Page 493«..1020..492493494495..500510..»

WATCH: Interview With Rabbi Ken Spiro On The History Of Anti Semitism And Achieving World Peace – VINnews

Posted By on February 9, 2022

JERUSALEM (VINnews) What people talk about all the time, and one of the most important goals that everyone hopes to achieve, is also what politicians campaigning promise to fix or make happen. And that is world peace. We all want world peace. We crave it. We need it. Not a day goes by where something does not take place that reinstates the knowledge that we dont have world peace, and we need to find a way to bring it about for good.

Join our WhatsApp group

Today, baila from the VINnews podcast The Definitive Rap sat down with Rabbi Ken Spiro, author of World Perfect The Jewish Impact on Civilization, published by HCI books, Crash Course in Jewish History, published by Targum Press, and Destiny Why A Tiny Nation Plays Such A Huge Role In History, published by Geffen Publishing House, and also Senior Lecturer and Researcher for Aish HaTorah, Jerusalem, talked about the persecution that Jewish people have endured, from the beginning of time; why it happens, and what could actually be done about it.

We will learn a few tips from Rabbi Spiro who interviewed 1,500 westerners from the United States, South America, and throughout Europe. What he discovered and published was that respect for human life, peace and harmony, justice and equality, education, family, and social responsibility are fundamental human values that regardless of background when all those aspects are achieved, yes, world peace is possible, and can be achieved.

Baila Sebrow is an acclaimed journalist, inspirational international speaker, and 5TJT columnist who hosted numerous radio and Cable TV shows, including Insight/Israel. Baila is also an educator, and active on many human rights and political causes. Baila is the Founder and President of Neshoma Advocates, Inc., servicing children and families at-risk. She is also a world renowned matchmaker and relationship coach, and president of Baila Sebrow Events, LLC. She has been been featured in various publications, including The New York Times.

Visit link:

WATCH: Interview With Rabbi Ken Spiro On The History Of Anti Semitism And Achieving World Peace - VINnews

BDE: 23-Year-Old Boro Park Chasan Dies Less Than A Month From Wedding To Nickolsburg Rebbe’s Granddaughter – VINnews

Posted By on February 9, 2022

NEW YORK (VINnews) 23-year-old Yaakov Yitzchak Grosinger tragically succumbed, apparently to COVID-19 complications on Wednesday after being hospitalized with pneumonia and COVID-19.

Yaakov Yitzchak was born in Boro Park to Rabbi Hershel and Breindel Grosinger. A few months ago got engaged and he was supposed to be married in a few weeks to the daughter of Rabbi Yoel Leibowitz, the son of the Admor of Nickolsburg-Monsey, who lost his son Rabbi Baruch Yehuda Lebowitz just two weeks ago.

Some family members claimed that Yaakov Yitzchak had not died of COVID-19 but rather from a rare infection which he had contracted.

The tragic death of Yaakov Yitzchak shocked all of his friends who described him as a young man full of joy and liveliness who was extremely attached to the Tziyun of Rabbi Yeshaya of Kerstir, where he would pray for hours and even spend Shabbos on occasion. They added that he always tried to help others with joy and always had a happy smile on his face.

In another tragic event in the US, 19-year-old yeshiva student Shlomo Sorotzkin of Lakewood passed away after battling illness for years. The details of the levayos will be released on Thursday morning.

Continue reading here:

BDE: 23-Year-Old Boro Park Chasan Dies Less Than A Month From Wedding To Nickolsburg Rebbe's Granddaughter - VINnews

The Native American Judaism of LA – Tablet Magazine

Posted By on February 9, 2022

The Valley is New Jersey, says Rabbi Ed Feinstein of Valley Beth Shalom (VBS). Its Fort Lee, Teaneck, Englewood. So, if youre young and cute, you live in Venice. If youre an aspiring artist, you live in Silver Lake or downtown in a loft. If youre in the industry, youre in Beverly Hills. But in the Valley, were not hip, were into our families and our friends, and our identity is wrapped up with inner things.

Three hundred square miles and home to some 2 million people, the San Fernando Valley is a bedroom community cut off from the Los Angeles basin by a mountain range; residents of the Valley are duly patronized by city dwellers. The way New Yorkers think of LA, thats how Angelenos talk about the Valley: provincial, lowbrow, oblivious. Studio City, Sherman Oaks, and other Valley neighborhoods are seamlessly connected to the city by a network of highways and thoroughfares blasted through the Santa Monica Mountains, but theres no denying the cultural canyons. City bars have grammable bathrooms and names like Tenants of the Trees; Valley haunts have sticky floors and are called Tonys Darts Away. On Valley sidewalks, its still more common to see lemonade stands and bake sales than meth dens or Greenpeace canvassersthe ultimate mark of cultural inferiority.

In our 30s, Ive noticed my childhood friends from the Valley seem a bit happier, or at least a click less psychotic, than those from the city. The former are homeowners, married, raising kids, and running small businesses; the latter are still rewriting their pilot from grad school. The city kids are hip and therefore stuck; the Valley kids are unhip and girded for the future.

