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Wake the sleeping dogs! The Jewish world needs journalism without fear or favor – Forward

Posted By on February 19, 2022

This is an adaptation of Looking Forward, a weekly email from our editor-in-chief sent on Friday afternoons. Sign up here to get the Forwards free newsletters delivered to your inbox. Download and print our free magazine of stories to savor over Shabbat and Sunday.

The letter is dated Feb. 16, 1904. Its typewritten on yellowing letterhead from the Jewish Theological Seminary, with a few handwritten cross-outs and a few little holes in the paper. Its ostensibly about the Russo-Japanese war, about which I have virtually nothing to say. But two lines jumped out at me, as relevant and wrongheaded today as 118 years ago.

Beyond that, I do not think it is wise for Jewish newspapers to go, Cyrus Adler, the president of the American Jewish Historical Society, librarian of the Smithsonian Institution, and lecturer at JTS, had written to Philip Cowen, editor and publisher of The American Hebrew. It is best, Adler added in closing, to let sleeping dogs lie.

The specifics about the line Adler was trying to draw for Cowens coverage of the war are too much to explain here, but they almost dont matter. Those are fighting words for us journalists.

Im allergic to dogs, but Im inclined in the metaphoric sense to wake em up. To poke the bear, ruffle some feathers, turn over all the rocks. Our job is to afflict the comfortable as well as comfort the afflicted. To tell the stories people may not want to hear but truly need to know.

Because and these, like all clichs, are rooted in reality knowledge is power, the truth shall set you free and if we dont, who will?

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The historical society that Adler founded in 1892 is now doing an oral history of the pandemic. As part of the process, each of the 36 Jewish thought leaders interviewed had to pick an artifact to represent our lives over these two intense years mine is the Forward hoodie shown above, but more on that later and to reflect on one from their archive, in my case Adlers letter to Cowen.

To help me unpack it, I called Jonathan Sarna, perhaps the preeminent historian of American Jewry and a fierce advocate for a robust Jewish press. He shared a 2014 dissertation by Mina Muroaka that explores the surprising importance of the Russo-Japanese war to American Jews and, it turned out, quotes from this very letter.

Arising 10 months after the devastating that killed 49 Jews and destroyed 1,500 homes, and amid immigration debates in Washington, this war became for many American Jews a way to avenge Russia and, as Muroaka puts it, to transform the issue of Russian antisemitism from a Jewish problem into an American problem.

Artifacts, old and new.

While the United States stayed neutral in the war, Jacob H. Schiff, a German-Jewish immigrant tycoon, loaned Japan $200 million to finance its military operations. The Lower East Side of Manhattan was awash in Japanese flags, rabbis across the country sermonized about the conflict, and the Jewish press covered it extensively, Muroaka reports.

Japan Brings Hope to the Russian Jew, said one headline in The Jewish Review and Observer of Cleveland, reporting that the news of the great Japanese victory has been received everywhere with a feeling of rejoicing.

Adlers letter to Cowen is framed around immigration debates in Washington. We must always remember that there are five millions of Jews in Russia, he wrote, adding that the Russian embassy in D.C. maintains a careful supervision of the press and transmits everything said about their government to St. Petersburg.

Adler had heard Cowen was planning a special issue about the economic value of the Jewish immigrant, and warned, This too, I strongly advise you not to do.

More fighting words for journalists. I asked Sarna to help me parse them. First, he backgrounded the players.

Adler, born in Arkansas, in 1863, was the first great scholar-doer, he said, and a bridge between the academy and communal leaders and donors, including Schiff.

He didnt like to talk about American antisemitism, he would always insist no such thing, there cant be any such thing, Sarna said. Not because he was naive, but it was not the kind of subject he thought should be discussed.

Cowen, who was close with the poet Emma Lazarus, was one of the founders of The American Hebrew, which at the time was not the largest Jewish paper, but was the most respected, Sarna said. (People who appeared in The American Hebrew were perceived by The New York Times to be important.)

Cowen lived from 1853 to 1943, or, as Sarna put it, across the transformation of American Jewry from a small community of maybe 50,000 to millions by World War II.

And the two men were friends. I doubt very much if Cowen felt he had to listen, that it was an order, but Im sure he took it very seriously, Sarna said of Adlers letter. They each have different responsibilities, they each have different proclivities one has the proclivity to reveal and one to cover up but as long as theyre talking, they end up in the middle.

The letter reminded Sarna of a story from decades ago, when a rabbinical student was on trial for sexually assaulting a child in Cincinnati. It was all over TV news and the front page of the Cincinnati Enquirer, he said, but when the local Jewish paper, The American Israelite, so much as mentioned it, people were outraged (the student was acquitted).

In a different era, Sarna pointed out, the great Rabbi Stephen S. Wise had denigrated New Yorks Jewish papers as weaklies because they were afraid to upset local machers. And in our own time, in the Boston area where he lives, Sarna said of the decline of the Jewish media: I think we pay a big price for the fact that a lot of things are not known and are not reported on.

Courtesy of JHU Sheridan Libraries/Ga...

Cyrus Adler at 69 in 1930.

The question always is whether a Jewish journalist is supposed to celebrate the community and project the community as it would like to see itself, an idealized version of the community, or whether the role of the Jewish newspaper is to tell it like it is, warts and all, Sarna continued. Every Jewish editor faces this.

Warts and all is what we need now. Not because I dont celebrate all that is wonderful about our communities and about Jewishness itself. But youve got thousands of synagogues, camps, pro-Israel advocates, social-justice organizers and umbrella institutions to project the idealized version of the community and work towards it.

Our role is different.

