed that the Department of Education has teamed up with the museum to provide eighth- and 10th-grade students from Brooklyn neighborhoods of Williamsburg, Crown Heights and Borough Park free field trips to the cultural institution in an ongoing effort to combat anti-Semitism.

Press preview for the Rendering Witness: Holocaust-Era Art as Testimony exhibition at the Museum of Jewish HeritageA Living Memorial to the Holocaust, featuring drawings made during and shortly after the Holocaust by eyewitnesses documenting their experiences. (Credit: Charles Eckert)

Kliger said that this month certainly provides a meaningful backdrop against which to consider the themes presented in Rendering Witness, and an important moment to revisit the history of the Holocaust and all that has happened in the 75 years since. The resurgence of anti-Semitism here in New York and around the world gives these pieces of art a new type of resonance.

(JNS.org)

Rendering Witness: Holocaust-Era Art as Testimony is open through July 5 at the Museum of Jewish HeritageA Living Memorial to the Holocaust, 36 Battery Place, New York City.

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'Rendering Witness' Displays Risks Artists Took While the Holocaust Raged in Europe - The Jewish Voice

International Day of Women and Girls in Science: Perspective From Dr. Migi Matthews, a Latina in STEM – BELatina

Posted By on February 10, 2020

For a century, the United States has turned its focus to particular groups within our population, honoring them for a day, a week, and up to a month. Veterans Day is perhaps the first example, dating back to late 1919 when it began as a celebration of Armistice Day at the end of World War I. This was a first effort to shine the spotlight on war heroes in recognition of their service.

By the 1920s, the practice of designating a date to pay tribute to a specific demographic was a way of paying tribute to the contributions of minority populations that continued to be marginalized in society. The work of inclusion, recognition, and even reparation was attempted by these weeks, widening the dominant paradigm and narrative to allow for those formerly erased.

For example, historian Carter G. Woodson inaugurated what he called Negro History Week in 1926, in an attempt to incorporate the African-American experience into the master narrative of American history. A week in February was chosen, coinciding with the birthdays of Abraham Lincoln, the president who outlawed slavery, and Frederick Douglass, who escaped the cruel and unusual institution to spend the rest of his life fighting for freedom.

Emerging 50 years after Emancipation and 50 before the abolition of Jim Crow laws, by the 1970s, the week would become a month Black History Month dedicated, to paraphrase President Ford, to rectify the gross omission of the vast contributions of African Americans to the nation. Just as the purpose of Februarys designation is to recognize Black Americans, other marginalized demographics have also found a place on the calendar to call their own: National Hispanic Heritage Month (September), Asian Pacific American Heritage Month (May), Womens History Month (March).

By the same logic, the fact that on February 11th we observe the International Day of Women and Girls in Science is proof that the role we play in STEM was in dire need of some attention across the world. Historically, the presence of women in science-related fields has been one of those absurd taboos in cultures around the world, as traditional gender roles have played into keeping women tied to domesticity and absent from spaces of inquiry, like laboratories.

One would think that the smattering of prominent female scientists, those who managed to upturn these ossified conventions of the 20th century (chemists like Marie Curie, engineers like Amelia Earhart, astrophysicists like Katherine Johnson), would have sufficiently proven the exception to the rule theory, but no. Instead, it took a resolution passed by the United Nations in 2016 to highlight that the 21st century will require more of us as a species. It will be so much, in fact, that we will no longer have the luxury to squander the talents of more than half our global population by keeping women out of STEM.

This day of celebration and recognition is a step in promoting gender equality and the advancement of science and infrastructure, in the hopes of increasing egalitarianism by 2030. At the moment, while women make up right around 51% of the worlds population, only 30% of researchers across the world are women. The statistics around the number of women who pursue STEM careers and work in manufacturing, construction, engineering, and related fields are even more disproportionately low. Clearly, we still need at least one day a year to shine a light onto all of our smart-at-STEM women and girls.