A Valley boy born and raised, Rabbi Feinstein, who succeeded the great Harold Schulweis as senior rabbi at VBS in Encino in 2005, is one of the most widely revered rabbis in LA County. From his second-floor office, you can see the Sepulveda Dam, which along with the Hansen Dam turned the Valley from flood-prone farmland into a settlement area after 1940. (Hence Chinatown, the landmark Valley film, at least until Boogie Nights). There are approximately 180,000 Jews living in this area, Feinstein says. We estimate there are 50,000 Israelis living here in the Valley. A large Persian contingent lives here, too. North Hollywood has a burgeoning Orthodox community. As Tevye says about Anatevka, we have every type here.

But we all live in separate houses with big walls between them and yards. Now, Jewishly, what that does is it imposes upon us an imperative to build community, to break out of the loneliness of isolated, suburban life and find others to share life with. And thats one of the functions of a synagogue.

When American Jews fret about cultural and demographic decline, they worry about places like the Valley, which is an assimilation machine. After escaping Vienna via England and the Dominican Republic, my grandparents arrived in LA with two daughters in the early 1950s. My grandfather was a war hero, a chess grandmaster, and a mensch who sold rack hair products but had no head for business. There was no money, but there were no tenements either, no Robert Moses smashing a highway overpass through your hard-earned home. By 1969, now with four kids, they were able to buy a three-bedroom house with a pool and a yard full of rose bushes in the west Valley for $30,000. It was the American dream, with the usual consequences: My mom and her siblings went to mixed public schools and spoke no Yiddish or German, only English; most of my cousins and I married outside the tribe. Were following Hansens law and raising our kidsthe great grandchildrenwith strong Jewish identities, but who knows what kinds of lives theyll choose.

Feinstein scoffs at declinist panic about acculturation factories like the Valley. When I ask about the 50,000 Israelis here, he explains, What youre seeing now is the development of the next stage. The old line was Were going back. Were going back tomorrow. For 30 years the bags have been packed by the door, but they started to realize: Were not going back. This is where we live. Our children are Israeli Jewish Americans. So the question is, can we create an Israeli Jewish American culture and share that with each other?

Judging by the rapid development of civic associations, he says, the answer is yes. Feinstein points to Merkaz Tarbut Israel, the Israeli Cultural Center in Tarzana, and the Israeli American Council, which started as a local social and cultural organization and has now gone national. Theres also Tzofim (Israeli Scouts) in the west Valley, which runs a once-a-week program called the Ami School. Its basically Hebrew school for Israelis who speak Hebrew, he says.

What about the Valleys Russian Jews, who are often hard to tell apart from the Russian Christians? The fact that theyre Jewish at all is a miracle, says Feinstein. I mean, first the pogroms and the brutal last years of the czars. Then Soviet atheism. Then the invasion of the Nazis and the Holocaust. And then until 1990 under the Soviets. So the fact that these people remember anything Jewish at all, or have any kind of Jewish connection, to me is a miracle.

Look, the prevailing narrative is Oh my god, were disappearing, Feinstein says. And yet a dying people doesnt produce a genius like David Wolpe or Sharon Brous or Craig Taubman and Danny Maseng. Theres a thing here called The Braid. It used to be called the Jewish Womens Theater, its a wonderfully creative group of people. A dying people doesnt do that.

Heres whats really happening, he explains, warming to his theme. We have now outgrown the legacy of the Eastern European immigration experience and its Judaism. The first saplings in the Valley after the dams were built, those are all trees now. Which means we have become a multigenerational Jewish community here. And what were doing is were creating a native American Judaism. He says the last three words slowly, and savors them. A native American Judaism. And thats what you see in all the corners of the Valley and LAthese remarkable sparks, new kindling. Thats what I love about it here.

Rabbi Feinstein looks out his office window, at what exactly its hard to saythe American and Israeli flags flying in the parking lot, or at the synagogues security perimeter, which is guarded like an embassy, or at the Sepulveda Dam in the distance, or at the sky, which is a typical Valley blue. I may be the last optimist in all the Jewish world, but I will die being an optimist, says the man who for many of us is the Valley incarnate. I will die and on my tombstone theyll say, He really believed in the future.

See the rest here:

The Native American Judaism of LA - Tablet Magazine

What I, as a Rabbi, have in common with my friend Pamela Anderson – Telegraph.co.uk

Posted By on February 9, 2022

She told me her great aspiration for her life was to have a marriage like her parents that had lasted for decades, amid the kind of challenges that every marriage faces. She told me she believed in partnering for life, and was disgusted by the kind of sexual exploitation of women that had become de rigueur in the age of internet porn.

Had she contributed to that exploitation, I asked her. No she was adamant that the cover girl pin-ups she had done for Playboy and her close friend, whom she greatly admired, Hugh Hefner, was art rather than pornography. She hated internet porn and felt it was ruining marriages and relationships.

Our conversations covered the gamut of politics, religion, spirituality and, especially, the inspiration necessary to raise healthy children.

Pamela joined me and my family for Shabbat dinner in New York on multiple occasions, and my wife and children came to greatly respect her warmth, intelligence and commitment to communal service. She was always humorous, humble and self-effacing. Once, while she sat next between me and my wife, a friend of mine who is a renowned writer, joked: Rabbi Shmuley is the only man who can sit next to Pamela Anderson and ogle her Rolodex. Everyone laughed, none more than Pamela.

Our friendship led to a jointly authored opinion piece in 2016 in The Wall Street Journal headlined Take the Pledge: No More Indulging Porn, which became a media sensation. Pamela and I were invited on to global media platforms to talk about how porn was slowly conditioning men to view women not as equals but as a means to the fulfilment of their libidinous ends. It was eroding male respect for women.

