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				    1978 American television miniseries directed by Marvin J.    Chomsky  
    AmericanTV series or program  
    Holocaust (full title: Holocaust: The Story of    the Family Weiss) (1978) is an American television miniseries    which aired on NBC over    four nights, from April 16  April 19, 1978.  
    It dramatizes the Holocaust from the perspective of the    Weiss family, fictional Berlin Jews Dr. Josef Weiss    (Fritz    Weaver), his wife Berta (Rosemary Harris), and their three    childrenKarl (James Woods), an artist married to Inga    (Meryl    Streep), a Christian woman; Rudi (Joseph    Bottoms); and teenage Anna (Blanche Baker). It also follows Erik    Dorf (Michael Moriarty), a fictional "Aryan"    lawyer who becomes a Nazi out of economic necessity, rising within    the SS    and gradually becoming a war criminal.  
    Holocaust highlights numerous events which occurred both    up to and during World War II, such as Kristallnacht, the construction of    Jewish ghettos, and, later, the construction of    death camps and the use of gas chambers.  
    The miniseries won several awards and received positive    reviews, but was also criticized. In The New    York Times, Holocaust survivor    and political activist Elie Wiesel wrote that it was: "Untrue,    offensive, cheap: As a TV production, the film is an insult to    those who perished and to those who survived."[1] However, the series played a major    role in public debates on the Holocaust in West Germany    after its showing in 1979, and its impact has been described as    "enormous".  
    The series has been widely credited with bringing the term    "Holocaust" into popular usage to describe the extermination of    the European Jews.[2][3][4]  
    1935  Karl and Inga celebrate their wedding in Berlin. Erik    Dorf gets a job in the SS as right-hand man to top-level Nazi    Reinhard Heydrich (David    Warner).  
    1938  Dorf warns Dr. Weiss to leave Germany. Berta is adamant    about staying. During Kristallnacht, Berta's father is attacked.    Dorf impresses Heydrich by orchestrating the pogrom and gets    promoted. Karl is arrested and sent to Buchenwald concentration camp. As a Polish    citizen, Dr. Weiss is deported to Warsaw. The Weiss home is    seized by a Nazi. Berta and the children move in with Inga's    Nazi-supporting family. Rudi runs away.  
    1939  Dorf rises within Nazi society as he helps Heydrich plan    the transport of Jews to occupied Poland. In Warsaw, Dr. Weiss    serves as an Elder in the Judenrat (Jewish council) and works as a    doctor serving the Jewish community.  
    1940  On New Year's Eve, a distraught Anna runs away and is    soon raped by SA stormtroopers in the street. Catatonic    afterwards, she is committed to the Hadamar killing centre, where she    and others suffering mental illness are gassed under the Nazi    Action T4. Rudi reaches German-occupied    Prague. He falls in    love with Helena (Tovah Feldshuh). They decide to run away    together.  
    1941  Berta is transported to the Warsaw Ghetto.    Reunited with Dr. Weiss, she becomes a schoolteacher. Inga    travels to Buchenwald, where family friend Mller (Tony Haygarth)    is an officer. In exchange for transferring Karl from the    quarry, where he is being worked to death, Mller forces Inga    to submit to sex. Heydrich and Dorf order the commanders of the    Einsatzgruppen to Russia to begin    massacring Jews. Dorf finds himself forced to participate in an    execution. After one of Dr. Weiss's nurses is executed for    smuggling food for the ghetto's children, his brother Moses    joins a Zionist resistance group. In occupied Kiev, Rudi and    Helena witness the Babi Yar massacre,    along with Dorf. Dr. Weiss and the ghetto elders learn from a    spy that the Nazis are exterminating the Jews. Dorf and family    enjoy Christmas around Berta's stolen piano. They find Weiss    family photos hidden in it. Dorf tells his daughter to burn    them. Mller torments Karl with the knowledge that he extracts    sex from Inga once a month, in exchange for passing her letters    to Karl.  
    1942  Heydrich and Dorf convene the Wannsee    Conference, at which the "Final Solution" is planned. Rudi and    Helena join up with Jewish partisans.  
