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Diaspora should have details on these visits by gov’t officials – Stabroek News

Posted By on February 24, 2022

Dear Editor,

The Prime Minister of Guyana along with a few ministers of the Government of Guyana are presently in New York City, and New Jersey to meet with the Diaspora and hold engagements or so I have read. Only thing is only certain people know where and when the meetings would be.

I am kindly asking, again, if the local media here can be apprised of these plans and outlines in advance of these visits. It has been the custom in the past for just a handful and selected few to have special knowledge of these visits and specific details. We need engagement on all levels when these officials come on these North American trips funded by the taxpayers of Guyana.

I am the founder of the digital platform Little Guyana-592 News and am pleased to provide coverage of this and any up-coming trip of officials of the Government of Guyana, or any Opposition visit also whichever party holds these offices.

Our politicians in Guyana should be accessible to the wide cross-section of the Diaspora here, and not a privileged few who believe they own these officials every time they visit here.

Yours faithfully,

Leon Suseran

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Diaspora should have details on these visits by gov't officials - Stabroek News

The 32nd Annual Peabody Concert: Celebrating Student Musicians of the African Diaspora – PRNewswire

Posted By on February 24, 2022

COLUMBIA, Md., Feb. 22, 2022 /PRNewswire/ --The Columbia (MD) Chapter of The Links, Incorporated, announces the 32nd annual Peabody Concert. Scheduled for Sunday, February 27, 2022, from 6:00 pm - 8:00 pm EST, this free online concert continues the decades-long tradition of celebrating student musicians of the Peabody Institute of The Johns Hopkins University.

The Peabody Institute students will represent their ancestries from across the African Diaspora, performing uniquely and traditionally composed pieces that align with this year's theme: In Living Color: Deconstructing Duality. This student-selected theme will hold the audience to reflect on the lived dualities Black people experience every day. Students also will use their performances to explore radicalism, celebration, and community.

Since starting this event over 30 years ago, The Columbia (MD) Chapter of the Links, Incorporated has donated more than $75,000 to support the Student Emergency Fund at the Peabody Institute and awards a stipend to each student participating in the event. This year, attendees can expect to be awed by the talent of ten student musicians, as they each share their gifts through voice and instrumental performances.

Khandeya Sheppard, Manager of Community Partnerships, Peabody Institute of the Johns Hopkins University, noted the significance of this unique partnership event saying, "We are grateful that The Columbia (MD) Chapter of the Links, Incorporated has been one of our long-standing community partners committed to the artistic and professional development of our Peabody students. Having dedicated platforms for our artists to showcase their talent is especially important given the recent impact the pandemic has had on the arts industry. The students and staff have been excited to create this year's innovative virtual experience."

Dr. Lisa Cooper-Lucas, president of The Columbia (MD) Chapter of the Links, Incorporated, reflected on the beauty of the event, saying, "Attendees to previous Peabody Concerts can expect the same level of musical mastery with the student performances this year. And for newcomers, this is a don't-want-to-miss event because it will be a celebrationa celebration of diversity, of Black history, and just really beautiful music."

Go to columbiamdlinks.orgto join us live on Sunday for this free online event, and to learn more about the community efforts of The Columbia (MD) Chapter of the Links, Incorporated.

About The Links, Incorporated The Links, Incorporated,founded in 1946, is one of the oldest and largest global volunteer service organizations of women who are committed to enriching, sustaining and ensuring the culture and economic survival of African Americans and other persons of African ancestry. The Links, Incorporated has a membership of over 12,000 professional women of color serving in 270 chapters in 42 states, the District of Columbia and the Bahamas.

The Columbia (MD) Chapter of The Links, IncorporatedChartered in June 1975, The Columbia (MD) Chapter of the Links Incorporated has been a pillar of the Howard County community. For over 47 years, the organization has sponsored numerous events and programs that span the arts, education, youth development, physical and mental health, as well as national and international outreach.

The Peabody Institute of the Johns Hopkins University comprises both the degree-granting Peabody Conservatory and the community-facing Peabody Preparatory, empowering musicians anddancers from diverse backgrounds tocreate and perform at the highest level. Building on its rich history as America's first conservatory, Peabody extends the power of the performing arts and robust artistic training throughout the greater Baltimore community and around the world.