Here at BELatina, we didnt have to look much further than our backyard to find a remarkable member of the STEM community. Just as we are blessed to be surrounded by Latina artists, educators, and entrepreneurs in our communities, we can also find surgeons, architects, and, in this case, specialized researchers, working daily to use their knowledge and expertise for the public good. Highlighting the contributions of one of these women is our celebration of International Day of Women and Girls in Science, a spotlight on one Latina who has helped lay down a path for others to follow.

Miguelina Matthews was born and raised in Manhattan, surrounded by a large extended family. Latina might be too general a label for this scientist who now works for a pharmaceutical company. More precisely, Dr. Matthews refers to herself as a Jewminican, half Dominican (on moms side), half Ashkenazi Jewish (on dads), fully identifying with both of her families cultures.

Dr. Matthews grew up with her Spanish-speaking tas and grandmother, as well as her fathers English-speaking family, comfortably switching between the two. Her proximity to both languages and the fact that her father didnt learn Spanish (Until recently, she chuckled, noting that all of a sudden, he seems to have a much greater command and comprehension than she remembered) firmly established her bilingualism. Spanish, though spoken domestically only, took sufficient root enough in her that she doubled up on majors, pursuing both a pre-med curriculum and a B.A. in Spanish literature.

During her early years, attending a girls-only elementary school in Manhattan, Dr. Matthews was keenly aware of her languages and cultures at home. She felt then, and does still now, fully of her mothers family and fully of her Bronx-born, Jewish family. The aspects of her hybridity refreshingly coexist without conflict, and I begin to ascribe her ease and self-awareness to New York Citys signature multiculturalism. But Dr. Matthews, who I have been calling by her familiar nickname, Migi, quicker disabuses me of that notion.

None of the people in my elementary school looked like me, she assures me, noting that her cohort was largely Jewish but no one she knew spoke Spanish like her mother and their family. I take a moment to process this as a Jew growing up in Latin America, my Jewish-ness is what set me apart.

I ask Migi how this played out in effect, this homogeneity at her school, thinking about both her and my experience as Bizarro-versions of each other. I vaguely remember feeling that I shouldand I dont know if someone actually said it or if I just felt as if I should butI thought I needed to straighten my hair.

Same! I exclaim, carried away, and quickly try to bring it back to her but she seems as piqued by this mirror as I am. Do you straighten it now? I ask, clarifying that I dont bother, living in a humid climate.

No, not really, she said, and we both leave the rest unsaid, though Im confident we are both long past the point of feeling the pressure to pass.

But as girls in grade school, identity is still raw, more a vulnerability than an asset. Standing out from the crowd can be difficult. Anecdotally, I have never felt more Jewish than when I lived in Colombia, where I was very much in the minority. I imagine Migis Latinidad may have been a tricky wave to surf at a small, culturally uniform, unisex school, but difference is also a strong galvanizing force. She acknowledges the great gift her family gave her by sending her to private school, noting that though she felt different from everyone else, she found ways to navigate. In fact, Dr. Matthews acknowledges, she was happy to move onto a more diverse high school, one which, at the very least, also included boys.

We must be exact contemporaries, Migi and I, I thought when her name jumped off the page of my monthly assignment sheet. As my mental Rolodex whirred through a couple of decades, it settled on my first years in the U.S., when I arrived for college. I couldnt call up a face but felt as if this name Miguelina Matthews its simultaneous here-ness and there-ness, was one I had read on an attendance list or a program.

Indeed, when I ask Migi if she went to Cornell for undergrad, she quickly confirms that we overlapped exactly. Given her diverse interests in both the arts and the sciences, it is quite likely that we sat in the same class at least once. Im definitely a face person, Im sure if I saw you, I would remember you, she notes graciously and I laugh because now I know I must have seen her name written out Im definitely more of a name person.

Being at the same college during the same part of the decade, both of us GenXers, we might have both been sitting in the same Spanish literature class right around the time the word Hispanic was being replaced by Latino. Due to our peculiar background, however, me being Latin American (not Latina) and she being raised in Manhattan, where individualism is prized as a personality trait, we were in some ways spared the politics of this particular issue. Instead, after years of serving as representatives of our minority cultures, we were both released to a school with over 20,000 students, a place where diversity thrives as the inevitable result of the numbers game.