Many accused her of hypocrisy. Youre condemning porn after your many explicit photo shoots? But she more than held her own as she argued she had every right to espouse her values as pornography became increasingly degenerate.

Particularly interesting was our joint lecture together at the Oxford Union. I opened my speech by saying: Its not easy for an author and media personality to appear alongside an international sex symbol to deliver a speech at Oxford. But I have supreme confidence that Pamela will do just fine.

Showing no hint of nervousness, Pamela was articulate, compelling and won over the large audience, especially women, with her message: that you can be sexy without being exploited, you can be attractive without being degraded, you can be noticed without putting yourself in any position that is subordinate.

Pamela was justifiably on a high after the event. For a woman who had been ogled her entire life, she was being acknowledged for the power and conviction of her ideas.

Original post:

What I, as a Rabbi, have in common with my friend Pamela Anderson - Telegraph.co.uk

99-year-old Holocaust survivor killed in traffic on way to Brooklyn synagogue – Jewish Telegraphic Agency

Posted By on February 9, 2022

(New York Jewish Week via JTA) A 99-year-old Holocaust survivor riding an electric wheelchair was struck by a motorist and killed on his way to synagogue in Brooklyn.

Jack Mikulincer was headed to the Manhattan Beach Jewish Center when a BMW SUV plowed into him late Saturday afternoon, the New York Daily News reported.

Mikulincers daughter Aviva told the Daily News that the Orthodox synagogue had been a refuge for him.

He loved going to synagogue, and when the coronavirus came upon us, there was no synagogue, she said. I think it made him lonely and sad.

Mikulincer was born in Uzhhorod in what is now western Ukraine in 1923. During World War II he escaped a forced labor battalion and served in resistance groups before being liberated by the Soviets, according to testimony he gave to the USC Shoah Foundation. He fought in Israels War of Independence before moving to Brooklyn, where he was a longtime owner and operator of a bakery in Brighton Beach, according to Chesed Shel Emes, an ambulance service, and a gabbai, or sexton, at his synagogue.

This is a tragedy. Imagine enduring whatJack Mikulincer did in his life only for it to end like this, tweeted New York City Mayor Eric Adams. We owe it to his memory to make our streets safe for all New Yorkers.

Adams has vowed to reduce traffic fatalities after a record-breaking year for traffic deaths in 2021. Last weekthe state Senate Transportation Committee passed a traffic safety law named after Samuel Cohen Eckstein, a 12-year-old Jewish boy killed in 2013 by a driver on Prospect Park West in Brooklyn. Sammys Law allows New York City to lower speed limits to 20 mph citywide and as low as 5 mph on streets with traffic calming measures.

The 52-year-old driver who struck Mikulincer remained at the scene and has not been charged, the NYPD said.

See the original post here:

99-year-old Holocaust survivor killed in traffic on way to Brooklyn synagogue - Jewish Telegraphic Agency

Who really betrayed Anne Frank ? The Australian Jewish News – Australian Jewish News

Posted By on February 9, 2022

Why did anyone think time and effort should be spent on an investigation to find out who betrayed Anne Frank? Were people who had read her diary asking for such an investigation? Was the Dutch government or the Jewish community interested?

As a Dutch-born Holocaust survivor, I am disgusted that the backers of this venture never gave a thought as to how the few hundred Dutch survivors, who are still alive, would feel.

In reality, Anne and her family were no different to the 107,000 Dutch Jews deported to concentration camps.

Anne was born in 1929 in Germany, her parents emigrating to the Netherlands when the Nazis started to harass and kill Jews in the streets in the early 1930s. They settled in Amsterdam where her father went into business and Anne went to school. In May 1940, Germany invaded Holland and Jews there became anxious about their future. Many went into hiding, including in July 1942, the Frank family: Father Otto, mother Edith and daughters Margot and Anne.

On August 4, 1944, Dutch police and Dutch Nazis located the Franks in their hiding place and they were taken to Camp Westerbork in north-east Holland. Four weeks later on September 3, 1944, they were transported in cattle wagons to Auschwitz.

The Franks would have been discovered by pure luck, or by a neighbour hearing a strange noise, or the police going house to house checking on occupants. This was how most Dutch Jews, in hiding, were discovered.

It is also a fact that the majority of Dutch bureaucrats were kept in their jobs following the occupation. They duly handed over to the Nazis a complete record of the recently held national census which contained details of every Dutch man and womans place of residence. It wasnt difficult to find the Jews.

Eddy Boas (left) with his mother and brother in 1941.

Both my parents families had lived in Holland for more than 200 years. My parents thought they were Dutch Jews. But after the Germans invaded on May 10, 1940, they soon found out they were not Dutch they were just Jews.

On September 28, 1943 my father, mother, brother and I were forced out of our flat. I was three years old. We were also transported to Camp Westerbork and were held there for four months. On February 1, 1944 we were transported by train to Bergen-Belsen where we were imprisoned in Star camp.

Our time in Bergen-Belsen overlapped with Anne and Margots time there from October 1944 to March 1945.

My fathers job of collecting bodies from arriving trains included Anne and Margots train from Auschwitz in October 1944. He always asked if there were any Dutch among the arriving prisoners. In this case Anne and Margot, I can assume, would have let my father know they were Dutch. My father would then go around the camp and see if he could find any family. In this case, he wouldnt have been able to.