TheColumbia(MD) Chapter of The Links Incorporated Sharon Pinder:443-463-7575 [emailprotected] Gretta Garner:410-980-4706 [emailprotected]

ThePeabody Instituteof TheJohns Hopkins University Tiffany Lundquist: 410-299-4491[emailprotected]

SOURCE The Columbia (MD) Chapter of The Links, Incorporated

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The 32nd Annual Peabody Concert: Celebrating Student Musicians of the African Diaspora - PRNewswire

Putin thinks hes God: Russian invasion echoes Nazi invasion of Poland in 1939, Ukrainians in UK warn – The Independent

Posted By on February 24, 2022

Russias invasion of Ukraine echoes the horror that befell Europe in 1939, the Ukrainian diaspora in the UK has warned.

Dennis Ougrin, a professor of child psychology at Queen Marys University, compared the developments in Ukraine to the Nazi invasion of Poland in 1939.

The 48-year-old was one of hundreds of Ukrainians who gathered outside Downing Street on Thursday afternoon to call on the international community to implement tough reprisals against the Putin regime.

Blue and yellow flags rose above the crowd, which raised chants including Stop Putin, Stop the War and Ukraine will resist, and held placards calling the Russian president a murderer.

Groups of Ukrainians consoled each other with hugs, some in tears.

Members of the Ukrainian diaspora demonstrate against the Russian invasion outside Downing Street today

(Rory Sullivan)

This is a global emergency, its not just about Ukraine, Ougrin, who is from Lviv, the largest city in western Ukraine, said.

Were no longer in 1938, were in 1939. Thats the thing to understand,

Everyone will remember this day for many centuries. People should realise that today that will have an impact on their wellbeing and their childrens wellbeing, he added.

The university professor urged the world to act, expressing his belief that Putin, left to his own devices, could soon attack other countries including Estonia.

Iryna Estevez, a teacher who moved from Ternopil, Ukraine, 21 years ago, reiterated this view.

Ukraine for Putin is a stepping stone, she said. I think hes aiming to conquer more of Europe, more sovereign countries.

Iryna Estevez (left) spoke of her horror at what is happening in Ukraine

(Rory Sullivan)

Like others, Estevez told The Independent of her fears for friends and relatives back in Ukraine, after the authorities in Kiev reported that dozens of Ukrainians had already died in the first Russian bombardments.

In particular, she highlighted the plight of some friends in Kiev whose baby was due on Thursday morning.

As Estevez spoke to them as they made their way by car to hospital, explosions could clearly be heard in the distance.

Today is the worst day of my life, she said, reflecting on the threat facing her country and her loved ones.

Anna Kredisova, 23, a consultant in London, also described the pure terror confronting her relatives in Ukraine, after Russian troops crossed the border from Russia and Belarus early on Thursday morning.

Who knows how safe they will be tomorrow or even in a couple of hours, she said.

This map shows major cities in Ukraine as well as Moscow-backed separatist regions. As of early this week, rebels held only parts of the Donetsk and Luhansk regions highlighted

(The Independent)

Nadia Nychkalo, 38, a cleaning supervisor from the west of Ukraine, said her nephew is already having nightmares.

After waking up on Thursday, he asked his mother where the bomb he saw in his sleep was.

Can you believe, the baby already had a dream about being in the war. Its very sad, his aunt said.

For many Ukrainians, their countrys plight in the twentieth century seems to be repeating itself.

Maria Zinchuk, 26, a dentist from the Ukrainian city of Chernivtsi, said: My grandma is 91. She survived the Second World War, she was a witness of that. This is the second war in her lifetime, imagine.

Its the twenty-first century, its the middle of Europe - its horrible and unacceptable. The world needs to do something.

She added: We never attacked anyone, we never wanted a war. We just want to live in our land, to be free. We dont want a war. No one does.

In response to Russian aggression, countries including the UK and the US said they would block Russian banks from the sterling and dollar markets.

However, Volodymyr Muzyckzka, 60, whose Ukrainian parents came to Britain as refugees after the Second World War, said such moves would be of little consolation to Kiev.

Even sanctions are not going to stop Putin. He has to know that if he crosses more lines, then other countries militaries will get involved.

I think there have to be boots on the ground, he said, standing in the same spot where he called for the release of Ukrainian political prisoners from Soviet jails in the 1960s.

Two women from Kyrgyzstan show their solidarity for Ukraine at the Downing Street protest

(Maryam Zakir-Hussain)

Reflecting on Putins motivations, Muzyckzka said: Hes got to a certain stage in his life where hes thinking about his legacy. And thats a very dangerous thing, especially if youre slightly unhinged, which he seems to be.

Some members of the Ukrainian diaspora said that they and their friends want to head to Ukraine to fight against the Russians.