The Forward is here, first of all, to inform you; to bring you stories from outside your orbit, to contextualize and explain the news, to debunk misinformation, to explore complicated issues fully and fairly.

Were here to ask tough, sometimes unsettling questions about what people within our communities are fighting over and why. Were here to hold powerful leaders and organizations to account whether for sexual misconduct or hateful statements or finances.

Were here to hoist a mirror so you can see yourselves as others see you and to open windows so you can truly see others: Jews of different racial and ethnic backgrounds, Jews with radically different political perspectives, Jews of varied religious observance or none at all, Jews who are queer and Jews who dance and Jews who raise hell.

Independent reporting and a platform for civil discourse are pillars of healthy democracy. Our communities deserve them and need them.

I get emails sometimes that echo Adler. Why do you quote IfNotNow, the leftist group that fiercely opposes Israels occupation of the West Bank? (Because they represent an important and growing segment of young Jews.) Why do you platform Orthodox Trump supporters? (Actually, pretty much the same answer). Why do you do the secret Jewish history of this or that? (Because people love to read them.)

As I wrote a few weeks ago, a number of pulpit rabbis complained after we covered the contract dispute between the rabbi held hostage in a Texas synagogue last month and the congregations board of directors. Many of them worried the article could further traumatize the congregation.

I get that their job is to provide pastoral care, and Im confident there was plenty available to the Colleyville community.

We have a different job. And its never been more essential.

I found the assignment of picking an artifact to represent my pandemic experience pretty anxiety-inducing. Id hope my columns, and the Forwards broader coverage, would be the archive consulted by future generations. But that was the task. The Forward bought these hoodies for everyone on staff ahead of our first virtual gala, in November 2020. We were all surprised by how soft and warm and perfectly comfortable they are, and ever since, hardly a Zoom happens without at least one person in the hoodie. So I picked it to represent the way the boundaries between work and home evaporated during this era when hoodies became work-clothes.

Whats your pandemic artifact? Email us a picture and its backstory it can be a few sentences or a few paragraphs and well publish excerpts in the coming weeks.

Send your artifacts to editorial@forward.com.

Anne Frank is a puppet in a new play about her life. As our Lauren Markoe writes, the script was too dark, too honest, and too Jewish for Broadway.

Also in this weeks edition: Andrew Silverstein tracks down the actor behind the most iconic Jewish ad campaign in history; talking across generations about the Middle East; an interview with Harvey Fierstein; using journalistic tools to unravel family lore; and a Holocaust survivor denied reparations twice.

Download the printable PDF here.

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Wake the sleeping dogs! The Jewish world needs journalism without fear or favor - Forward

Two suspects arrested for arson of Jewish familys home in Sheikh Jarrah – Haaretz

Posted By on February 19, 2022

Two more suspects in the arson attack on the home of a Jewish family in East Jerusalems Sheikh Jarrah neighborhood were arrested Wednesday by the Israel Police and the Shin Bet security service.

The two were taken in for questioning and the security services are expected to seek a court order extending their detention.

Earlier in the week, two others were arrested in connection with the firebombing, and eight Molotov cocktails were found at the home of one of the two. A gag order has been imposed on additional details in the case.

No one was injured in the attack, which over the weekend targeted the home of the Yushuvayev family, one of the few Jewish families in their section of the predominantly Palestinian Sheikh Jarrah.

The family had previously been subjected to harassment for a considerable period and their car has been torched several times.

Following the attack, far-right Knesset member Itamar Ben-Gvir reestablished a makeshift parliamentary office in the neighborhood, sparking clashes between residents, activists and police on Saturday and Sunday.

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Two suspects arrested for arson of Jewish familys home in Sheikh Jarrah - Haaretz

A zodiac-themed roller skating night, films projected on RiNo buildings and more Denver things to do – The Denver Post

Posted By on February 19, 2022

A sweet tooth for Mexican-inspired beer

Saturday. Bring your sweet tooth to Cervecera Colorado for a pan dulce and beer pairing. The brewery, a subsidiary of Denver Beer Co., will be serving Mexican-inspired beers to help wash down the tantalizing flavors of five different confections from Panaderia Rosales, a local institution.

Think berries and churros, apples and lime, caramel and poblanos, read the event announcement. It runs Feb. 19 from 11 a.m. to 4 p.m. at Cerveceria Colorado, 1635 Platte St., Denver. Tickets cost $25 at events.denverbeerco.com. Tiney Ricciardi

Friday. If you havent been inside a roller skating rink in a spell (or ever), consider Oh My Stars! A Monthly Skate Date, the art-centric experience that mashes zodiac themes with pop-up art, local DJs, colorful merch and a photo booth.

The pop-up produced by Rainbow Dome (a.k.a. acclaimed Denver artists Therin Zimmerman and Frankie Toan) returns Friday, Feb. 18, for an Aquarius-themed outing inside the Rollerdome, home of the Denver Roller Derby and Rocky Mountain Rollergirls. More nights are scheduled on the third Fridays of every month.

It runs 2-10 p.m. at 2375 South Delaware St. Tickets: $10 online, $15 at the door. Skate rentals (kids sizes through mens size 14) are included with entry but only available on a first-come, first-served basis. Visit bit.ly/3rV73yd or rainbowdome.com for more. John Wenzel

Through March 1. The Denver Jewish Film Festival is back for its 26th year, and movie buffs can attend in-person theater screenings as part of the multi-week lineup. Buzzworthy titles include I Am Here, a documentary that follows 98-year-old Holocaust survivor Ella Blumenthals extraordinary life; and Kiss Me Kosher, a romantic comedy about a same-sex couple crossing cultural boundaries.