My family was transported out of Bergen-Belsen on April 9, 1945 when we were bundled into cattle wagons destined for Theresienstadt in Czechoslovakia, to be murdered in gas ovens.

Our train became known as the Lost Train. We were on it with no food for 14 days, when on April 23, 1945 the Russian army liberated us near Trobitz in east Germany.

It took nine weeks before we were able to return to Holland, on June 13, 1945. Unfortunately though, our hell was not over.

In 1944 the Allies had turned the war around and the German army was under siege with the Americans approaching from the West and the Russians from the East, closing in to liberate Auschwitz.

The Nazi commanders decided to empty the camp of its Jewish prisoners and did so in a particularly cruel way. On January 18, 1945, 60,000 mainly Jewish inmates were lined up and marched out of the camp, walking towards Wodzislaw 56 kilometres to the west. They were guarded by the SS and their dogs. Nearly 15,000 were murdered. When the remainder reached Wodzislaw, they were forced into cattle wagons destined for concentration camps in the west.

A sign erected at the Bergen-Belsen concerntration camp after liberation.

A few months earlier, in mid-October 1944, Jewish women in Auschwitz had been put on trains to camps in the West, among them Anne and Margot.

The 107,000 Jews, including the Boas and Frank families, were betrayed by Dutch bureaucracy, the Dutch police or their Dutch neighbours.

At that time in Bergen-Belsen hundreds were dying each day of starvation. Food became scarce and eventually non-existent. With the influx of prisoners from the east, thousands were also dying from typhus.

My fathers job in Bergen-Belsen was to go around the camp in a horse and cart and pick up all the dead bodies. From October, there were so many corpses that the crematorium was full, so from then on they were put in open graves.

Initially, Anne and Margot were forced into Tent camp, especially built to accommodate the prisoners from Auschwitz. In January, a huge storm destroyed all the tents and the women were moved into the already overcrowded barracks in the womens camp.

Like everyone else, the Frank sisters had a difficult time in Bergen-Belsen. Nothing could be done for the dying most died a lonely death. The ones still alive were only barely alive.

Margot died in February and Anne in March just two of more than 50,000 of the camps victims.

A child survivor walks past a row of bodies shortly after the liberation of Bergen-Belsen in April 1945. Photo: AP Photo/File

Bergen-Belsen was liberated by British troops just a few weeks later on April 15, 1945.

The Frank family was no different to any other Dutch Jewish family, including my own, who endured the horrors of the Holocaust.

After our return to Holland, there was a lack of compassion shown by the Dutch towards surviving Jews.

In our case, the stress of dealing with Dutch bureaucracy contributed to my already stressed-out father dying of heart failure in August 1948, when I was just eight years old.

We were not allowed to go back to the flat where we had lived before being deported. We had nowhere to live, no money and no family.

To find out about family assets or insurance became a game of wits between bureaucrats, lawyers and family. Both my parents lost all their loved ones. I never knew grandparents, uncles or aunts. I never had any cousins.

We immigrated to Australia in 1954. To this day, I have never received any compensation from the Dutch government.

Annes father Otto, meanwhile, survived and returned to Holland; Annes mother had been murdered in Auschwitz.

After the war, Ottos former secretary Miep Gies handed him Annes diary, which he published in June 1947.

In conclusion, the real betrayal requires no investigation. Between May 1940 and May 1945, 107,000 Dutch Jews were forced out of their homes, including my family of four and Annes family of four. All were transported to German concentration camps.

Eddy Boass memoirs were published in 2017.

Of these 107,000, only 5000 survived 102,000 were murdered. This was the highest number per head of population of any country in western Europe.

Why? Its simple

The 107,000 Jews, including the Boas and Frank families, were betrayed by Dutch bureaucracy, the Dutch police or their Dutch neighbours.

The question of Who betrayed Anne Frank? takes away from what she really was, a young innocent girl who was murdered, as were the other 102,000 Dutch Jews, by a bunch of German Nazi fanatics.

Prisoners liberated from the so-called Lost Train from Bergen-Belsen. Eddy Boas and his family were among those on board.

In 2016 when, with much publicity, a retired FBI agent was asked to investigate Who betrayed Anne Frank?

I wondered why anyone would be interested, 73 years after her diary was first published.

What good was this going to do? How was this going to affect the few hundred Dutch Holocaust survivors still alive?

My then 80-year-old brother, who was badly affected by the suffering he endured during the Shoah especially our 14 months in Bergen-Belsen was furious.

I was annoyed and wrote to the filmmaker, Thijs Bayens, to try and find out what he wished to accomplish. I never received any answer.

My brother died in 2017.

After Annes diary became a bestseller, speculation began over who betrayed the Franks.

The first suspects were the Dutch police who arrested the family, but this was never proven. Then there was speculation that an employee named Willem van Maaren betrayed them. Otto lodged a complaint against him with the police, but no evidence was ever produced. Next it was Tony Ahlers, a Dutch Nazi, but nothing could be proven. Lena Hartog, the wife of another Frank employee, also became a suspect but again there was no evidence. Then there was Ans van Dijk, a Jewish woman who when arrested by the police gave them names of Jews she knew were in hiding, but once more there was no evidence.

After Annes diary became a bestseller, speculation began over who betrayed the Franks.

In short, speculation continued for many years but to this day no one has ever established that the Franks were betrayed by people they knew or by anyone else.