Angela Razina said: I dont know what I can do but I would like to go do something to help. Our people, our family is there and we need to go back to defend our families.

Vlad Chryskin, a school pupil who has lived in London for three years, said he would sign up if he could.

Even though I am only 16, I would happily go and fight off the Russians. I am ready to do it because its my country and I want to defend it.

He added: Putin thinks he is a god. I think hes trying to be a new Stalin.

Vlad Chryskin, 16, holds up a placard at the protest

(Rory Sullivan)

All nations, all London should stand against him. Not just Ukrainians. There shouldnt be hundreds here, there should be thousands, he said, scanning his eyes over his fellow protesters.

Some demonstrators said they will play their part by raising funds for the Ukrainian resistance and for the humanitarian response.

Hanna, 30, who moved to London from Chernivtsi, said: Theres a part of me that just wants to drop everything and go home, but I have responsibilities here and I think as a Ukrainian here I can also make an impact, maybe on an international level.

As well as lobbying the west to counter Putins aggression, Ougrin, the university professor, had a message for the Russian people.

Putin clearly thinks very little of the worth of human life. I really hope Russians find it in their hearts to stand up to him a little bit. I cant imagine that most of them support him, he said. I hope they can muster a little bit of resistance. Protesting against it is good for their soul.

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Putin thinks hes God: Russian invasion echoes Nazi invasion of Poland in 1939, Ukrainians in UK warn - The Independent

In Soft Murders, Tommy Kha challenges the visual history of the Asian diaspora – It’s Nice That

Posted By on February 24, 2022

Together, their theatrical performances in front of the lens engage with and question issues of Asian representation in photography, and the imaging, capturing, and evaluation of otherness. By doing so, Tommy is able to not only work through his personal history and family trauma, but he is able to take control of his own image in a way that pushes back against white and western-centric perceptions of the Asian diaspora. Cut-outs of his face and body emphasise these aspects, and allow him the freedom to position his image. He grants himself agency over how he is depicted, challenging problematic visual tropes that have long existed in photography and cinema. In a way, these images challenge reality by breaking from it, by allowing the viewer to see behind the photograph, to see the process of creation. To repeat, to construct, and to improvise I like when the artifice shows, when reality fractures slightly, explains Tommy.

Last year, Soft Murders won the 2021 Aperture-Baxter St Next Step award, granting Tommy $10,000 in funding, a photobook project with Aperture and an exhibition at Baxter St Gallery at CCNY. Reflecting on the recent success of the work, Tommy says: I feel inarticulate in describing the emotions, the gravity of it. There is so much gratitude, joy, relief, and excitement. Looking ahead, he plans to continue investigating the past and present of his community and his own life, figuring out how to map it photographically. Im going to keep [these ideas] intentionally vague for now, but theres lots of cutting, taping, copying and pastingoh and more puzzles, lenticulars and photo collages.

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In Soft Murders, Tommy Kha challenges the visual history of the Asian diaspora - It's Nice That

First Flag Raising Ceremony in Diaspora – St. Lucia News From The Voice – The Voice St. Lucia

Posted By on February 24, 2022

February 22nd, 2022 will mark 23 years since the first ever Saint Lucian Flag Raising Ceremony, held in observance of St. Lucias Independence Anniversary, in the entire Diaspora. This event took place on February 22nd 1999 at the Toronto City Hall, in Toronto, Ontario, Canada, making St. Lucia the fifth CARICOM country to hold such an event in Canada, after Jamaica, Trinidad & Tobago, Barbados and Guyana.

This Flag Raising Ceremony, which was initiated and organised by St. Lucias Consulate General in Toronto, became an annual event in Canada and was amongst a number of activities organised for the first time in the entire Diaspora by the Consulate General during February 22nd. 1999 and February 22nd. 2007 for the purpose of (a) bringing St. Lucian nationals in Canada together, (b) uplifting and projecting the image and profile of the St. Lucian community in Canada and (c) promoting Cultural Awareness and establishing St. Lucias identity amongst Canadians generally.

