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Jewish communities worldwide to host ‘Hanukkah Homecoming Weekend’ – The Jerusalem Post

Posted By on November 14, 2021

Hundreds of congregations, Jewish Community Centers (JCCs), Federations, schools, camps, independent minyanim and Jewish organizations around the world plan to celebrate Hanukkah Homecoming Weekend, from December 3 to December 5 to welcome Hanukkah the Jewish Festival of Lights.

A wide variety of gatherings from celebrations, services, rituals, meals, festivals, community art projects, concerts, and candle lighting are available to jews in their local regions. Both in-person and online gatherings will be offered.

This Hanukkah is such a unique moment as Jewish communities begin returning to a sense of normalcy right at this festive, communal, and family-oriented holiday, Dr. Ron Wolfson, a Professor of Education at American Jewish University and Hanukkah Homecoming Weekend leader.

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There is something for everyone. Hanukkah Homecoming Weekend events are an opportunity to be a part of something greater, special, an exciting opportunity to celebrate not simply the holiday, but what we have all missed so muchour relationships with each other. The message is reunite around the light and come home.

Wolfson originally drew inspiration from homecoming events: a reunion of members and former members of an organization, such as a school or team. The southern tradition from the late 1800s usually takes place around a central event, such as a banquet or sports match.

To quote a favorite song, the invitation was get back to where you once belonged, Wolfson quips.

What an awesome equation to bring together the Jewish community from all over into our synagogues and organizational homes for a grand homecoming after all this time, adds Rabbi Elaine Zecher, senior rabbi of Temple Israel, Boston, a participant in Hanukkah Homecoming Weekend.

The opportunity to do this together, across the world, truly adds up to a beautiful experience of holiness wherever we find ourselves.

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Jewish communities worldwide to host 'Hanukkah Homecoming Weekend' - The Jerusalem Post

Altercation: All Israel and the Jews Edition – The American Prospect

Posted By on November 14, 2021

I admit I have not read Martin Indyks 688-page love letter to Henry Kissinger, Master of the Game: Henry Kissinger and the Art of Middle East Diplomacy. I sort of feel like I have though, as the book has now scored excerpts in The Forward, The Atlantic, Foreign Affairs, and The Wall Street Journal, as well as reviews and/or interviews in The Wall Street Journal, The New York Times, Haaretz, The Forward, The Guardian, Jewish Insider, The Jerusalem Post, and CNN.com. Of the above, here is the funniest headline: Was Henry Kissinger a Misunderstood Idealist? And here is the worst idea: Perhaps Biden could learn something from Americas most accomplished diplomat, Henry Kissinger.

Indyk thinks Kissingers diplomacy with regard to Egypt and Israel before, during, and after the 1973 war was brilliant and idealistically driven. I beg to differ. Kissinger discouraged the Israelis from entering into peace talks with the Egyptians, encouraged the Egyptians to go to war, and encouraged the Israelis to remain unprepared for that war and therefore endure terrible, unnecessary loss of life. He then fought Nixon tooth and nail (together with the Pentagon) to try to stop Nixon from resupplying Israel in the midst of the crisis, though Nixon overruled him. Unless Indyk somehow convinces me otherwise, I will make this argument in my forthcoming book, now tentatively titled What We Talk About When We Talk About Israel, to be published by Basic Books next fall. In the meantime, here are some of Kissingers greatest hits on this and related topics, drawn from the draft of what will be that most excellent book.

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The Israelis, Kissinger said at various times, were as obnoxious as the Vietnamese, psychopathic, fools and common thugs, a sick bunch, and the worlds worst shits. Even worse, however, were American Jews because they seek to prove their manhood by total acquiescence in whatever Jerusalem wants. Of anti-Semitism, Kissinger avers: Any people who has been persecuted for two thousand years must be doing something wrong.

Of course Nixon, his boss, may have been Americas most anti-Semitic president (and Spiro Agnew was unquestionably Americas most anti-Semitic vice president). William Safires favorite president used to call Kissinger Jewish, Jewish Jewish as hell and a rag merchant when Nixon was angry, but my Jewboy when apparently in a good mood. Kissinger played to these prejudices. Before the war began, he told one aide that what was needed was psychological warfare against Israel which has treated us as no other country could. He privately threatened that if the Jewish Community comes after us, we will have to go public with the whole record. He instructed his State Department colleagues: We are to see it through and even if they win it will do so much damage to the Jewish community here that it may never recover. During the lengthy, drawn-out 1974 negotiations over Israels withdrawal from the Sinai, he told the president, I have never seen such cold-blooded playing with the American national interest.