How did you like going to such a big and diverse school, I ask her, thinking of the relief I felt when I left behind my years of moving through each grade with the same batch of 80 people. Nothing about the class size at Cornell was intimidating to Dr. Matthews when she went there, in part, she says, because her father is an alumnus and shed had the opportunity to visit the campus and become familiar with its breadth.

Instead, she remembers those years as being full of intense self-learning. Dr. Matthews went to college convinced that she would become a medical doctor. Unlike many freshmen, she started out with complete conviction, having always had a focused interest in biological sciences. She realized pretty quickly, mainly through following the prescribed pre-med curriculum, that her happy place was the lab, not the library. Losing momentum in her path toward pursuing an M.D., Migi ended up taking her degree in literature and leaving one or two classes in her biology major undone, graduating early but a few credits short of completing that second degree.

Though she was put off from pursuing a medical degree, Dr. Matthews mentorship under Professor Elaine Tolson at the Vet School inspired her to stay in Ithaca for an extra semester. Though she had taken her degree, she wanted to stay and live the last few months of college life with her friends, sure, but the work she was doing up with Professor Tolson inspired her: research on Lyme disease. Her work in the lab even propelled her to finish all of the coursework she had left undone classes in epidemiology and microbiology (also taught by inspiring female professors) and develop a passion for studying infectious disease.

After getting that first degree, Dr. Matthews enrolled at SUNY Stonybrook, one of the leading programs on infectious disease at the time. Her degree program required her to rotate through various labs for a year, searching for the right fit and committing to a single lab that focuses on a particular set of diseases. She did this very thing, only to find herself in a predicament: a year after joining the lab, the professor that ran it moved to Yale University, essentially to inaugurate their infectious disease lab. Migi moved with him, loading up everything from vials and cultures to tanks of liquid nitrogen into the back of the truck and helping to drive the entire operation from Stonybrook to New Haven, she reminisces. (Today, Yale boasts one of the leading labs in the country, a direct result of this move).

At Yale, Migi became Dr. Matthews, not a medical doctor as she once imagined she would be, but a PhD in infectious diseases, with a specialty in pneumonia and similar viruses. That reminds me, I interrupt. This doesnt have to do with women in STEM but what do you think about the Coronavirus? I ask, feeling somewhat embarrassed about my question.

But then Im suddenly so glad I did, as Dr. Matthews is reminded of a story that makes me both cringe and laugh at once, empathizing with the discomfort she must have felt at the time. Evidently, she defended her dissertation in 2003, right around when the SARS outbreak had the whole world worried as we are now. Once she finished her presentation, she realized in horror that her father, invited to bear witness to her defense, had raised his hand to ask a question. Tentatively, Migi calls on him and he asks: What does your research have to do with SARS?, essentially asking her to solve the global conundrum or at least think fast to come up with a good response. She must have done just that because she passed her defense, but the stress of the moment has erased her memory of what exactly that was.

After obtaining her doctorate, Migi was expected to take on one post-doctoral position after the next, a convention of her field. These low-paying, high-output positions were not at all what she had in mind. She realized soon after graduation that she would have to jump through the right hoops in order to eventually land an academic position running her own lab and decided this wasnt a good fit for her. Yale, she reflects, did a poor job preparing us for any job outside academia. And I didnt want to be post-doc forever. And I didnt want to move too far from my family in NYC. From my vantage point in the humanities, I had a similar experience.

So what did you do, I ask her. How did you get out? Migi told me about attending a job fair in New York just after she took her doctoral degree. She was offered a position at a molecular biology company, asked to create a diagnostic. She took the job and never looked back. Were your friends in academia supportive, I ask, and I can practically see her shaking her head no.

They thought I was a sell-out, at first, she says, noting that it was rare at the time not to follow the academic path. Evidently today, these non-academic jobs are less rare. Did they come around? I desperately want to know. Eventually, yes, she says. Some of them did.