The other activities included: (1) the St. Lucia ANNUAL FAMILY DAY PICNIC attended by thousands of St. Lucians in Canada and the USA; this became an annual event which was attended (at various times) by Senior Government Officials from St. Lucia, including the then Prime Minister Hon. Kenny D. Anthony, Deputy Prime Minister Hon. Mario Michel and Ministers Hon. Petrus Compton and Hon. Damian Greaves. (2) an Exhibition of Saint Lucian artifacts especially for children born in Canada of Saint Lucian parents with a view to giving them an insight into life in St. Lucia (3) an Awards Ceremony for members of the Saint Lucian Community in Toronto who were involved in the promotion of groups and bodies, such as the Saint Lucia-Toronto Association,(4) the First Creole Mass in the Diaspora, officiated by Rev. Fr. Patrick Anthony as part of our Independence Anniversary Celebrations in Canada, (5) the first LA ROSE FESTIVAL in the Diaspora as part of our Independence Anniversary celebrations aimed at promoting our Cultural heritage (6) A GROUNDING with ST. LUCIAN SENIOR CITIZENS living in Canada attended by Governor General Dr.PearletteLouisy and Hon. George Odlum, Minister for External Affairs.(7) AN EVENING AT ROSEAU VALLEY, a literary activity specially organised for the St. Lucian community in Canada, which involved the reading of over 100 poems written by St. Lucian authors and writers. These poems were read by children and adults from the Saint Lucian community whose age ranged from 7 years to 90 years, (8) the selection of St. Lucias contestant and our involvement in the first ever MISS CANADA CARIBBEAN BEAUTY PAGEANT which St. Lucia won defeating 17 contestants from the other Caribbean countries, thus bringing greater prominence and pride to the St. Lucian community in the Greater Toronto Area.

Significantly, none of these events were funded by the Saint Lucia Government.

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First Flag Raising Ceremony in Diaspora - St. Lucia News From The Voice - The Voice St. Lucia

Moscow declaration is blow to long-term efforts of Armenian diaspora in Russia – Editor-in-Chief of Trend News Agency [VIDEO] – AzerNews

Posted By on February 24, 2022

23 February 2022 10:27 (UTC+04:00)

779

By Trend

The Declaration on the Allied Interaction between Azerbaijan and Russia is, among other things, a blow to the many years of efforts that various pro-Armenian forces in Russia have been undertaking in order to drive a wedge in relations between Baku and Moscow, Editor-in-Chief of Trend News Agency Emin Aliyev said in the analytical program "Special Edition" on the CBC television channel.

The results of the meeting in Moscow with the participation of President Ilham Aliyev and President of Russia Vladimir Putin, the signing of the Declaration, which will bring bilateral relations to a new level, and other topical topics were discussed in the program.

Alexey Naumov, expert of the Russian International Affairs Council, also took part in the discussions.

The full version of broadcast can be found below:

---

Follow us on Twitter@AzerNewsAz

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Moscow declaration is blow to long-term efforts of Armenian diaspora in Russia - Editor-in-Chief of Trend News Agency [VIDEO] - AzerNews

The Porter takes a rare look at the injustices, triumphs of Canada’s Black Diaspora in the 1920s – Calgary Herald

Posted By on February 24, 2022

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In the new CBC series, The Porter, part of the action takes place in a lively night spot called Club Stardust. Its a gathering place for many of the characters in the series, a hotspot in Montreals Black neighbourhood of St. Antoine in the roaring 1920s. Early on in the story, the scenes in the club are electric and energetic; full of dancing, music and general revelry.

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For R.T. Thorne and Charles Officer, the two filmmakers who took turns directing episodes of the series in Winnipeg, filming those big production numbers was a great way to bring the unique culture of a very specific time and place to vibrant life. The Porter is a serious drama with a serious message that will hopefully help bring a long-neglected part of Canadian history to light. But that doesnt mean it had to be grim.

Some of the first days on set was with our amazing, beautiful, Black community that came out to Winnipeg to be our background players, says Thorne. I wouldnt even call them background players, they were community players because they came out, got all dressed up. Our production designer (Rejean Labrie) transformed one of our little Winnipeg neighbourhoods into this beautiful Montreal neighbourhood. Just standing there with all these people around us, you felt like you were transported back to another era. Its challenging, too, because sometimes you want to turn the camera to the side and you cant because theres a Ford Focus there. But its such an immersive feeling. Its just gratifying.

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The Porter, which begins airing Feb. 21, is a drama based on real events. It tells the story of Black train porters, best friends and First World War veterans Junior Massey (Ami Ameen) and Zeke Garrett (Ronnie Rowe Jr.), who take very different paths after the preventable, on-the-job death of a fellow worker makes them realize the need to take action to improve their lives. Both are intelligent and ambitious. But Junior uses his savvy to enter a precarious world of gangsters and bootlegging, while Zeke attempts to organize a labour union. Their stories intertwine with a colourful ensemble of dancers, Chicago kingpins, brothel workers, Black Cross nurses, racist bosses and the ruthless head of the Cross Continental Railway.