Ive not seen much talk about Marc Tracys big piece Inside the Unraveling of American Zionism in The New York Times Magazine. I thought it well done, with complicated arguments and emotions portrayed with sensitivity and subtlety (though my friend Rabbi Jill Jacobs did not, as she writes here). I think the piece might have benefited from some more time spent in the Times archives, as this is the latest chapter in a struggle that has been going on among American Jews (and especially among rabbis) for about a half-century. For instance, there is this page-one piece from December 30, 1976: American Jewish Leaders Are Split Over Issue of Meeting With P.L.O. Even more useful would have been SOUL-SEARCHING, from the May 8, 1988, Times Magazine. Authored during the first intifada by Albert Vorspan, then a leading voice of Reform Jewry, it spoke of American Jews suffering under the shame and stress of pictures of Israeli brutality televised nightly, and suggested they would have liked to crawl into a hole. Vorspan deemed this depressing reality to be the price we pay for having made of Israel an icona surrogate faith, surrogate synagogue, surrogate God. As Don McLean sadly concluded in a decidedly different context, They would not listen, theyre not listening still. Perhaps they never will.

(By the way, what was secret idealist Henry Kissingers advice to Israeli Prime Minister Yitzhak Rabin after he instructed his military to put down the teenage rock throwers with might, power, beatings? He told them Israel needed to suppress the uprising brutally and rapidly, adding: The first step should be to throw out television, la South Africa.)

Speaking of Jews, history, and the echoes of the past that continue to haunt our lives today, for Gods sake, go see the Roundabout Theatres revival of the 2003 Public Theater production of Tony Kushner and Jeanine Tesoris Caroline, or Change at Studio 54 if you can.

The autobiographical operetta that mashes klezmer, spirituals, sixties pop, and half a dozen other genres to create one irrepressible American sound, as The New Yorker noted, takes place in the fateful month of November 1963 in Lake Charles, Louisiana. Caroline is the angry, illiterate Black maid to a complicated Jewish household and does not know what to do with her anger. (Sharon D. Clarke, who plays her in her first Broadway appearance, is more than enough reason to see the play by itself.) Kushnerwho I think is by far this countrys most important living dramatistexamines the historical moment from the perspectives of his stand-in, Noah, a sad, motherless eight-year-old boy; his stepmother, a transplanted New York Jew; her father, a Communist rabble-rouser (who wishes Blacks would cut out all this nonviolence bullshit); Carolines children, one of whom is caught up in the civil rights struggle; and another maid who is going to night school and getting caught up in the political moment as well. I saw the original and remembered it quite fondly, and even bought the CD, but this production felt far more powerful than the one I remember. The New Yorkers Alexandra Schwartz writes: The musical hasnt just stood the test of time; it has grown into the presentor maybe the present has grown to meet it. And this endorsement comes across as rather tepid compared to the enthusiasm evident in the rave it received in the Times from Jesse Green, who argued that the world around Caroline has changed in ways that make it seem more prescient, more painful and more hopeful now than it did back then. And that review comes across as tepid compared to Helen Shaw in New York magazine, who calls it a candidate for the centurys greatest piece of musical theater. (Prophetically, or perhaps coincidentally, the play actually begins with an attack on the statue of a Confederate general.) So much has been written about Blacks and Jews and continues to be written, but Ive never seen the issues that underlie this troubled relationship illustrated so sympatheticallyand powerfullyas in this magnificent work. It closes on January 9.

I read two books about Israel this past week. The first, Can We Talk About Israel?: A Guide for the Curious, Confused, and Conflicted by Daniel Sokatch of the estimable and admirable New Israel Fund, is one of the best short contemporary guides to the complicated politics of the place Ive come across, provided the person reading it has an open mind and almost no knowledge of what the hell is happening over there. I particularly admire Sokatch for his title and subtitle, which perfectly explain the books purpose. The second one was The State of Israel vs. the Jews by Sylvain Cypel. This is not a well-titled book as the author does not really appear to discuss Jews except in the most superficial sense. But if you are in need of a book that compiles virtually every terrible thing that the Israelis have said or doneat least until the closing date for the authors submissionsyou will find it here. You wont find much context and you certainly wont find any consideration of the (admittedly, often remote) possibility that Israel had any non-nefarious reasons for anything it did. But for a straightforward indictment, if you want it, here it is, come and get it.