One of Dr. Matthews favorite jobs was in vaccine manufacturing. She felt fulfilled by following her viruses full circle from understanding them, to curing them, to preventing them. An expert in pneumonia and similar diseases, that position was practically custom made. She has worked in research and development positions, manufacturing, and now in high-detail global quality control. Traveling around the world to places that produce both injectable and tablet-form medications, Miguelina Matthews makes sure that these various labs are doing their job correctly.

Over the last 17 years, Dr. Matthews has had her fair share of job environments and managers. We talk about the great bosses shes had, noting that many, though not all, have been women. More than their gender, she reflects on the qualities of a good boss: Someone who gives positive reinforcement, support, and credit when its due. She cites listening as the most crucial skill and micromanaging as the most destructive to her work. In previous positions, she, too, had managed people, and though she doesnt mind doing it, she prefers to work on her own.

Has this all been more difficult for you being a woman? I ask. Dr. Matthews doesnt exactly say yes. She agrees that she once had a rude awakening when she realized that a male counterpart grossly out-earned her despite having lesser qualifications. I practically gasped. How did you rectify the situation?

I reported it to my boss, who was a woman, and she advocated for me and got me the same amount, she said. Now, I know how to advocate for myself and I always advise women never to take the first offer. Always negotiate, even if its just the intangibles, things like vacation time.

Not one to over-dramatize, Dr. Matthews cites a single incidence in which she has felt discriminated against at work. As a single woman without dependents, she is asked to travel a lot more than her counterparts who have partners or kids, regardless of gender. She both understands the rationale but is understandably irritated by the discrepancy. I murmur my assent and empathy.

So being a Latina in your field? Is it a positive? A superpower? I ask.

Dr. Matthews laughs a little. I dont know, she says, and I get the feeling that she is consummately empirical, made uncomfortable by assumptions and generalizations. She changes the subject, suddenly remembering that I told her Im Colombian. Im actually supposed to be in Colombia in March, she says. Ill be in Bogot for work, so I extended my trip for a week and will visit Medelln and Cartagena.

You will have such a great time, I assure her. You chose great cities to visit; can I send you a couple of recommendations? I ask.

Please do, she says. Its my first trip to Colombia. And thats when I realized that her Latina identity might not have made Dr. Matthews who she is, but it certainly colors how she sees the world, both inside the lab and out.

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International Day of Women and Girls in Science: Perspective From Dr. Migi Matthews, a Latina in STEM - BELatina

Orthodox mother of 5 from Israel, New Jersey wins Miami half-marathon – Forward

Posted By on February 10, 2020

Orthodox mother of 5 from Israel, New Jersey wins Miami half-marathon The Forward

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Instagram/marathonmother

Beatie Deutsch is the Israeli national champion in the marathon and half marathon.

(JTA) A haredi Orthodox mother of five won the half-marathon at the 18th annual Life Time Miami Marathon and Half Marathon event.

Beatie Deutsch, 30, finished in a time of 1:16:4 to win in the womens category on Sunday, the Miami Herald reported.

It was Deutschs first race in the United States. She is working to qualify to represent Israel in the marathon at the Tokyo Olympics this summer. That race currently is scheduled for a Saturday, however, and the Sabbath-observing Deutsch would be unable to compete even if she can reach the Olympic qualifying time.

Deutsch, who moved to Israel from New Jersey in 2009, is known for running in a skirt, sleeves that fall below her elbow and a headscarf.

In May, Deutsch was the top female finisher in a 13-mile half-marathon race in Riga, Latvia, reportedly becoming the first haredi woman to win an international athletic competition.

This year, for the first time, the Miami Marathon offered kosher-certified meals for athletes at the finish line, the Miami Herald reported.

The post Orthodox mother of 5 from Israel wins Miami half-marathon race appeared first on Jewish Telegraphic Agency.

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Orthodox mother of 5 from Israel, New Jersey wins Miami half-marathon - Forward

Elizabeth Warren says she will skip AIPAC conference – Forward

Posted By on February 10, 2020

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WASHINGTON (JTA) Sen. Elizabeth Warren indicated she would skip the pro-Israel lobby AIPACs conference next months and did not push back against questionable assertions about the lobby from a questioner at a campaign event in New Hampshire.