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While the series explores the barriers the porters face on the path to a better life and shines an uncomfortable light on Canadas often shameful history of racism, both Thorne and Officer were determined to present fully formed characters and a vibrant community that did more than simply survive the injustices they were born into.

We really wanted to bring forth a picture of the past that maybe people havent seen before, full of colour and life and humanity, Thorne says. Sometimes there are historical dramas but they can feel like they are from another time. They can feel cliched in their representation of people and society. We really wanted it to have something fresh to it and focus on the humanity and ambition of these people from this time period.

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We have the awareness of Indigenous stories and how they have been sorely lacking from the canon or fabric of this country, Officer adds. The same goes for the Black Diaspora: the Caribbean lineage, the Americans who have come here from the South. Canada has such a rich history and lineage that all connects to the idea, the concept of freedom when you really break it down. We are beyond the Underground Railroad.

Its interesting, the Underground Railroad is a coded language for something and we actually presented a story that exists on the railroads this network that exists through North America through our ancestors. So its a great honour to bring this to the public and add it to the Passchendaeles and all these stories that have, God bless them, left out our existence.

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Born in Calgary and raised in Toronto, Thorne created the Hulu/CBC Gem young-adult sci-fi series Utopia Falls and directed music videos for Cardinal Offishall and Simple Plan and episodes of Degrassi: The Next Class and The CWs Kung Fu reboot.

Officer was a former hockey player who was drafted by the Calgary Flames and played for a Flames farm team in Salt Lake City before an injury led him to switch gears and become a filmmaker. His films included the 2020 drama Akillas Escape, a crime film set in Toronto and New York about an urban child soldier; and his acclaimed 2008 feature debut Nurse.Fighter.Boy, a romantic drama about an ailing mother who enters into a relationship with a boxer. He also directed The Skin Were In, a documentary based on the powerful book by Desmond Cole that looked at the history of racism in Canada, which some Canadians refuse to acknowledge.

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As a series, The Porter doesnt sugar-coat its portrayal of Canada in the 1920s as a racist, classist and misogynist society. But Thorne says it was important for the filmmakers to go beyond that. Suffering and injustice were only part of the story.

Were going to show that, yes, he says. But in that, were going to show that it didnt define the world for the people who lived back then. They just lived through it. They also lived their lives. They danced until the nightclub kicked them out. They had meals with their families. They had joy and they had dreams and ambitions. Regardless of how the world was treating them, they would chase after those things. And its because they did those things and because they made the changes in the world like the Black labour movement we are standing on their shoulders.

The Porter debuts Feb. 21 on CBC.

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The Porter takes a rare look at the injustices, triumphs of Canada's Black Diaspora in the 1920s - Calgary Herald

The Diasporic New Wave: How South Asians are reclaiming their identity in Hollywood – Happy Mag

Posted By on February 24, 2022

Hollywoods problem with inclusive representation is no secret. Historically rife with stereotypes, portrayals of minorities have been consistently reductive. The South Asian community has often been excluded, if not erased, from nuanced character portrayals in Western cinema.

As a result of this, South Asians have been dehumanised, even desexualised, in the roles we see on screen. White-washed, Orientalist perceptions of the community have been prevalent in cinema for decades.

Essentially, Hollywood stereotypes are hugely problematic. If we focus on masculinity, South Asian men in Western society are depicted within a few key clichs. Theres Apu Nahasapeemapetilon from The Simpsons, whose characteristic sing-song, broken English voiced by the very-white Hank Azaria was one of the longest-running depictions of immigrant South Asian families on TV, and was a [reflection] on how America viewed [South Asian immigrants]: servile, devious, goofy, according to comedian Hari Kondabolu.

In the same vein, theres also the caricatured narrative of the socially awkward, sexually repressed Raj Koothrappali from The Big Bang Theory.

Both characters are examples of South Asian identity being used as a comedic punchline; a tokenistic representation that strips the characters and an entire community of a sense of identity. In Kondabolus documentary The Problem With Apu, several high-profile South Asian-American actors admitted that they had been asked to perform roles in the style and voice of Apu, despite their experience as trained actors.

Their experiences show that this type of representation can have a huge impact on the roles that are written for South Asian men, and continue the cycle of emasculated and exotified representation that we see on screen.