Sixteen movie screenings will take place in person at The Elaine Wolf Theatre at the Staenberg-Loup Jewish Community Center (350 S. Dahlia St., Denver), while an additional 10 movies will be available for fans to watch virtually starting Wednesday, Feb. 23. Find festival passes and individual screening tickets ($13-$15 each) at djff.eventive.org. Tiney Ricciardi

Through Sunday. Youve only got a couple of days left to take in Side Stories, the film-projection festival that started on Feb. 11 and covers various walls in the River North Art District. This fourth edition gathers five Denver filmmakers for a variety of experimental, narrative, live-action and animated shorts all viewable outside for free.

Visit sidestoriescolorado.com for a map, streaming audio tour and more about the event this year themed Love Stories as well as deals at nearby businesses such as Noble Riot, Odell Brewing Co., Queens Eleven, Epic Brewing and more. John Wenzel

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A zodiac-themed roller skating night, films projected on RiNo buildings and more Denver things to do - The Denver Post

Meet the antisemitic Republican hoping to defeat Virginia’s first Jewish congresswoman – The American Independent

Posted By on February 19, 2022

Jarome Bell has also embraced conspiracy theories and opposed LGBTQ rights.

Republican House candidate Jarome Bell has a history of promoting antisemitic conspiracy theories and making exploitative comments about the Holocaust. On Wednesday, he touted the endorsement of Michele Bachmann, a former U.S. representative who has called for converting Jewish people to Christianity.

Bell, who is seeking his party's nomination to challenge Democratic Rep. Elaine Luria in Virginia's 2nd Congressional District, boasted on Facebook, "Congresswoman Bachmann recognizes, I am the only one capable of carrying the torch she vehemently carried through the halls of Congress. Bachmann carried this passion with strength and dedication while never backing down, being silenced, or caving in to the demands of the Marxist agendas perpetrated by the communist left!"

Bachmann, whose five terms representing Minnesota were marked by her anti-LGBTQ extremism and her suggestions that American Jews "sold out Israel" by electing President Barack Obama, told hate group leader Tony Perkins in 2015 that Christians needed to do a better job of convincing Jews to stop being Jewish.

"We recognize the shortness of the hour," she said, "and that's why we as a remnant want to be faithful in these days and do what it is that the Holy Spirit is speaking to each one of us, to be faithful in the Kingdom and to help bring in as many as we can even among the Jews share Jesus Christ with everyone that we possibly can because, again, He's coming soon."

A Bell campaign spokesperson did not immediately respond to an inquiry for this story.

But the candidate too has made antisemitic comments in the past.

In October, Bell told the right-wing site National File that Luria the first Jewish woman ever to represent Virginia in Congress was wrong to call out antisemitic dog whistle attacks against progressive philanthropist George Soros.

"Elaine Luria uses her Jewish heritage like Democrats use blacks when they race bait," Bell scolded. "Typical Democrat. She's a Soros puppet. Didn't Soros help round up the jewels of the Jewish of the Holocaust with the Nazis?" The right-wing smear that Soros (who is Jewish) was a Nazi sympathizer who stole from Jews has been widely debunked.

That same month, the Forward (a prominent news site aimed at a Jewish American audience) spotlighted Bell as one of a growing number of GOP candidates who "have promoted the idea that strategies to prevent the spread of COVID-19 are comparable to the sufferings of Hitler's victims."

The story noted that he had compared vaccine requirements to Nazi eugenics programs, likened NFL players wearing bands showing whether they had been vaccinated to "Dachau or Auschwitz serial numbers," and argued that unvaccinated people's "lives shouldn't change nor should we be subjected the Nazi-style treatment of being marked."

In November, Bell likened COVID-19 safety requirements in Austria to the Holocaust, writing: "So maybe it will start to hit home now that it's happening in Austria. The people are being divided by Aryans and Jews. UhI mean Vaccinated and Unvaccinated."

He made a similar claim the following month, posting, "Germany has locked down the Jews, I mean the unvaccinated in the country."

The Auschwitz Memorial in Poland has explicitly condemned analogies of this type, warning, "Exploiting of the tragedy of all people who between 1933-45 suffered, were humiliated, tortured & murdered by the totalitarian regime of Nazi Germany to argue against vaccination that saves human lives is a sad symptom of moral and intellectual decay."

Bell, who received 22.1% of the vote in the 2020 GOP primary in the same district, is one of a handful of Republican candidates seeking the nomination this year.

He has repeatedly attacked one of his opponents, Republican state Sen. Jen Kiggans, for voting for a bipartisan 2020 law banning discrimination against LGBTQ Virginians in employment and public accommodations.

Last March, he falsely complained that LGBTQ rights supporters "just helped send tall, hairy men into your little girl's bathroom, locker[r]oom and girls sports."

Asked last year by the website Ballotpedia which representatives he wanted to model himself after, Bell named white-nationalist-linked Rep. Paul Gosar (R-AZ) and conspiracy theorist Rep. Jim Jordan (R-OH).

Bell opposed the removal of Richmond's Robert E. Lee Monument last September, calling it part of a "Marxist and Communist takeover."

That same month, he made national headlines for tweeting conspiracy theories that the 2020 election was stolen from former President Donald Trump and demanding that everyone involved be killed. "Audit all 50 states," he demanded. "Arrest all involved. Try all involved. Convict all involved. Execute all involved.#MaricopaCountyFraud"

Bell's account was suspended by Twitter days later.

Bachmann is not the first GOP fringe figure to endorse Bell.