    1942  Karl is transferred to the propaganda art studio at    Theresienstadt, the paradise ghetto    in Czechoslovakia, maintained by the Nazis to fool Red Cross and neutral observers.    Karl and the other artists secretly sketch the brutal reality    of the camp. While living among the partisans, Rudi marries    Helena. Dorf and Heydrich accompany Himmler to a mass shooting.    Disgusted by how grisly it is, Himmler demands a more efficient    murder method be found. Dorf attends a demonstration of a    gas van. The    partisans ambush a group of Ukrainian Trawnikis. Rudi    is traumatized when he must kill one. Moses smuggles guns into    the Warsaw ghetto. Himmler, Heydrich and Dorf plan the    expansion of Auschwitz into a mass killing center. Inga    convinces Mller, who has fallen in love with her, to denounce    her and have her sent to Theresienstadt, where she joins Karl.    After Heydrich's    assassination, Dorf oversees construction of the death camps, choosing the pesticide    Zyklon B for mass    extermination. Some of Karl's sketches are discovered by the    Nazis. Dorf has Karl and the other artists tortured, but they    refuse to reveal where the rest of their sketches are. Dr.    Weiss and the ghetto elders are ordered to select 6000 Jews a    day for transport to Treblinka for    extermination.  
    1942  Dorf asks for a transfer back to Berlin, which is    denied. His wife reassures him that what he is doing is right.    Dorf tours Auschwitz and observes the murder of Jews in the gas    chambers. Dr. Weiss is caught saving Jews from the transport    trains by falsely claiming they have contagious illnesses. He    and Berta are sent to Auschwitz. Rudi is injured    when the partisans attack a German barracks. Karl learns Inga    is pregnant, just before he is sent to Auschwitz.  
    1943  Moses and the Zionists start the Warsaw Ghetto Uprising. Berta and    the women of her barracks are gassed. After three weeks of    resistance, the Uprising is suppressed. Moses and the survivors    are shot to death. Dorf learns his uncle is protecting Jews on    a road construction project. Dorf has them all, including Dr.    Weiss, sent to the gas chamber. Most of the partisans,    including Helena, are killed during a botched attack on German    troops. Rudi is sent to Sobibr death camp. He escapes    during the Sobibr uprising.  
    1945  As Auschwitz is evacuated, Karl is found dead in his    barracks, slumped over one final sketch. Dorf is captured by    the United States Army. Told he will be    tried for war crimes, he says he was only    following orders. Confronted by photographic evidence of the    atrocities, he commits suicide by taking a cyanide pill. Rudi    finds Inga in Theresienstadt after its liberation. She    introduces him to her baby with Karl. She has named him Josef,    after Dr. Weiss. She shows Rudi Karl's drawings, which she hid    from the SS. They are to be given to a museum in Prague as a    record of the Holocaust for future generations. Rudi joins a    group smuggling Jewish orphans into Palestine.  
    Holocaust was produced by Robert Berger and filmed on    location in Austria    and West    Berlin. It was broadcast in four parts, from April 16 to    April 19, 1978. The series earned a 49% market share. It was    also well received in Europe.[citation    needed]  
    The 9 hour program starred Fritz Weaver, Meryl Streep, James Woods, and    Michael Moriarty, as well as a large    supporting cast. It was directed by Marvin J.    Chomsky, whose credits included ABC's miniseries    Roots (1977). The teleplay was written by    novelist-producer Gerald Green, who later adapted the    script as a novel.[5]  
    Artworks seen during the series's closing credits were created    by LithuanianJewish artist Arbit    Blatas.[6] Karl's paintings were created by    Austrian painter Georg Eisler.  
    The miniseries was rebroadcast on NBC from September 10 to    September 13, 1979.  
    In the U.S., Holocaust was released as a Region 1 DVD by Paramount    Pictures and CBS Home Entertainment on May 27,    2008. The release of the Region 2 DVD followed on    15 August 2010. A disclaimer on the DVD packaging states that    it may be edited from the original network broadcast version    and it is shorter at 446 mins. The Region 4 DVD is unusually in    native NTSC format, not having been converted to PAL. No    information about the cut in footage has been released.  
    In the U.S. and Canada, a 452-minute version was released as a    2-disc Blu-ray set on September 24, 2019.[7]  
    Some critics accused the miniseries of trivializing the Holocaust. The    television format was believed to limit how realistic the    portrayal could be. In addition, the fact that NBC made a    financial gain as a result of advertising resulted in charges    that it had commercialized a vast tragedy.[citation    needed] The producers of the series    rebutted these charges by stating that it educated the public    by raising its awareness of the Holocaust. With the exception    of films such as The Diary of Anne    Frank (1959), Judgment at Nuremberg    (1961), and The Hiding Place (1975), this    was the first time in which many Americans had seen a lengthy    dramatization of the Holocaust.  