Another example of questionable representation is Max Mighellas role as American-Indian businessman Divya Narendra in the Oscar-nominated film The Social Network. Minghella is a British actor of Chinese and European descent. There really isnt much else to be said on how problematic this type of erasure is, but just to clarify: they didnt replace Narendras character, but intentionally cast a person of completely different ethnicity in the place of a South Asian.

If we consider the power held by production houses and executives, it raises an interesting question why had South Asian identity been so alienated that it lost all relevance to Hollywood?

In short, meaningful portrayals of South Asians had historically been tossed aside by Hollywood. It goes without saying that the implications of such cavalier behaviour towards representation have the power to be destructive. Some may argue that destructive is an exaggerated term, but as part of the South Asian diaspora I cannot see it any other way. Cinema holds the power to shape the way that members of the Brown community see themselves, as well as the way they are seen by others.

Many South Asians from the diaspora including myself have had a complex relationship with our identities. And while I acknowledge my position as a woman mostly writing about portrayals of masculinity, it is undeniable that the experience of internalised racism is genderless within our community.

Despite this, theres a reason for optimism. Recently, theres been a distinct surge in South Asian writers, directors, actors, musicians, showing that young South Asians are radically reconstructing what it means to be Brown in Hollywood.

First-generation South Asians like Mindy Kaling and Aziz Ansari both created, and starred in major TV productions in the 2010s, The Mindy Project; Never Have I Ever; The Sex Lives of College Girls,and Master of None, respectively, with Kaling starring in multiple Hollywood blockbusters (A Wrinkle in Time and Oceans 8); comedian Hasan Minhaj headlined the White House Correspondents dinner in 2017 and hosted the late-night talk show The Patriot Act; Bollywood star Priyanka Chopras starred as an FBI agent in Quantico from 2015-18; Spins Avantika Vandanapu is positioned as the first Indian-American lead in a Disney Channel film; Sex Educations Simone Ashley is slated to lead the incoming season of Bridgerton.

All these artists and many more are reinventing what it means to be young, Brown, and in complete control of your cultural, social, and sexual identity. The Mindy Projects eponymous Mindy is a sexually active, complex comedic character, Master of Nones Dev quietly, yet fundamentally, investigates his hyphenated identity living in the West, and Never Have I Evers Devi defies the nerdy Indian girl trope and explores her teenage sexual identity.

And while South Asians have steadily begun to make their mark on TV, theres been a similar air of change in cinema as well. But before we get into that, its worth mentioning that there is a gendered nature to this wave of representation. Movies like The Big Sickand shows like the aforementionedMaster of None, often elevate Brown male sexuality by using Brown women as one-off plot lines to diversify their eventual end goal: to end up with a white woman.

Now, let me be clear: there is absolutely nothing wrong with interracial relationships. But in terms of representation and cinema, the issue arises when male POC narratives are written to justify dating/marrying outside the culture by disparaging the women of their own culture. Its an aspiration to whiteness conveyed through jokes, laughs, comments, etc. that is ironically reflective of the exact same representation issues faced by male POC that we discussed earlier.

While film roles for South Asian men have historically been limited to comedic, side-kick characters, there have been two recent notable exceptions to this rule: The Sound of Metal andThe Green Knight. In my short life, theyre perhaps the first two roles Ive seen that dont engage with emasculated ethnic stereotypes, despite the lead actors South Asian heritage.

Sure, while both the lead characters are not written to be of South Asian descent and despite the fact that I am a firm believer that South Asian ethnic identity still deserves appropriate representation on screen its an aspect of both films that struck me as unique.

In The Green Knight, the dynamic between the Arthurian source material of the film and leading man Dev Patels British-Asian identity is a refreshing creative decision. It subverts the age-old Hollywood tradition of centering whiteness in cinema, allowing the audience to experience a world where a Brown man is a hero. In particular, the lead hero Gawain.

For those who dont know, Gawain is the nephew of King Arthur and a joyously intricate character in the Arthurian legend. Its an awesome instance of positive representation, where South Asian men are afforded the complexities of masculinity including the joys and tribulations that come with it.

Next, is the Oscar-nominated drama The Sound of Metal, which stars British-Pakistani creative Riz Ahmed. Playing the protagonist Ruben, the role saw Ahmed become the first Muslim actor to be nominated for Best Actor at the Academy Awards, amongst several other nominations that included Best Picture and Best Original Screenplay. The narrative follows the life of Ruben, a talented young drummer who loses his hearing and attempts to navigate a new sense of identity.