And now we have this latest attempt, which even Bayens admits, doesnt establish the betrayer with any certainty.

Anne was no different to the tens of thousands of other Dutch Jewish children who died. But her name is being used to point the finger and sell books. She has become a marketing product.

The one thing that marked Anne out is that she wrote a diary, which was found and published. That diary is outstanding and that should have been her legacy, not the conspiracy theories that surround her.

Eddy Boas is a Dutch Holocaust survivor living in Sydney and the author of Im not a victim I am a survivor.

Read more:

Who really betrayed Anne Frank ? The Australian Jewish News - Australian Jewish News

The Ugly Provenance of Kunsthaus Zrich’s Collection – frieze.com

Posted By on February 9, 2022

At the end of December last year, Swiss painter Miriam Cahn made headlines by announcing that she intended to withdraw her work from Kunsthaus Zrich, Switzerlands largest art museum. In an open letter to the Swiss-Jewish journal Tacheles, Cahn accused the museum of historical whitewashing, and in an interview with Swiss Radio and Television (SRF) stated: Ive had enough! Im a Jew and thats why I want to withdraw my works from the Kunsthaus. The latest chapter in what looks set to grow into Switzerlands largest museological scandal to date, Cahns protest is directed against the Kuntshauss revisionist handling of the art collection of industrialist Emil Bhrle,a German emigre to Switzerland who is known to have sold weapons to the Nazis, to have acquired art works stolen from Jewish owners, and whose company profited from forced labour by Prisoners of a women's concentration camp in Nazi-Germany.

Kunsthaus Zurich, Bhrle Collection, 2021. Courtesy and photograph:Franca Candrian, Kunsthaus Zrich

The controversy first arose in 2019, when the Kuntshaus and Zurichs city government negotiated the long-term loan (for the next 20 years) of around 200 works from the Foundation E.G. Bhrle Collection, including paintings by Paul Czanne, Vincent van Gogh, Claude Monet, Pierre-Auguste Renoir and Pablo Picasso. Fuelled by the pragmatic logic of civic marketing, the hope was that these impressive loans would help catapult Zurichs Kunsthaus into the top flight of international art museums. Having accepted Bhrles works, the Kunsthaus downplayed his close links to the Nazis. Before the opening in October 2021 of the Kunsthauss 175million extension a building designed by architect David Chipperfield that now houses the Bhrle works the museum's director, Christoph Becker, said in an interview with Swiss newspaper NZZ that a collection could not be used as a vehicle to portray historical facts. In a similar vein, Lukas Gloor, former director of the Bhrle Foundation, noted in an interview with Blickin November 2021 that it was not acceptable for the collection to be turned into a memorial to Nazi persecution, adding it doesnt do justice to the pictures. However, the harder those responsible try to play down the obvious reality that the work in Bhrles collection is tainted, the clearer it becomes that this issue remains an enormous and very deliberate blind spot for Kunsthaus Zrich.

Christoph Becker, director Kunsthaus Zrich, 2021. Courtesy and photograph:Franca Candrian, Kunsthaus Zurich

Before he moved to Switzerland in 1924, Bhrle was a member of the right-wing paramilitary group Freikorps, and personally involved in the bloody suppression of the anti-monarchist November Revolution that was triggered by Germany's military defeat in World War I. It was Switzerland's official (and yet in reality ambiguous) neutrality that was the key to Bhrle's business success during World War II at times he was even the countrys richest man. In 1943, the BBC referred to Bhrles manufacturing plant in Zrich as Germanys greatest bomb-free arms factory. His fortune during the war was added to by profiteering from Nazi forced labour: Bhrle received royalties from a German company for the production of weapons in a factory in Velten, north of Berlin a place where women prisoners from the Ravensbrck concentration camp worked as slaves under SS guard.

Bhrle began collecting art in 1936 and over the next two decades invested a total of 40 million Swiss francs, acquiring around 600 works. When aggressive, systematic plundering of Jewish-owned collections in occupied France began in the summer of 1940 and many of the stolen art works were flushed onto the European market, Bhrle was among those to benefit. Bhrle made his first 16 purchases on the Paris art market during the occupation, when Jewish gallerists and collectors were having works confiscated, confirms a 2020 report by Zrich University. Of the 93 artworks he bought between 1941 and 1945, 13 were classified as looted art after the war. After a number of restitution proceedings Bhrle was obliged to return all 13 of these stolen paintings to their rightful owners at the end of the 1940s, but he later bought nine of them back again, thus legalizing his dubious assets.

Dmitri Kessel, Emil Buhrle in his collection at Zollikerstrasse, June, 1954. Getty Images

This sinister nexus of art, money and violence is lucidly described in historian and journalist Erich Kellers recent book Das kontaminierte Museum ('The Contaminated Museum', 2021):

On the one hand, the origins of the money used to build the collection, and on the other the origins of a still unknown number of objects it contains. This constitutes an extraordinary circularity: money derived from military deals at odds with Switzerlands neutral status, some of them illegal, being used to buy art objects that only came onto the market as a result of the Nazis anti-Semitic policies of expropriation and persecution.