In August, he received backing from Trump's former national security adviser Michael Flynn. Flynn was fired by Trump after less than a month in office for lying to the FBI and accepted a pardon in late 2020 for his crimes.

Published with permission of The American Independent Foundation.

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Meet the antisemitic Republican hoping to defeat Virginia's first Jewish congresswoman - The American Independent

Jewish studies on the Southern Plains: The Western Jewish Studies Association comes to Oklahoma – Norman Transcript

Posted By on February 19, 2022

The first major Jewish studies conference to come to Oklahoma will be held at the University of Oklahoma on two days, March 27-28.

The conference will run from 8 a.m. to 5:30 p.m. March 27 at the Thurman J. White Forum Building, 1704 Asp Ave., concluding with a dinner and keynote lecture at 6 p.m. at Headington Hall, 100 E. Lindsey St. The conference will run from 9 a.m. to 5:30 pm at the Thurman J. White Forum Building on March 28.

The Schusterman Center for Judaic and Israel Studies at OU will host the 26th Annual Conference of the Western Jewish Studies Association in both an in-person and virtual format. The event, which is free and open to the public, is made possible by a grant from Oklahoma Humanities.

We are thrilled to host the first major Jewish studies conference to come to Oklahoma, said Schusterman Center Director Alan Levenson. We will be showcasing Oklahoma humanities scholarship at its best to scholars and guests from around the world. The Schusterman family of Tulsa began supporting Jewish studies at OU 25 years ago, hoping to make Oklahoma a focal point of Jewish studies in the region. This conference is a culmination of that goal, and we are pleased to share it with all Oklahomans.

Highlights of the conference will include special presentations by two OU faculty members. Andrew Porwancher, associate professor of classics, will deliver the keynote speech, titled The Jewish World of Alexander Hamilton, and Jill Hicks-Keeton, associate professor of religious studies, will present the plenary lunch talk, titled The Museum of the Bible and the Politics of Interpretation.

Registration is required to attend. Deadline for registration is March 10. For additional information or to register for the conference, visit judaicstudies.ou.edu or contact Levenson at 405-325-6501 or wjsaconference@ou.edu.

Funding for this program is provided in part by a grant from Oklahoma Humanities (OH) and the National Endowment for the Humanities (NEH). Any views, findings, conclusions or recommendations expressed in this program do not necessarily represent those of OH or NEH.

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Jewish studies on the Southern Plains: The Western Jewish Studies Association comes to Oklahoma - Norman Transcript

Princeton University scraps exhibit of Jewish American artists with Confederate ties – Richmond Free Press

Posted By on February 19, 2022

Last summer, Princeton University agreed to organize an exhibit of works by American Jewish artists in the second half of the 19th century.

The exhibit would feature 50 pieces, including a life-size marble sculpture called Faith by the most renowned Jew- ish American sculptor of the period, Moses Jacob Ezekiel (1844-1917).

In July, the university flew in an art historian to tour the Ellen and Leonard Milberg Gallery in the Firestone Library and signed a contract to have that historian curate the exhibit, which was set to open in September. The exhibit, funded by Leonard Milberg, also would highlight a new collection of essays about American Jews in the Gilded Age published by Princeton University Press.

But by the fall, problems began to emerge, and by Dec. 14, the show was canceled.

The reason?

At least two of the artists featured in the show served in the Confederate Army.

Mr. Ezekiel, probably best known for his 32-foot Confederate Memorial at Arlington National Cemetery, was unrepentant in his devotion to the Lost Cause. He was known for hanging the rebel flag in his studio four decades after the war.

The other, painter Theodore Moise, attained the rank of major in the Confederate Army.

Now, some Jewish scholars are calling out Princeton, saying that the works chosen for the exhibit did not relate to the Confederacy and that by canceling the show, the university was in effect censoring the works.

One approach is that we have faith in the audience; we display in full complexity the material and talk about it, said Dr. Jonathan D. Sarna, professor of American Jewish History at Brandeis University. The other approach is that we cancel it. Im very reluctant to be part of the woke, cancel everything that doesnt conform to present-day moral standards.

Dr. Sarna is co-editor of the book of essays tentatively titled Jews in Gilded Age America that inspired the exhibit. The book, co-edited with historian Adam Mendelsohn, is expected to be published this year.

A university spokesman said the library has the right to decide how to exhibit its works. The ultimate editorial authority over scholarly exhibitions resides with the library, university spokesperson Ben Chang said in an email. It is the library that speaks through its galleries, and the library is responsible for the messages conveyed there.

Neither Dr. Sarna nor the shows curator, Dr. Samantha Baskind, a professor of art history at Cleveland State University, denies that two of the most important artists of the period were Southern Jews who abetted the Confederate cause.

Dr. Baskind, who is writing a book on Mr. Ezekiel, said the artists views on the Confederacy are offensive but must be studied and put in context.

Im not romanticizing Ezekiel, but his legacy is important, Dr. Baskind said.

We still need to talk about the good and the bad. To erase those complications is against everything the academy stands for.

Spurred by the massive racial justice protests of 2020, America has faced a racial reckoning and reappraisal of the legacy of the Confederacy. In 2021, 73 Confederate memorials were renamed, removed or relocated from public spaces, according to a new report from the Southern Poverty Law Center. There were 157 Confederate memorials removed in 2020 in the wake of George Floyds murder by Minneapolis Police.

Universities, too, are in the midst of a wholesale effort to address ties to slavery and the Confederacy. Princeton removed Woodrow Wilsons name from the School of Public and International Affairs as well as a residential college in 2020, saying the 28th presidents racist policies made him an inappropriate namesake.