Beyond its critical representation of the d/Deaf community, one of the most stunning aspects of Ruben/Ahmeds depiction is when hes presented in the opening shot as topless, visually drenched in magnetic sex appeal. Its a scene not commonly associated with South Asian men in Hollywood. As a former heroin addict and a deaf drummer, Ahmeds character is infinitely complex and allows the image of a Brown man to possess sexuality, whilst also holding a vulnerable, emotional identity.

The images of Patel and Ahmed may not seem significant to some, but for a community that has been mostly ruled by stereotypes in cinema, its reassuring to see a visual of a South Asian being afforded a complex identity, whilst simultaneously being at the center of a Hollywood movie.

The critical and commercial successes of both The Green Knight and The Sound of Metal further prove the excellence that can arise when Brown actors are given the chance to break free of the constraints of the stereotype-riddled, trivial roles that Hollywood has given them in the past.

Lastly, in the case of historical representation like Apu, its never been about being able to take a joke. Many people in our community have had valid experiences of trauma that correlate with the way our culture has been caricatured by white creators on screen.

With The Green Knight andSound of Metal, it finally feels like a step in the right direction. While the progress is slow, respectful and inclusive representation seems to be taking the front seat in many productions coming out of America, and South Asian creatives are rightfully reclaiming their cultural identities. We, and all other minorities, deserve the chance to be represented as the complex, diverse human beings that we are and it seems like Hollywoods beginning to catch on.

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The Diasporic New Wave: How South Asians are reclaiming their identity in Hollywood - Happy Mag

Ukraine, Anatevka, and the waters edge – The Jewish Standard

Posted By on February 24, 2022

Vladimir Putin is beginning his invasion of Ukraine right now.

Hes been threatening for weeks, hes doing it, at least right now, with what he seems to intend to be plausible deniability, and it is terrifying.

When we read about Ukraine not to mention when we see images from that huge besieged country its hard for many of us Ashkenazi Jews not to think of it as a place from which some of relatives escaped and others did not. There are probably few Ashkenazim who do not have any ancestors from the Pale of Settlement, which included most of Ukraine, or Russia or other parts of Eastern or Central Europe, all of which are threatened in some way by Russias lawless aggression.

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Its easy not to identity with whats going on there havent people always had to live through war? as, perhaps shamefully, we do not identify with people like, say, the Afghans, or the Uighurs, or the Burmese, to name just a few groups, almost at random because they do not look like us or live like us. But the Ukrainians do maybe theyre a bit more Slavic-looking than most of us, because they are Slavs and were not but they live 21st-century lives, with electronics and social media and good food and good books and good coffee at outdoor cafes. And their president of all ridiculous things, their president, a former TV comedian is Jewish, God help us all.

The Tuesday morning episode of the Daily podcast, recorded in Ukraine just as the invasion began, made that point clear. Terrified people using their phones to record what was starting to happen all around them. Its a nightmare.

I keep thinking of Fiddler on the Roof. No matter how light some productions are able to make some parts of that fantastic musical, much of it is dark, and that darkness grows as the show progresses. It ends in the slow trudge out of Anatevka, out of home, out of that uncomfortable, unlovable, unwelcoming place that nonetheless was home. But those were the lucky ones.

Theres a striking contrast between Fiddler, the iconic American Jewish musical, and The Wizard of Oz, an iconic American American movie. At the very end of The Wizard, Dorothy wakes up. Shes back home in black-and-white Kansas, surrounded by her family and friends. Shes learned a lesson. If I ever go looking for my hearts desire again, I wont look any further than my own backyard; because if it isnt there, I never really lost it to begin with, Dorothy says. Its a reflection of the isolationist movement that was strong in 1939, when the movie was made, but its also a reflection of the luxury that we Americans have. Jews back then, and quite possibly many Ukrainians in a few days time, have no backyard to return to. They will have to seek their hearts desires elsewhere.

Back home, much of our community is continuing to live as we always have. Many of us are flourishing, many of us do a great deal of good in the world, through philanthropy, through volunteer work, through teaching and talking and thinking, by fighting to make our communities more inclusive, by taking Jeffersons permission of the pursuit of happiness seriously.

Thats a very good thing.

Around us, our country is being divided. We cant let that happen. Our internal politics have become crude, ugly, nearly unrecognizable.

After World War II, the United States operated with the understanding that politics stops at the waters edge. Senator Arthur Vandenberg, a Republican from Michigan who was the chair of the Senates foreign relations committee, created that concept in 1948, and demonstrated it by working closely with the president, the Democrat Harry S Truman.

Wouldnt it be wonderful if we could go back to that time and place? If we could put aside our distrust of each other as face the outside world together?