In the book, Keller describes how even today the Bhrle Foundation maintains a systematic silence concerning the Jewish family background of the previous owners of works in their collection: The Nazi policy of persecuting and robbing Jews is completely disregarded, with the aim of making all of the transactions involved appear unsuspicious. And indeed, the provenance of Bhrle's works has still not been examined by independent experts. The history of these paintings, presented in the Kunsthauss sparkling new galleries, remains in the dark. Over many years, attempts to establish the provenance of works in the Bhrle collection have encountered obstacles, as in 2001 when the foundation told a team of researchers that its own archive had been destroyed ten years later, as if by magic, the documents reappeared (and then recently, moved to the Kunsthaus to join Bhrle's art works).

The key demands of critics such as Swiss artist Gina Fischli, who launched the online appeal Against Looted Art in the Kunsthaus Zrich, are the independent clarification of provenance, full publication of the loan agreement between the Bhrle Foundation and Kunsthaus Zrich and a programme of unflinching historical contextualization. In a recent interview with Swiss newspaper WOZ, Zrich city councillor Richard Wolff raised an idea that has been circulating for some time: that a real canon be installed at Kunsthaus Zrich next to works from the Bhrle collection, to make its ties to the weapon industry immediately visible for visitors.

Kunsthaus Zrich, Chipperfield extension, central hall with staircase, 2021. Courtesy: Kunsthaus Zrich; photograph: Juliet Haller, Office for Urban Development, Zurich

Signed in 2009 by 47 countries, including Switzerland, the Terezin Declaration states that:

Noting the importance of restituting communal and individual immovable property that belonged to the victims of the Holocaust (Shoah) and other victims of Nazi persecution, the participating states urge that every effort be made to rectify the consequences of wrongful property seizures, such as confiscations, forced sales and sales under duress of property, which were part of the persecution of these innocent people and groups, the vast majority of whom died heirless.

It will be interesting to see how seriously the Kunsthaus Zrich takes these principles, moving forward. Other museums in Switzerland have already shown that they do take them seriously. For example, in December 2021, following several years of research work, Kunstmuseum Bern announced that it will return two 1922 watercolours by Otto Dix to the descendants of the Jewish collectors Dr Ismar Littmann and Dr Paul Schaefer, who rightfully owned the works. Kunsthaus Zrich should take responsibility in a similar way, and stop trying to sweep history under the carpet. If they do not, its possible there may soon be a lot of empty spaces on the walls of the museum, as more artists troubled by the ugly provenance of Bhrles collection ask for their own works to be withdrawn from the Kunsthaus.

Translated by Nicholas Grindell

Main image:Kunsthaus Zurich, Chipperfield building, view Heimplatz with Pipilotti Rist, Tastende Lichter (Fumbled Lights), 2020, Pipilotti Rist; photograph: Franca Candrian, Kunsthaus Zurich

Excerpt from:

The Ugly Provenance of Kunsthaus Zrich's Collection - frieze.com

Drop the Goldberg name you co-opted, Whoopi — you don’t deserve it – New York Post

Posted By on February 7, 2022

Decades ago, when the performer Caryn Johnson decided her name wasnt interesting enough and dubbed herself Whoopi Goldberg instead, it wasnt because Goldberg signified whiteness.

Through the years, shes offered many weird and contradictory explanations for her change in moniker, but it might have seemed at the time that a black person sporting the surname Goldberg would be especially eye-catching and noteworthy (especially in conjunction with that wild first name) because it would represent the proud ownership of her outsider status. She wasnt trying to blend in. She was doubling down on race.

Note, please, that Caryn Johnson didnt become Whoopi Rockefeller. No. She knew that by becoming Whoopi Goldberg, she would be choosing to flaunt in every way possible the fact that she was a minority person in a majority-white country. The Goldberg was the cherry on top.

You see, in the early 1980s, when Johnson became Goldberg, it was still commonly understood that Jews were a people apart. We were apart due to facts of history, due to discrimination and hatred based on our very being and for those who practiced the faith rigorously due to the way we ate, dressed, celebrated the Sabbath and prayed.

And we were apart because we were the only people in history to be targeted for mass extermination by one of the most powerful countries in the history of the Earth something that had happened in the living memory of half the people on the planet at the time.

Flash forward to 2022, when Whoopi Goldberg says offhandedly on The View that the Holocaust was a white-on-white crime. The Holocaust is not about race, she says. These are two white groups of people.

Forget that Hitler called the Germans a master race and that according to classic Nazi doctrine, Jews constituted a subhuman Asiatic race. You see, Whoopi told Stephen Colbert as she tried to clean up the mess she had made early in the day, I think of race as being something I can see.

Thats nice that she thinks about it that way. But its monumentally ignorant, stupid and almost jaw-droppingly offensive. Six million people literally died because that wasnt how the people who killed them thought about race. And as for the something Whoopi can see doctrine, lets remember that Hitlers goal was the extermination of all Jews on the planet and then as now, there are millions of Sephardic Jews with skin hues that would not classify them as white. Even Whoopi wouldnt see them that way.

No, what Whoopi clearly meant was that the Jews she knows have light-colored skin, and the Jews she has seen in movies about the Holocaust have light-colored skin.

Therefore they were white. And since racism only involves black and white, they were also white to the Nazis, and the genocide was a white-on-white genocide.

Back when Johnson became Goldberg, Jews werent considered white, exactly. And they werent not-white either. The point here is that such a classification system is meaningless when it comes to Jews, no matter the color of their skin.

Ascribing commonalities between Jews and non-Jews is historically nonsensical, considering that Jews make up an astonishingly homogeneous and tiny tribe of people who survived nearly two millennia on this Earth without a homeland to call their own. That was understood when Johnson became Goldberg.