In a sign of how the lobby has become a political lightning rod for Democrats, Warren answered yeah when asked if she was planning to skip the conference in Washington in March.

Im an American Jew and Im terrified by the unholy alliance that AIPAC is forming with Islamapohobes and anti-Semites and white nationalists and no Democrat should legitimize that kind of bigotry by attending their annual policy conference, a woman attending a town hall with Warren in Derry, New Hampshire said Thursday. And Im really grateful that you skipped the AIPAC conference last year and so my question is if youll join me in committing to skip the AIPAC conference this March.

The Jewish anti-occupation group IfNotNow said that the questioner, identified as Sarah OConnor, was acting on its behalf.

A spokesman for the American Israel Public Affairs Committee would not comment.

In a joint statement released Friday with three other progressive groups Indivisible, MoveOn, and the Working Families Party IfNotNow echoed the language OConnor used with Warren and said it was launching a campaign, #SkipAIPAC, to pressure other candidates not to attend the conference.

Israels decades-long occupation has eroded the bipartisan consensus on Israel and AIPAC, in a last-ditch effort to maintain influence, now anchors an unholy alliance with antisemites, Islamophobes and white nationalists, IfNotNow co-founder Emily Mayer said. This unholy alliance shields the Israeli government from any consequences for its actions and pushes for a blank check that has had disastrous effects for both Palestinians and Israelis. No Democrat should give AIPAC political cover with their presence.

OConnor pressed Warren further on whether she would ask other candidates to join her in boycotting the event, a fixture of the Washington political calendar that has long drawn a healthy representation from both of the major political parties. Warren did not answer, saying instead that she is committed to a two-state solution and to being a good ally to both Israel and the Palestinians.

Were not doing that if we keep standing with one party and saying, Were on your side, were going to give all the things you asked for, for all kinds of political reasons domestically here and domestically in Israel, she said.

AIPAC traditionally invites presidential candidates to address its annual March gathering in election years. A boycott of the conference by Democratic candidates would signal how toxic the group has become among the partys progressives, for whom Warren is a flag bearer. So far no other candidate has yet committed either way, but Vermont Senator Bernie Sanders, Warrens rival to lead the partys progressive wing, has said he has no objection to going.

Warren, who has also said she may leverage aid to pressure Israel into concessions, drew immediate censure for the not confronting OConnor on her questionable claims.

As the 2020 Dems get more & more anti-Israel, will any of them stand up and condemn comments like these? Sen. Ted Cruz, R-Texas, said on Twitter. Directly? Or are they too scared of the angry anti-Semitic Left?

The American Jewish Committee noted that like Warren, AIPAC is committed to the two-state solution.

AIPAC is a pro-Israel voice that agrees with you (and us) about the need for a two-state solution negotiated by both sides, AJC said on Twitter. We hope you find an opportunity to clarify that you do not agree with the questioners baseless and offensive characterization of the organization.

AIPAC did not invite any presidential candidate to its conference last year, although MoveOn got traction by claiming that the candidates non-attendance was a results of its call to boycott the conference. AIPAC does not invite presidential candidates to speak in non-election years.

AIPAC has taken pains in the past to distance itself from members and allies who have attacked minorities. The lobby also has dedicated staff who work on deepening the groups ties to progressives.

The IfNotNow statement cited several examples in support of its claim that AIPAC has forged an unholy alliance with racists and bigots.

The group faulted AIPAC for its alliance with Christian Zionist pastor John Hagee, who in the 1990s said that Adolf Hitler was part of Gods plan because his actions helped lead to the state of Israel. Hagee long ago apologized for the remarks.

Also named was Steve Emerson, a terrorism expert who has made several appearances at AIPAC conferences, most recently in 2016. Liberal groups have described him as anti-Muslim for exaggerating the threat of radical Islam. Emerson has been widely mocked in European media for describing some European cities as off-limits to non-Muslims.

The post Elizabeth Warren says she will skip AIPAC conference appeared first on Jewish Telegraphic Agency.