Last year, Princeton published its first annual report highlighting diversity, equity and inclusion work across campus. It formed a committee to come up with principles for naming, renaming and changing campus iconography. The university also has pledged to increase the number of underrepresented tenured and tenure-track faculty members by 50 percent within five years.

Universities also have faced criticism that, in their zeal to combat racism, they also are trampling over academic discourse and inhibiting discussion of unpopular positions or ideas.

Plans for the art exhibit came about through the support of financier and Princeton benefactor Leonard Milberg who read a 12,000-word essay written by Dr. Baskind, which inspired him to propose an exhibit.

Dr. Baskind, who spent hours selecting works for the exhibit, said the idea was to showcase the diversity of the contributions of Jewish American artists in the 19th century, about which very little scholarly work has been published.

The centerpiece was to be Mr. Ekeziels Faith, a 64- inch marble sculpture of a boy grasping a flaming lamp in one hand as he raises his other hand to the heavens.

Faith is a copy of a larger 1876 monument called Religious Liberty that stands outside the National Museum of American Jewish History on Independence Mall in Philadelphia. The work was commissioned by the Jewish fraternal order Bnai Brith to celebrate the 100th anniversary of the signing of the Declaration of Independence. In the larger monument, Mr. Ezekiel portrayed Liberty as a woman in a toga extending her right arm over the boy Faith, in an allegorical gesture of protection.

The monument, like the works of other Jewish artists of the time, celebrated Jewish American patriotism and pride rather than any parochial Jewish religious interests.

The exhibit was also to include an Ezekiel bust of Isaac Mayer Wise, the 19th-century rabbi considered the father of Reform Judaism in the United States, as well as Mr. Ekeziels sculpture of President Abraham Lincoln.

His ties to the Confederacy are only one aspect of his multidimensional life as an artist, Dr. Baskind said of Mr. Ezekiel.

But emails with university officials, including University Librarian Anne Jarvis, reveal larger concerns. Library officials referenced meetings with the vice provost for institutional equity and diversity on Oct. 5 and soon thereafter there were phone call discussions of substituting artists from a later period with no Confederate ties.

After extensive discussion, the library and supporters of the potential exhibition were unable to agree on its final composition, Mr. Chang, the spokesperson said.

Some historians supported the decision and said it was consistent with the universitys desire to offer fresh scrutiny of the past.

Princeton was a place where slave owners sent their sons, said Dr. Anthea Butler, a University of Pennsylvania religion scholar. Given Princetons history, I can understand why they were a little skittish about this.

Dr. William Sturkey, a historian at the University of North Carolina at Chapel Hill who specializes in the history of race, said the universitys sensitivity is wholly warranted.

What would it say if some institution displayed the artwork of someone who was antisemitic and they just said, Oh, thats separate. Were not going to talk about that. Were going to talk about their art. I cant imagine Jewish art fans would be fond of that.

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Princeton University scraps exhibit of Jewish American artists with Confederate ties - Richmond Free Press

Cast of Fiddler on the Roof visits synagogue to learn more about musical Jewish culture and traditions – mahometdaily.com

Posted By on February 19, 2022

Cast members of the upcoming Mahomet-Seymour High School production of Fiddler on the Roof will be among the first to tell you that they dont know much about the Jewish people who lived in the town of Anatevka in czarist Russia in 1905.

Director Chris Taber knew this would most likely be the case, especially since she also knew the students would, most likely, not be familiar with the musical, either. And so, the directing team, including Music Director Liz Martin and choreographer Maggie Kinnamon, sought ways to build a bridge between each students acting and musical talent and historical background that would inform each performance.

Each time there is a reference in the script to a historical occurrence, a name or a place they dont know, or a Jewish ritual that theyre not familiar with, we address it, Taber said.

Bringing a lot of experience with Fiddler on the Roof, Martin has been able to provide background to the story of Tevye, a poor Jewish milkman looking to arrange marriages for his daughters amidst the growing tension in his village, while Kinnamon has focused on teaching characters the types of moves and dances that might have been done in Russia during that time period.

Within the lyrics of many of the songs are a lot of words and expressions with which many were unfamiliar, so Liz was able to shed some light on Jewish traditions and phrases, Taber said. For example, there is a song with the phrase LChaim. We talked about how that means to life (which is the name of the song in which the phrase is sung) or a general bestowal of blessings upon ones friends.

Its one thing to learn something in an auditorium and another to learn from someone who embodies the present and history of a people, though.

Taber knows this. So, she reached out to Rabbi Alan Cook of the Sinai Temple in Champaign-Urbana. Cook was scheduled to come to Mahomet-Seymour High School on Feb. 5, but when that event was canceled because of snow, the students were invited to the Temple on Feb. 11 to talk to the Rabbi.

I was glad that Ms. Taber had the sensitivity to connect with me to try to understand the Jewish experiences, themes, and perspectives that are key parts of this show, Cook said.

As the Mahomet-Seymour team prepared for their visit with Rabbi Cook, students were given the opportunity to submit questions and interests in preparation for the conversation.

Sam Garber, who plays Fyedka, a Russian Orthodox man who marries Teyves daughter Chava, wanted to know more about how Judaism was practiced in different parts of Europe during the time of the play.

I learned from the Rabbi that throughout most of Europe, Judaism was practiced relatively the same, Garber said. It was just practiced quietly so as to not upset the people around them.

Some traditions and culture that I learned was that the Sabbath is the most important time for Jewish people. It happens every week and there are many duties related to it. Women light the candles, wash up before the sabbath, wine on the table, white robes, and many other things.