But its two generations since then. Its obvious that a 2022 version of young Caryn Johnson would not choose the name Goldberg to gain that extra frisson of non-white pride.

In fact, Whoopi Goldberg should just drop the Goldberg now. There are dozens of survivors of the Holocaust who bear the name and an untold number who died in the Shoah with it. Caryn Johnson stains them both.

Original post:

Drop the Goldberg name you co-opted, Whoopi -- you don't deserve it - New York Post

Review: In Prayer for the French Republic, Echoes of the Past – The New York Times

Posted By on February 7, 2022

The well of nave young Americans being schooled in life, love, politics and croissants by effortlessly worldly French people is in no danger of running dry. The latest addition to this cohort is 20-year-old Molly, a New Yorker who has just met her distant cousins in Paris.

Thankfully it is they, not sweet, passive Molly, who are the subjects of Prayer for the French Republic, Joshua Harmons ambitious and maddening, thought-provoking and schematic new play, directed by David Cromer at Manhattan Theater Club.

At the very beginning, the matriarch, Marcelle Salomon Benhamou (an excellent Betsy Aidem), painstakingly explains her familys genealogical ties to Molly (Molly Ranson). They are so complicated that Marcelle has to repeat them for the young womans benefit, and of course the audiences as well. Even then, it takes much of the plays three-hour running time and some toggling between 2016-17 and 1944-46 for the connections and their consequences to sink in.

Harmon (Significant Other, Admissions) has set himself quite a challenge because Molly has arrived at a critical juncture for Marcelle; her husband, Charles (Jeff Seymour); and their 20-something children, Daniel (Yair Ben-Dor) and Elodie (Francis Benhamou). Daniel, who wears a kipa, has come home with a bloodied face after an antisemitic aggression. It is just another example of what Charles feels is an increasingly scary climate for Jews in France, a last straw that makes him want to move to Israel.

Its the suitcase, or the coffin, he says, referring to his ancestors forced wandering as he may be about to emulate it. (One of the plays most fascinating aspects, though an underexplored one, is how these characters represent two strands of French Judaism: Marcelles Ashkenazi ancestors have been rooted in France for centuries, while Charless are Sephardic Jews who lived in North Africa for generations before relocating from Algeria in the 1960s.)

The Benhamous have spirited arguments that have the urgency of life-or-death decisions: Should they stay or should they go? What does it mean to be Jewish in France? (The plays title refers to a prayer that has been said in French synagogues since the early 19th century.)

Some of the shows concerns, including the temptation of appeasement via assimilation a position embodied by Marcelles brother, Patrick (Richard Topol) echo those Harmon explored, in a much more comic vein, in his blistering debut, Bad Jews, from 2012. That show was dominated by a hurricane-like character named Daphna, and she now has a marginally milder-mannered relative in Elodie, who injects volatile energy every time she opens her mouth.

Incidentally, Ranson was also in Bad Jews and once again finds herself on the receiving end of impassioned, and often wickedly funny, tirades and put-downs that have the biting rhythm of New York Jewish humor rather than a French sensibility. (A faux pas: The Benhamous buy croissants in an American-type cardboard box rather than the paper bags used in French boulangeries.)

All of this would be enough to pack any story, but Harmon also transports us to the end of World War II for several scenes with Marcelle and Patricks older relatives their grandparents, Irma and Adolphe Salomon (Nancy Robinette and Kenneth Tigar, both heart-wrenching), have somehow managed to survive in occupied Paris and held on to their piano store.

The two narratives progressively start bleeding into each other, with Marcelle and Patricks father, Pierre (Peyton Lusk in the 1940s, Pierre Epstein in the 2010s), embodying the link, both literal and metaphorical, between past and present.

Cromer, a technically astute and emotionally sensitive director, handles the back and forth as well as you might expect he puts a stage turntable to evocative, if perhaps a little clichd, use, for example. Still, its not hard to feel the shows tension slacken when we leave the Benhamous. The plays finale aims for the lofty and falls terribly short, but it does represent the familys tragedy: they want to be part of a country that may never fully accept them.

Prayer for the French RepublicThrough Feb. 27 at New York City Center, Manhattan; nycitycenter.org. Running time: 3 hours.

Go here to see the original:

Review: In Prayer for the French Republic, Echoes of the Past - The New York Times

Tell Us Your Encanto Opinions And We’ll Give You A Perfect Book Recommendation – BuzzFeed

Posted By on February 7, 2022

The Inheritance of Orqudea Divina by Zoraida Crdova

The magic of Four Rivers had faded before Orqudea Divina moved in. The matriarch has never left the home, holding tight to secrets her family hopes will be revealed after she invites them to her funeral. But they're left with more questions as she is transformed, her gifts manifesting for the family in different ways in the 7 years following. The story weaves together Orqudea's life and the journey of her descendants as they search for the truth of their inheritance, this is a perfect read for Encanto fans.

Our Way Back to Always by Nina Moreno

Lou and Sam grew up across the street from each other, but despite their previous inseparability, they haven't spoken in four years. But when Lou finds the bucket list they wrote together as kids, she sets out to finish the list, and Sam decides to tag along. This story of love, loss, and second chances is gorgeous.