I also saw two movies about Israel this week. The first was a documentary called The Forgotten Ones, about the manner in which Mizrahi Jews (Jews who came from Arab countries) have been historically discriminated against in Israel and how that historic discrimination continues to reverberate today. Its playing at DOC NYC, Americas largest documentary festival. If you know nothing about the Israeli Black Panthers, this engrossing film will fill that void.

The second, also a documentary, was called Our Natural Right. Its based on a gimmick, but one that works: The grandchildren of the signers of the Israels Declaration of Independence return to the hall in Tel Aviv where the document was signed 70 years later and are interviewed both about their lives and about how each one thinks things have since turned out. All (Jewish) Israeli perspectives are represented, including from those who say it would be better to just throw the Arabs out, and those who say there really shouldnt be an Israel at all. It also helps one to recall the heady days of the sadly unrealized promises of that wonderfully idealistic declaration.

I did not see any films at the Other Israel Film Festival, and neither will you, because it ended yesterday. (I tried to, opening night, but the auditorium was full when I got there.) But you can maybe stream some in the future, here.

Continued here:

Altercation: All Israel and the Jews Edition - The American Prospect

Austin Jewish Film Festival kicks off with hopes to ‘break down hatred’ – austin360

Posted By on November 14, 2021

The 19th annual Austin Jewish Film Festival starts this week and will include both in-person and virtual events.

Last year, the festival was mostly virtual, with a couple of drive-in movies,because of the coronavirus pandemic. But with coronavirus vaccines available and Austin-Travis County in Stage 3 of Austin Public Healths coronavirus risk-based guidelines, attendees can meet up in person this year, if theyre comfortable.

David Finkel, the festivals director, said the festivalwill be following the pandemic guidelines of this years venue for the festival: Galaxy Highland theater at 6700 Middle Fiskville Road. Attendees will be asked to keep distance and wear a mask when they are not eating or drinking during screenings, he said.

If someone has any doubt, this is exactly why we did the enjoy it your way approach, because we dont want someone to feel left out. Its like, OK. We absolutely understand that. Watch online, Finkel said.

We checked in with Finkel ahead of the fest, which runs Nov. 11-16. This Q&A has been edited for length and clarity. For more information on tickets and screenings, go to austinjff.org.

American-Statesman: Many anti-Semitic incidents have happened recently in Austin, and so close to the kickoff of the festival, includingsuspected arson at Congregation Beth Israel and about a dozen people displayed a hateful banner over MoPac Boulevard in October. How are you feeling, and how do these incidents underscore the festivals importance for you?

More: Image of arson suspect in Central Austin synagogue fire released

David Finkel: Obviously, its disappointing to see anti-Semitic acts being committed in our city. This is not the Austin I know. ...

But the reaction of our community … I think the best example of this is, if you look at what (Interfaith Action of Central Texas) did very, very shortly after,it was something like 500 signatures of people supporting the Jewish community. Clergy from all different stripes came out to show support for the Jewish community, and thats the Austin that I know.

More: Austin leaders rally behind Jewish community after 3 anti-Semitic incidents over the weekend

Long before these events happened, and on a continual basis, were always trying to fight anti-Semitism and hate of any kind. I think when people hear of a film festival, they think, Oh, you know, Im going to get entertained, or they go watch a documentary and get a little bit informed. Of course we do that, but I think the really serious work of what we do and what films do is so much more.

Theres a quote, which I like ...it goes along the lines of: Films arent very good at answering questions, but theyre very good at posing them. I think that the serious part of what film doesis it brings people together to learn about different cultures and to have a shared experience and an opportunity to engage with each other.

About 25% of our audience is not Jewish, and were always looking to increase that. What we want people to do is to come out of a film, see somebody they dont know, and start talking to them about the film they just saw. I think thats one small step along the lines of trying to break down hatred and build bridges across your artistic community and encounter people and customs and faith that maybe youre not familiar with and you want to learn more about it.

Tell us about this hybrid version of the festival. Were obsessed with the tagline: Oy Vey! Enjoy it YOUR way! (Oy vey is Yiddish for experiencing dismay or upset at something.)