    The television critic Clive James commended the production. Writing    in The    Observer (reprinted in his collection The Crystal Bucket), he commented:  
      The German Jews were the most assimilated in Europe. They were      vital to Germany's culturewhich, indeed, has never recovered      from their extinction. They couldn't see they were hated in      direct proportion to their learning, vitality and success.      The aridity of the Nazi mind was the biggest poser the      authors had to face. In creating Erik Dorf they went some way      towards overcoming it. Played with spellbinding creepiness by      Michael Moriarty, Erik spoke his murderous euphemisms in a      voice as juiceless as Hitler's prose or Speer's      architecture. Hitler's dream of the racially pure future was      of an abstract landscape tended by chain-gangs of shadows and      crisscrossed with highways bearing truckloads of Aryans      endlessly speeding to somewhere undefined. Dorf sounded just      like that: his dead mackerel eyes were dully alight with a      limitless vision of banality.[8]    
    The historian Tony    Judt described the series as "the purest product of    American commercial television  its story simple, its    characters mostly two-dimensional, its narrative structured for    maximum emotional impact" and he also wrote that, when it is    shown in Continental Europe, it was "execrated    and abominated by European cinastes from Edgar Reitz to    Claude    Lanzmann" and he responded to these negative reviews of the    miniseries by noting that "these very limitations account for    the show's impact", especially in West Germany, where it was aired over    four consecutive nights in January 1979 and coincided with    public interest in the Majdanek trials.[9] The viewership was    estimated to consist of up to 15 million households or 20    million people, approximately 50% of West Germany's entire    adult population. Judt describes the public interest as    "enormous".[9]  
    After each part of Holocaust was aired, a companion show    was aired in which a panel of historians answered viewers'    questions by telephone. Thousands of shocked and outraged    Germans called the panels. The German historian Alf Ldtke wrote    that the historians "could not cope" because thousands of angry    viewers asked how such acts had happened.[10] Subsequently, the    Gesellschaft fr    deutsche Sprache ranked the term "Holocaust" as the    German Word of the Year for    the publicity associated with it.[11]  
    During an introductory documentary that preceded the first    broadcast of the series in Germany, Peter Naumann, then a    right-wing terrorist with two accomplices, tried to blow up the    transmission towers of the ARD transmitters at Koblenz and near Mnster (station    Nottuln), to prevent the broadcast. At the Koblenz transmitter,    the supply cables were damaged, and the transmitter failed for    one hour. Several hundred thousand television viewers could not    see the program during this time.[12] Naumann    later became a politician with the NPD.  
    The Polish community in the United States    found the miniseries controversial and inaccurate. It argued    against the portrayal of soldiers as Polish military who    supervised transports of Jews and killed them during the Warsaw    Ghetto Uprising. It noted that many Poles were also killed in    the concentration and death camps.[13] Around the    world, various unrepentant Nazis also raged against the    miniseries: Ernst Zundel led a fierce and    unsuccessful attempt to have the show banned from airing in    Canada, and a group of American Nazis who were aligned with    James    K. Warner tried and failed to have NBC grant them a "right    of response" which would have granted them equal prime-time    coverage to present their "alternate" view of World War II    events.  
    In 1982, during the rule of the military    dictatorship of Chile, the series was censored by Televisin Nacional de    Chile, beginning a row that ended when its programming    director Antonio Vodanovic renounced the    channel.[14]  
    Holocaust won Emmy Awards for    Outstanding Limited Series, as well as acting awards for    Meryl    Streep, Moriarty, and Blanche Baker. Morton Gould's music score was    nominated for an Emmy and a Grammy Award for Best    Album of Original Score for a Movie or a Television Program.    Co-stars David Warner, Sam Wanamaker,    Tovah    Feldshuh, Fritz Weaver, and Rosemary    Harris were all nominated for, but did not win, Emmys.    However, Harris won a Golden Globe Award    (for Best TV Actress  Drama) for her performance, as did    Moriarty (for Best TV Actor  Drama).  
    Holocaust was watched by an estimated 120 million    viewers in the United States when it was first broadcast in    1978.[15]  
    The series has been widely credited with bringing the term    "Holocaust" into popular usage to describe the extermination of    the European Jews.[2][3][4]  
    In 1979, Holocaust was broadcast in West Germany,    where it was watched by an estimated 20 million people, then    36% of the nation's television-owning population. Later that    same year, the West German parliament removed the statute of    limitations on war crimes.[4] The series is    credited with educating many Germans, particularly what was    then the younger generation, about the scale of common people's    participation in the Holocaust.[15] Der Spiegel    stated that Holocaust "managed to do what hundreds of    books, plays, films and TV broadcasts, thousands of documents    and all concentration camp trials in three decades of postwar    history had failed to do: to inform Germans about the crimes    committed against the Jews in their name in such a way that    millions were shaken."[4]  
    On its fortieth anniversary, in January 2019, the series was    rebroadcast on German television, in connection with Alice    Agneskirchner's documentary, How the Holocaust Came To    TV, which described the impact of the broadcast on the    original German audience.[16] A survey at    the time showed that fewer than half of all German school    children had any knowledge of the Auschwitz concentration    camp.[15]  
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