Once Upon a Quinceaera by Monica Gomez-Hira

18-year-old Carmen Aguilar is stuck in an unpaid internship, performing as a party princess in Miami with her friend Waverly. To make things worse, they've just been booked for a quinceaera one for Carmen's spoiled cousin. Plus, her ex-boyfriend Mauro is back in town after his first year of college, naturally being assigned a role as her dance partner at work quite literally the Beast to her Belle and there might just be a second chance in the cards for them.

Curse of the Night Witch by Alex Aster

All those born on Emblem Island know their fate from the start of their lives. Tor was born with a leadership emblem, but at 12, he's determined to choose a path for himself instead of letting fate decide for him. So during a New Year's celebration, where they toss wishes into a bonfire, Tor wishes for a different power. Regrettably, this leads to a curse that shortens his lifeline, and now he only has a week to find the notorious Night Witch and get her to break the curse.

Magical Realism for Non-Believers by Anika Fajardo

At 21, Anika Fajardo boarded a plane, searching for the answers behind the father she didn't know in 1995 Colombia. As she chronicles the discoveries of the secrets her past holds, from Colombia to the American Midwest, she'll explore multiple decades of family history and the journeys they'll influence in the present day. From the beginnings of a broken marriage to the birth of Anika's own child, memory and truth will weave together to form a story entirely its own.

Infinite Country by Patricia Engel

Elena and Mauro meet as teenagers in Bogot, traveling to Houston after the birth of their first daughter. After making the decision to move again and again rather than return to the Bogot devastated by half a century of violence, the young family, now with 3 children, enter a precarious new part of their journeys. And Mauro's deportation leaves Elena with even more difficult choices that she now has to make alone.

Ophelia After All by Racquel Marie

Ophelia Rojas lover of Cuban food, rose gardening, her best friends, and boys is a hopeless romantic, despite the gentle ribbing from her friends and parents about her endless stream of crushes. But with prom coming up right after a breakup, she's surprised to find herself crushing on quiet Talia Sanchez. With her friend group cracking under the impending arrival of graduation and separation, and the unraveling of the identity Ophelia thought she knew, it's time for her to discover who she truly is.

Wild Tongues Cant Be Tamed edited by Saraciea Fennell

Wild Tongues Can't Be Tamed is a collection of 15 original pieces by authors such as Elizabeth Acevedo, Meg Medina, Mark Oshiro, Ibi Zoboi and more, recounting journeys about living within the Latinx diaspora. Put together by the incredible Saraciea Fennell, the pieces cover ghost stories, kitchen memories, theater, travel, anti-Blackness, love, and more.

Home by Julio Anta

A new superhero origin story awaits in this first bound volume of the comic series. Juan is a young Guatemalan immigrant, recently separated from his mother at the US border. But while being hunted by the government, Juan will also need to learn how to control his quickly emerging superpowers.

Fruit of the Drunken Tree by Ingrid Rojas Contreras

The Santiago family live in a gated community in Bogot, a protective bubble that protect 7-year-old Chula and older sister Cassandra from the upheaval of 1990s Colombia. Chula has made it her mission to understand the family's new live-in-maid, Petrona, a girl from the guerrilla-occupied slum who is struggling with the weight of providing for her family.

Witchlings by Claribel A Ortega

Seven Salazar cannot wait for her placement at the Black Moon Ceremony, the time when Witchlings in the magical town of Ravenskill hope to be placed into one of five covens. But when the time comes, and every coven has been filled, Seven is left as one of three Spares, which means fewer witches and less power, especially after their magic circle doesn't work and leaves them stuck as Witchlings instead of full-fledged witches. There's only one option Seven can see: get assigned an impossible task, which, when completed successfully with the other Spares, will let them seal their coven and gain their full powers.

Ballad & Dagger by Daniel Jos Older

The island of San Madrigal sank into the sea almost 16 years ago, the survivors escaping to New York and forming a close community in Brooklyn, dreaming of a way back. Piano prodigy Mateo is less focused on finding a way home, working hard to get the attention of Gerval, a local musical legend, and his chance seems imminent. But the night of the Grand Fete (the party that celebrates the blended culture of pirates, Cuban Santeros, and Sephardic Jews who created San Madrigal), instead of wowing Gerval, Mateo instead witnesses a brutal murder, by someone he thought he knew. The evil that sank their island has caught up to those who escaped, and has thrown Mateo right in the middle of an ancient battle.

Flirting with Fate by J.C. Cervantes

For generations, blessings have been passed to the women in Ava's family upon death. But Ava's path is not so simple a flash flood and a fender bender involving a mysterious boy meant that she missed her Nana's blessing by seconds. When a ghostly Nana tells Ava that her blessing was given, and Nana can't rest until things are set right, Ava sets out on a mission. Because Nana's gift missed Ava, and landed with the boy from the storm...and now Ava has to get it back.

Cemetery Boys by Aiden Thomas

Yadriel, a transgender boy desperate to prove himself a brujo to his traditional Latinx family, attempts to summon the ghost of his murdered cousin to set it free. The ghost that shows up instead? Julian Diaz, the school's resident bad boy. Since Julian is so determined to find out what happened to him, Yadriel agrees to help. But the longer the two boys spend together, the less Yadriel wants Julian to leave.

See the original post:

Tell Us Your Encanto Opinions And We'll Give You A Perfect Book Recommendation - BuzzFeed


Page 493«..1020..492493494495..500510..»

matomo tracker