See the article here:

Ukraine, Anatevka, and the waters edge - The Jewish Standard

Woman horrified to discover gynaecologist helping her to conceive was really her father – JOE.co.uk

Posted By on February 24, 2022

A woman has spoken of her horror after discovering that her obstetrician-gynaecologist (OB-GYN) of almost a decade was her biological father.

The shocking story starts in 1983, when Morgan Hellquist's parents, Gary and Joe Ann Levey, turned to Dr. Morris Wortman, a well-known fertility specialist in the Rochester, New York State region to help them conceive after Gary was paralysed following a motorcycle accident.

Wortman told them that artificial insemination was the best course of action and between 1983 and 1985 he treated Jo Ann. In 1985, Morgan Hellquist was born.

When Morgan turned eight-years-old, her parents told her she had been donor-conceived and as she learned more about genetics in her teenage years at school she asked her mother to reach out to Wortman's office for more specifics about her biological father.

Jo Ann wastold the office no longer had the records from the time when Hellquist was conceived.

Morgan went on to marry and have a two children but when she started suffering from gynaecological issues that her regular OB-GYN seemed unable to resolve, she decided to turn to the man that had helped her parents so much - Wortman.

When Gary passed away in 2015, Morgan decided to pursue more information about her biological father. Meanwhile Wortman continued as her gynaecologist, performing pelvis and breast exams and transvaginal ultrasounds, as reported in the Rochester Democrat and Chronicle.

After a genetic test, she discovered she was 50 per cent Ashkenazi Jewish. However this was concerning as her parents had asked that the donor used to conceive Morgan be a mix of ethnicities.

Through genetic tests she discovered two half-brothers who were 50 per cent Ashkenazi Jewish, just like her. She went on to discover six more half-siblings. Some of her half-brothers bore resemblances to Wortman.

All of the half-siblings were under the impression their biological father had been a medical student.

"We continued to believe this narrative of this being a medical student because we were all about the same age," Morgan said. "It seemed to be really logical."

However, by 2021 some of her half-siblings were questioning whether their parents had told them the truth about the sperm donors used to conceive them and began to wonder whether Wortman was their biological father.

However because of her unique relationship with the doctor, Morgan was hesitant about the theory.

She said: "My brothers had some questions from their own appearances, but I had this relationship. I thought, 'If I think my gynaecologist is my father, I'm a lunatic.' Who thinks those kinds of things."

Eventually, one of the half-brothers got in touch with one of Wortman's daughters from a previous marriage, who agreed to provide a genetic sample for comparison.

Before the results for this came back, Morgan visited Wortman once more but after he made some inappropriate comments, she realised the truth.

"He made some inappropriate sexual jokes and said some things that were really uncomfortable," Morgan said.

"He said, 'You're a really good kid, such a good kid'.

"I then had a moment (thinking) 'Everything you've been afraid of is real.'"

A month later, results came back comparing the DNA of Morgan's half-brother and Wortman's biological daughter. There was a 99.99 per cent chance the two were siblings.

Morgan then reached out to Wortman's daughter and got the same results after another genetic comparison.

She said: "I just sat in the backyard and screamed and cried out to the field behind [her friend's] house because I felt like it broke something inside that could never be fixed. I felt like I could never go back from that moment."

She has since launched a lawsuit against Wortman. He has denied many of the allegations of medical malpractice and that he used his own sperm during the fertility cycle in which Morgan's mother was impregnated.

Whilst New York State has no laws against so-called 'fertility fraud', Morgan and her team hope to have Wortman dismissed for the fact that he was her gynaecologist for nine years, arguing that he should have refused to treat her.

Her lawyer, Kathryn Lee Bruns, said: "A physician owes a duty to his patient. In this instance, he had a duty to not treat her. He violated his ethical obligation as a physician.

"He never should have treated Morgan.He should have taken whatever steps were necessary to refer her to a different physician out of an abundance of caution."

Morgan adds that her mother Jo Ann feels "violated" as well, and that she feels as if all the trauma Morgan has gone through is "her fault."

Now, she often finds herself torn between the memories of her father who raised her before he died and the discovery of her biological father.

"My dad was such a great man," Morgan said. "I got a lot from him.

"I wrestle with what it's like to be the genetic offspring of someone who doesn't have a conscience."

Morgan is also fighting to make fertility fraud a crime, saying it blew her mind that there was no legislation for "something that seems so blatantly abhorrent."

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Woman horrified to discover gynaecologist helping her to conceive was really her father - JOE.co.uk


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