For me, I think that meeting with the Rabbi really let us learn about the Jewish culture in a realistic sort of way. It will allow us to be culturally right in our acting, props, costumes, etc. I really think meeting with the Rabbi will wholeheartedly help this play be as authentic as possible.

Kara Kinnamon, who plays Tzeitel who wants to marry her childhood friend, Motel the tailor, enjoyed learning about the traditional garments.

I thought it was cool that they apply their teachings to what they wear, as well as their everyday life, she said.

Going to the synagogue helped me a lot with my knowledge on vocabulary and pronunciation for my lines. Another key factor was learning about gender roles at the time, which helps me connect to Tzeitel on a much deeper level.

Meeting with Rabbi Cook was so incredibly valuable and important to our cast. I dont think I would be nearly as comfortable doing a show like Fiddler, had we not gotten the opportunity to learn how to properly respect Judaism.

For some members of the cast, visiting the Rabbi was their first time in a synagogue.

It meant a lot to me to really learn about Jewish culture. It was a great experience to learn first hand from Rabbi Cook, Nicholas Gilbert said.

Cook knew that for many this may have been the first time students participated in a deliberate conversation with a Jew.

I hope that I helped to open some eyes and some minds to the possibilities that can arise out of building bridges with those who may be different from you, Cook said.

Although some parts of the Jewish culture differ from that of the cast, Taber and Cook believe that performing stories like Fiddler on the Roof highlight the humanity that each culture shares.

While Fiddler is a Jewish story at its heart, it also emphasizes important universal themes such as an embrace of diversity and cross-cultural understanding, Cook said. Though our instinct may be to gravitate toward those who think and behave the same way we do, there is much to be gained by hearing others stories and appreciating others traditions.

Cook touched on the pronunciation of Hebrew and Yiddish words used throughout the script, talked about what it may have been like for Jews in the small Russian village at the turn of the century, and made a point to help students understand how traditions and rituals can stand the test of time.

I hope that the students better understand what is driving the characters whom they will be portraying, Cook added. But more than that, I hope that they appreciate that Fiddler on the Roof is not just a work of fiction but builds on real experiences and concerns and joys and disappointments.

Tabers work now is to help bring the themes of Fiddler on the Roof to the Mahomet community in April (21-23).

As storytellers, we have the opportunity to inform, challenge, open hearts and minds, Taber said. Theatre, which is storytelling, can show what others have endured that we havent, but also can remind us that the human experience is universal. We all experience love, regret, family connections and conflict, honor, and more. This shared experience binds us together.

Im hoping the fact that Fiddler on the Roof is a well-known title (at least to us who are older) will bring audiences to our theatre, and while in our special little theatre space experiencing this story with us, they may feel a bit more connected to the world at large. I feel that this is an excellent moment for us all to learn as much as we can about people who seem different from us. To try to walk in their shoes. Theatre is an excellent way to do that.

As a theatre buff, Cook agrees.

I hope that they enjoy an entertaining show featuring a fabulous and hard-working cast and crew, he said. But I also hope that audiences see the humanity of Tevye and his family and friends just trying to live a good life and make sense of their world. Each of us, regardless of our belief system or our background, deserves to be treated with dignity and respect.

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Cast of Fiddler on the Roof visits synagogue to learn more about musical Jewish culture and traditions - mahometdaily.com

The Jews are not a race. They are a tribe. – Religion News Service

Posted By on February 19, 2022

(RNS) There is nothing like a trip to Washington, D.C., with your synagogues young people to keep you vibrant.

And, also, as it turns out, intellectually alive.

Last weekend, we did just that with the youth of Temple Israel in West Palm Beach. Our group had a plethora of experiences in the nations capital: meeting with our congresswomans staffers; praying at Sixth and I; visiting the National Museum of African American History and Culture; visiting the United States Holocaust Memorial Museum; visiting the National Archives; placing a wreath on the Tomb of the Unknown Soldier; and walking through the National Museum of the American Indian.

I had never visited the National Museum of the American Indian before. It is a great museum. It focuses on the history of the various Indian tribes in this country their languages, cultures, religious rituals and worldviews.

Before entering that museum, what did I know about American Indians, or Native Americans?

Precious little. What I knew about American Indians I had culled from the Hollywood curriculum. The American entertainment industry created an entire genre of film Westerns in which American Indians were enemies; or fools, like on the old television show F Troop; or, at best, the noble savage. Jewish parents would send their children to overnight camps with Indian names, causing me to wonder if there were Native American parents whose kids went to Camp Shalom.

I grew up on Long Island. You could not travel more than 5 miles on Long Island without coming to a place with an Indian name. Start with Manhattan, and then come with me to Manhasset, Syosset, Massapequa, Commack, Hauppauge, Patchogue, Cutchogue. Head east on Long Island, and come to Amagansett, Quogue, Sagaponack.

Sure, it sounds like the conductor on the Long Island Rail Road calling out the stations, but these are almost unpronounceable reminders of the Native American presence.

In my sojourns in Florida, I have lived in Miami an American Indian name. I have driven through Hialeah, another Indigenous name. I served a synagogue in Hollywood, Florida, in Emerald Hills, near TY Park which no one could or wanted to pronounce Topeekeegee Yugnee, the gathering place. Travel half a mile west of there, and you come to the Seminole Nation, to the casino and the Hard Rock Cafe.

I currently live in West Palm Beach, not far from Okeechobee. North of West Palm, there is an area in Jupiter, called Abacoa. Beyond, there is Loxahatchee, Tallahassee, Pensacola, Tampa.

When I visit Washington, feelings of national pride flood my soul. No place moves me more than the Lincoln Memorial. I get choked up at Arlington National Cemetery.

