Posted By  richards on November 23, 2014    
				
				    The Louisa band is still not so well known in Tel Aviv, but in    the north of the country the rock band that Idan Talmud and    Itay Sacharof formed has drawn a devoted audience for more than    a year, despite their cautious abstention from too much    publicity and exaggerated digital hype on the social media.  
    The 12 songs in their first album, "Ktsat Sheket" ("A little    quiet" ) are characterized by a psychedelic blues-rock sound    and vary dramatically in mood. In some of the songs, the Louisa    members sound like a progressive Mediterranean band ("Musalsal"    ), at other times like stadium rock ("Eit Hafira" ) and    sometimes like a Black American punk band that has come here to    play a dance party ("Dance When You're Alone" ).  
    The seeds for Louisa were sown by the soloist and guitarist    Sacharof and Talmud (lead guitars and vocals ) eight years ago.    Those were the awful days after completing their basic training    in the army when the two found themselves once again at the    induction base where their first days of compulsory service    were spent doing menial tasks.  
    "Really days without significance," Sacharof recalls    disparagingly, adding: "Our music then started from shouting.    Simply shouting with frustration about the framework."  
    And Talmud adds: "Itay was a drummer then and one day he    invited me to join him playing." The two found musical    consolation in one another in those days, which entailed    collecting cigarette butts and kicking automatic dispensing    machines for drinks. For years Sacharof and Talmud continued to    create together, to write songs and appear in various and    strange ensembles. During one incarnation, they played in an    ensemble of two acoustic guitars and a cajon (a box-shaped    percussion instrument originally from Peru ). It was only in    the past two years that they were joined by three additional    musicians, all of them in their 30s - Dror Shem-Tov whom    Sacharof met when they worked together in a restaurant and who    plays the electronic keyboard and is responsible for everything    technological that frightens both the original founders of the    band; Gilad Lautsker who plays bass; and Moshe (Mosh ) Shai,    the drummer who also holds the position of responsible adult.  
    "The moment Mosh entered the picture, everything started    moving," Sacharof says. "He studied sound at the Jordan Valley    College and at SAE in Australia, and the moment he understood    that we really wanted to move forward, he began helping and    pushing. Through a friend of his from Kfar Giladi in the north,    he arranged performances for us here and there in the area."  
    Sacharof and Talmud are pleased that they had the opportunity    to begin appearing outside Tel Aviv in the beginning. "As a Tel    Avivian, I was really scared to start appearing inside that    bubble," Sacharof admits.  
    He says he prefers Louisa to grow slowly and thinks that growth    should come "naturally," adding: "I don't believe in talent but    in time and hard work. In people or a band that go a long way    together. Look, I don't believe in love in the same way that I    believe in long-term friendship and shared experiences out of    which love grows. That's why I had fears about the gaps that    would form between the two of us, who have been working    together for almost eight years, and the other members of the    band who have been with us only for the past year and a half."  
    The album was brought out independently, and not by a    well-known company. You won't find pictures of the band members    on its cover but rather a colorful work of art created by dance    theorist Noa Eshkol. "The design is a photograph of a wall    carpet. It's the work of Noa Eshkol, the daughter of former    prime minister Levi Eshkol. My grandmother worked with her for    years. She is a figure who was always there for me as a kind of    mentor," he says.  
    Eshkol, who died in 2007, was a famous choreographer who    invented a new dance language. "She was against anything yellow    and fanatical about her privacy. She was involved only in art,"    says Sacharof.  
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Northern lights
				
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