The idea behind that is sort of, Oy vey, theres a pandemic and we miss our friends, oy vey!

If you have a festival pass, you can choose to participate online or in person, and you can mix and match. You can go to one event in person and one online. If youre buying a ticket to an individual film, youre going to have to choose whether you want an online ticket or an in-person ticket.

How does it feel to be back,now that coronavirus vaccines are a reality? Are you excited to experience the fest in person this year?

We made a lot of preparations, and I think things are aligned about as well as they possibly can be. But at the same time, I will be wearing a mask there, and I'll be happy to greet people. Until everything's over, I don't want to jinx anything.

What films do you think will have a big impact this year?

There's an amazing film, you talk about impact, called "Marry Me However." It's the story of gay, principally gay, but also lesbian Orthodox Jews, who want to live a religious life and have been encouraged by their rabbis to go against their sexual orientation.

Another one that may be quite interesting and impactful in terms of having an interesting discussion is "Xueta Island." It's about the history of crypto-Jews on the island of Mallorca in Spain. A lot of people know that in 1492, there was the expulsion from Spain and Portugal, when Jews were made to either forcibly convert or leave. The anti-Semitism against Jews in the 15th century happened much earlier in Mallorca, I think it was in the 1430s. So when the inquisitor arrived on the island of Mallorca, most of the Jewish community had already "converted" to Christianity. The inquisitor moved on. But these families that remained. They weren't really accepted as Catholics; they were always sort of known as "other," this idea of "xueta."

Oftentimes, even though they weren't Jewish, they weren't considered Catholic, either. And they were sort of put in this "other" category and experienced (erasure).

What parts of the festival are you most excited for?

This is always kind of like, "Who'syour favorite child?" I gottamention a couple of films."Xueta Island," which will have itsNorth American premiere. "The Musicians" is a story that starts with some anti-Semitism between one musician and another. One of them is Jewish, one of them is not, and during theprocess of the second World War, they actually at one point need each other and then sort of help each other. It's just a good drama.

The other one ... I try to stay away from playingfavorites with films,and this one, I really, really, really liked. And I have to tell you, when I first heard about it, it sounded terrible. I wasn't sure I'd really be interested in it. But my colleague from the San Antonio Jewish Film Festival, Betsy Cowan, she said,"(We)got a documentary called 'Dirty Tricks,'" and I said, "Well what's it about?" She said,"Bridge. ... You have to watch this." OK, so I watched it, and it's unbelievable. It's about bridge, but not the kind of bridge your grandmother plays. It's about the ultra-elite levels of bridge.

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Austin Jewish Film Festival kicks off with hopes to 'break down hatred' - austin360

Pharisee | Definition, History, & Legacy | Britannica

Posted By on November 14, 2021

Pharisee, member of a Jewish religious party that flourished in Palestine during the latter part of the Second Temple period (515 bce70 ce). The Pharisees insistence on the binding force of oral tradition (the unwritten Torah) remains a basic tenet of Jewish theological thought. When the Mishna (the first constituent part of the Talmud) was compiled about 200 ce, it incorporated the teachings of the Pharisees on Jewish law.

The Pharisees (Hebrew: Perushim) emerged as a distinct group shortly after the Maccabean revolt, about 165160 bce; they were, it is generally believed, spiritual descendants of the Hasideans. The Pharisees emerged as a party of laymen and scribes in contradistinction to the Sadduceesi.e., the party of the high priesthood that had traditionally provided the sole leadership of the Jewish people. The basic difference that led to the split between the Pharisees and the Sadducees lay in their respective attitudes toward the Torah (the first five books of the Bible) and the problem of finding in it answers to questions and bases for decisions about contemporary legal and religious matters arising under circumstances far different from those of the time of Moses. In their response to this problem, the Sadducees, on the one hand, refused to accept any precept as binding unless it was based directly on the Torahi.e., the Written Law. The Pharisees, on the other hand, believed that the Law that God gave to Moses was twofold, consisting of the Written Law and the Oral Lawi.e., the teachings of the prophets and the oral traditions of the Jewish people. Whereas the priestly Sadducees taught that the written Torah was the only source of revelation, the Pharisees admitted the principle of evolution in the Law: humans must use their reason in interpreting the Torah and applying it to contemporary problems.