But when I visited the National Museum of the American Indian, I did not feel pride.

I felt humility and even shame. I came to understand, in a way I had never previously understood, that our ancestors on this land decimated the American Indian presence. We made treaties and we broke every treaty we made.

All of which brings me back to Whoopi Goldberg and the question of whether or not the Jews are a race.

If you define race and this is a problematic definition as a group of people with certain physical attributes, then, no, Jews are not a race.

A number of years ago, I had a colleague, the late Rachel Cowan. She had ancestors who had sailed on the Mayflower. She had joined the Jewish people as an adult.

Someone once said to her: You dont look Jewish.

To which she replied: It is funny how Jewish looks these days.

If you think there is such a thing as a Jewish race, visit Israel. Within 15 minutes, you will realize there is no such thing as looking Jewish.

Actually, you dont need a 12-hour plane flight to learn that.

Come to my synagogue for religious school. Look at how the students look, the buffet of cultures and races that have produced those beautiful kids.

So, no: Jews are not a race.

But, if the Jews are not a race, then what, precisely, are they?

Last Sunday, walking the halls of the National Museum of the American Indian, I realized something.

True: I felt great shame at what this nation has done.

But, within my mind and soul, I also felt great resonances and echoes.

I entered the stories of groups of people with different languages, customs, rituals, prayers, songs, art, connections to land they deem sacred, worldviews, ways of understanding the universe, ways of discerning what their place in the world is, distinctive dress for elders and priests and prophets.

It was there I realized or, rather, re-realized: The Jews are a tribe.

Which means we are connected to each other. We are connected to a place or to places; we have written literature and oral traditions and music and poetry and art and jokes and gestures; we have a shared pride and a loyalty.

Many Jews know this, deeply and intuitively. This is the way we grew up. We would describe a fellow Jew as a M.O.T. a Member of the Tribe.

To be part of a tribe is to feel responsible for each other and to feel connected to each other. My mother, of blessed memory, lived in constant fear of embarrassment. In November 1963, after the assassination of President John F. Kennedy, Jack Ruby shot the alleged assassin, Lee Harvey Oswald. My mother and my great-aunts commiserated on the fact that Jack Ruby was a Jew, and people would think all Jews are like that.

When we Jews reflected on Bernie Madoff and his scams, or Jeffrey Epstein and his perversions, we did not merely see criminals. We saw a shanda a word our young people do not know, but which would be on my top 10 list of Yiddish words we need to reclaim a shameful person who likewise brought shame upon us.

So, too: When we comb the list of Nobel Prize winners for Jewish names, we believe every name reflects on us. The word for that is nachas.

(Question: Do other ethnic groups, er, uh, tribes, react that way? Do Greek Americans automatically go down the shame/pride road? Or Irish Americans? Is this only a Jewish thing?)

Wait, you are thinking: If Jews think they are a tribe, doesnt that mean they will be, well, tribalistic?

Let me turn the question around. Can the Seminoles, or the Creek, the Calusa or the Miccosukees have deep, emotional, powerful bonds of connection to each other?

Are they permitted to care, first and foremost, about their own families; then, their clans; then, their tribes and only after that about the world?

Would you begrudge them those local loyalties? Would you accuse them of being tribalistic?

No.

Then, why worry about the Jews becoming tribalistic? Yes, of course, we have those wonderful universalistic impulses but why should the Jews be the first (and perhaps, only) group to divest themselves of the tribe?

Not only this: Every modern Jewish attempt to save members of the Jewish people whether it was to save Yemeni Jews, or Soviet Jews, or Ethiopian Jews or Argentine Jews or, even and especially now, the very real possibility that Israel will need to save the Jews of Ukraine these efforts were all about the Tribe.

I do not believe tribal feelings mean we must or should feel arrogant, superior, self-satisfied.

I reject the idea of being tribalistic.

But, being tribal?I embrace it.

The creative vitality of the Jewish people has always depended on those who were and are tribal, and who have tribal instincts. Jewish federations. Hillel. Birthright Israel. Jewish film festivals. Jewish food festivals. JCCs.

None of them is about religion or, at least, the way we usually imagine religion. (There are no Presbyterian film festivals; nor are there Episcopalian food festivals. Feel free to insert joke here.)

Those programs are all about the Tribe.

Tribalistic? Arrogant? Smug? Insular? Self-absorbed?

Meh.

Tribal? Connected? Passionate? Sharing a language or languages, rituals, culture, stories, literature, tunes?

Totally.

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The Jews are not a race. They are a tribe. - Religion News Service

Writer’s Work Returning to Theatre Ariel – Jewish Exponent

Posted By on February 19, 2022

Anna Ziegler (Photo by Jessica Nash)

In her last Theatre Ariel production just before the pandemic, Deborah Baer Mozes put on Dov and Ali, a show about the relationship between an Orthodox Jewish teacher and his Muslim student.

The founding artistic director of the Main Line-based salon theater company loved that play because of its writer: New York City-based Anna Ziegler. As Baer Mozes recalled, Dov and Ali had distinct characters, dialogue that drew you into their stories and journeys that kept you interested.

Ziegler, according to Baer Mozes, could engross you in a matter of moments.

I fell in love with her work, the director added.

So, almost two years later, with Theatre Ariel back open in person at local synagogues, Baer Mozes is putting on another Ziegler production.

The Wanderers, the playwrights most recent work, about a Satmar Chasidic couple whose marriage was arranged and a Jewish secular couple who have been friends since childhood, will premiere on Feb. 19 at 8 p.m. at Main Line Reform Temple in Wynnewood.