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Elizabeth Warren says she will skip AIPAC conference - Forward

A solo art exhibit confronts redlining, racism and injustice – Vashon-Maury Island Beachcomber

Posted By on February 10, 2020

By Juli Goetz Morser

For Vashon Center for the Arts

In recognition of Black History Month, Vashon Center for the Arts will present Warren Pope: Blood Lines, Red Lines, a solo exhibition by a celebrated West Seattle artist who meets the topic of racism head-on.

The exhibition opens, with Pope in attendance, at 6 p.m. Friday, Feb. 7, and will run through Saturday, Feb. 29.

Warren Pope creates abstract mixed media and contemporary sculpture from such materials as canvas, wire, steel, banana leaves and wood. Yet his subject matter is far from an abstraction it speaks to the destructive legacy and harsh current realities of social injustice against people of color.

The titles of the works ensure there is no doubt about the artists vision and statement.

One work is called Recolonization its a very tech piece about redlining, but it comes out of my experience, Pope said. Incarcerated in My Own Skin, is the name of another piece it will steal your heart.

As the son of an African American father and a white Czech mother, Pope traveled with his family between Harlem, N.Y.; Tacoma, Wash.; North Carolina; Kansas; and Munich, Germany, where he was born. His mother taught Pope and his two brothers about art, while his father, who was in the military, taught his sons about their African heritage.

In the show, Pope calls out to that heritage with a series of African masks.

I love the idea of bloodlines, he said. I am challenged by it. I hear people say, African art is primitive, but I say, lets see you do it. Its not primitive if you do it well. I enjoy working on a mask, trying to make it as good as an African piece.

For Pope, his art is also about the way it is perceived by its viewers.

This show is about redlining, gentrification and relocation, but I also like to transfer beauty into the place where you look, he said.

The artist noted that he has been told that his work deeply affects viewers who are both white and African-American and that he feels grateful that his messages resonate. He cited an Instagram post from a young, white woman who wrote under a photo of American Legacy, a 60-inch carving with hands reaching out of it, I havent felt this way in a long time. Its a must-see.

If I can relate to a 20-year-old woman, then I know I can reach people, he said. At my exhibit last year, I watched a six-foot-two black man well up in tears, profoundly moved by my piece called Sharecroppers.

Pope, 72, has lived in Seattle for more than 30 years. A self-proclaimed minimalist a title that critics have used since his first art show as a junior at the University of Puget Sound in the early 1970s Pope has exhibited his work at American Art Company and Gallery Mack. His show Blood Lines, Time Lines, Red Lines opened at Seattles Northwest African American Museum (NAAM) last summer to rave reviews and was extended an extra month due to popular demand.

In an article about the NAAM show in The Seattle Times, Marcus Harrison Green wrote that Pope was hellbent on walloping the corneas of any Seattleite who believes this city is absolved from a racist past.

Green contextualized Popes artwork by noting that during the 1930s and 40s, Seattles communities of color and Jewish population were largely prohibited from buying or residing in many Seattle neighborhoods due to redlining a denial of services such as mortgages to people of color.

Redlining in many neighborhoods was systematically enforced through housing covenants agreements written by developers such as the South Seattle Land Company, that specified that no part of [their] property hereby conveyed shall ever be used or occupied by any person of the Ethiopian [Black], Malay, Hebrew [Jewish] or any Asiatic race.

While Red Lines, Blood Lines will not be Popes first showing at VCA, it will be his first solo exhibit at the venue and will include new work plus some pieces from the NAAM show.

Working with Warren Pope is a pleasure to experience his vast amount of work, all created with such a poignant narrative, Lynann Politte, gallery manager of VCA, said. The exhibit is a visual conversation of systemic inequities of redlining and the historical impact of slavery. The show will intrigue and inspire its audience for both new viewers and those who have followed him over the years.

Warren will also host a discussion in the VCA gallery for Harbor School students on Friday, Feb. 28. His talk is part of the Harbor Schools Friday Afternoon Guest Speaker series.

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A solo art exhibit confronts redlining, racism and injustice - Vashon-Maury Island Beachcomber


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