Another in-person performance will follow at the same place the next day but at 2 p.m. The run will conclude with two virtual shows the following week on Feb. 26 and 27. For tickets, visit theatreariel.org.

Zieglers latest work explores how two couples who are so different on the surface can be quite similar when you dig into their stories and conflicts.

There is much that binds these couples in a play of twists and turns about human nature, marriage and what we neglect to see, reads a play description from a Theatre Ariel press release.

The Wanderers will appear in the Philadelphia suburbs before its Off-Broadway run in January 2023.

Baer Mozes called the play exquisite.

Because shes such a skillful writer, you really get to feel the pain of the struggle in very down-to-earth ways, the director added.

After the local run of Dov and Ali in February 2020, Baer Mozes started looking into Zieglers oeuvre. She learned of The Wanderers because it was completing a run at Theater J in Washington, D.C., around the same time.

More than a year later, in the spring of 2021, the director got a copy of the script from the Alliance for Jewish Theatre, an international network of Jewish theatres and theatre artists, according to its website. Baer Mozes was in the process of planning her 2021-22 season and needed shows.

She began reading and fell in love with Zieglers words all over again.

After the first paragraph, I was there, the director said.

Baer Mozes contacted Ziegler about producing the show, and Ziegler, for her part, was excited; Theatre Ariel had put on one of her plays before and now it wanted to put on another.

But there was an issue: The Roundabout Theatre Co. held the rights and planned to produce the show Off-Broadway last spring.

I didnt think we were going to get it, Baer Mozes said.

Yet she kept calling Zieglers agent, once, then twice. He said he needed to reach out to Roundabout, which had not yet opened the show.

Finally, last summer, on Baer Mozes third call, Zieglers agent informed her that Roundabout had granted permission.

I was ecstatic, Baer Mozes said.

Ziegler was, too. Though shes now working on scripts for HBO Max and Apple TV, she still considers herself a playwright first and foremost. Its just been hard to get any work to the stage during the pandemic years.

The playwright is not planning on attending the run because shes still being careful about avoiding the virus. She also said she doesnt love watching her plays on Zoom.

But she is grateful.

Its just nice, especially during a pandemic, people are still out there reading your work and want to make it happen, Ziegler said.

Theatre Ariels most recent play of the 2021-22 season, The Sabbath Girl by Cary Gitter, drew in-person crowds of 41 and 35 people, respectively, during its run back in December.

Baer Mozes expects a similar audience for The Wanderers, even though, as COVID continues, salon theater fans are waiting until the last few days to buy tickets.

We have a very loyal audience, Baer Mozes said.

The salon theater has the same COVID protocols as it did at the end of 2021. Audience members must show proof of vaccination at the door and wear masks during theperformance.

[emailprotected]; 215-832-0740

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Writer's Work Returning to Theatre Ariel - Jewish Exponent

Mike Pence to visit Israel and Morocco in early March – Jewish Insider

Posted By on February 19, 2022

Former Vice President Mike Pence is scheduled to visit Israel on March 7 for two days, and will then travel to Morocco in an effort to bolster the Abraham Accords, Jewish Insider has learned.

The occasion for the Israel trip is to accept an honorary doctoral degree from Ariel University in the West Bank, according to Tom Rose, a close confidante and former senior advisor to Pence who will be accompanying the former vice president on his visit early next month.

David Friedman, the former U.S. ambassador to Israel, who recently published a memoir about his experience working in the Trump administration, will also receive a degree alongside Pence.

Pence last went to Israel in January 2020, on the eve of the coronavirus pandemic. Before leaving office he had been scheduled to travel to Israel on an international tour beginning on Jan. 6, the day of the Capitol riot, but canceled the trip in late December.

As you may remember, things didnt quite work out, Rose quipped to JI in a brief interview on Thursday. This is a makeup trip.

Rose said the itinerary was still shaping up but that Pence had expressed interest in meeting with Israeli Prime Minister Naftali Bennett as well as Foreign Minister Yair Lapid, President Isaac Herzog and former Prime Minister Benjamin Netanyahu.

He wants to go back and make new acquaintances, Rose said of Pence.

The trip to Israel will come on the heels of a number of recent high-profile visits by American officials, including House Speaker Nancy Pelosi (D-CA) and Sen. Lindsey Graham (R-SC), who are both in Israel this week.

Pence has often spoken of a personal connection with Israel that is rooted in his evangelical faith. In 2018, he became the first American vice president to speak before the Knesset.

During his time in the White House, Pence played a behind-the-scenes role in influencing many of the Trump administrations major foreign policy achievements in the Middle East, including the normalization deals between Israel and a number of Arab nations known as the Abraham Accords, according to allies of the former vice president with knowledge of his involvement.

The Accords established diplomatic ties between Israel and the United Arab Emirates and Bahrain as well as Sudan and Morocco. As part of the deal, the Trump administration agreed to recognize Moroccan sovereignty over Western Sahara, a policy at odds with the United Nations.

The agreement became a subject of controversy this week when Rep. Jamaal Bowman (D-NY) announced that he planned to withdraw his support for and vote against bipartisan legislation aimed at strengthening and expanding the Abraham Accords.

Bowman cited the Western Sahara issue as partly motivating his decision to pull his co-sponsorship of the Israel Relations Normalization Act, which has 328 bipartisan co-sponsors in the House.

Pence will be visiting Morocco his first trip to the Arab nation on his way home from Israel to buttress his faith in that element of the Abraham Accords, according to Rose.

He added that the former vice president would be meeting with senior government officials in the North African country but that his schedule had not yet been finalized.

The rest is here:

Mike Pence to visit Israel and Morocco in early March - Jewish Insider


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