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biblical literature: The Pharisees

The Pharisees (possibly spiritual descendants of the asidim [Pious Ones], who were the exponents of Maccabean revolt)...

Rather than blindly follow the letter of the Law even if it conflicted with reason or conscience, the Pharisees harmonized the teachings of the Torah with their own ideas or found their own ideas suggested or implied in it. They interpreted the Law according to its spirit. When in the course of time a law had been outgrown or superseded by changing conditions, they gave it a new and more-acceptable meaning, seeking scriptural support for their actions through a ramified system of hermeneutics. It was because of this progressive tendency of the Pharisees that their interpretation of the Torah continued to develop and has remained a living force in Judaism.

The Pharisees were primarily not a political party but a society of scholars and pietists. They enjoyed a large popular following, and in the New Testament they appear as spokesmen for the majority of the population. About 100 bce a long struggle ensued as the Pharisees tried to democratize the Jewish religion and remove it from the control of the Temple priests. The Pharisees asserted that God could and should be worshipped even away from the Temple and outside Jerusalem. To the Pharisees, worship consisted not in bloody sacrificesthe practice of the Temple priestsbut in prayer and in the study of Gods law. Hence, the Pharisees fostered the synagogue as an institution of religious worship, outside and separate from the Temple. The synagogue may thus be considered a Pharasaic institution, since the Pharisees developed it, raised it to high eminence, and gave it a central place in Jewish religious life.

The active period of Pharasaism, the most-influential movement in the development of Orthodox Judaism, extended well into the 2nd and 3rd centuries ce. The Pharisees preserved and transmitted Judaism through the flexibility they gave to Jewish scriptural interpretation in the face of changing historical circumstances. The efforts they devoted to education also had a seminal importance in subsequent Jewish history. After the destruction of the Second Temple and the fall of Jerusalem in 70 ce, it was the synagogue and the schools of the Pharisees that continued to function and to promote Judaism in the long centuries following the Diaspora.

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Pharisee | Definition, History, & Legacy | Britannica

The Jewish Calendar

Posted By on November 14, 2021

A few years ago, I was in a synagogue, and I overheard one man ask another, "When is Channukah this year?" The other man smiled slyly and replied, "Same as always: the 25th of Kislev." This humorous comment makes an important point: the date of Jewish holidays does not change from year to year. Holidays are celebrated on the same day of the Jewish calendar every year, but the Jewish year is not the same length as a solar year on the Gregorian calendar used by most of the western world, so the date shifts on the Gregorian calendar.

The Jewish calendar is primarily lunar, with each month beginning on the new moon, when the first sliver of moon becomes visible after the dark of the moon. In ancient times, the new months used to be determined by observation. When people observed the new moon, they would notify the Sanhedrin. When the Sanhedrin heard testimony from two independent, reliable eyewitnesses that the new moon occurred on a certain date, they would declare the rosh chodesh (first of the month) and send out messengers to tell people when the month began.

The problem with strictly lunar calendars is that there are approximately 12.4 lunar months in every solar year, so a 12-month lunar calendar loses about 11 days every year and a 13-month lunar gains about 19 days every year. The months on such a calendar "drift" relative to the solar year. On a 12 month calendar, the month of Nissan, which is supposed to occur in the Spring, occurs 11 days earlier each year, eventually occurring in the Winter, the Fall, the Summer, and then the Spring again. To compensate for this drift, an extra month was occasionally added: a second month of Adar. The month of Nissan would occur 11 days earlier for two or three years, and then would jump forward 29 or 30 days, balancing out the drift.

In the fourth century, Hillel II established a fixed calendar based on mathematical and astronomical calculations. This calendar, still in use, standardized the length of months and the addition of months over the course of a 19 year cycle, so that the lunar calendar realigns with the solar years. Adar II is added in the 3rd, 6th, 8th, 11th, 14th, 17th and 19th years of the cycle. The new year that began Monday, September 25, 1995 (Jewish calendar year 5756) was the 18th year of the cycle. Jewish year 5758 (beginning October 2, 1997) will be the first year of the next cycle.

In addition, Yom Kippur should not fall adjacent to a Sabbath, because this would cause difficulties in coordinating the fast with the Sabbath, and Hoshanah Rabba should not fall on Saturday because it would interfere with the holiday's observances. A day is added to the month of Heshvan or subtracted from the month of Kislev of the previous year to prevent these things from happening.

The year number on the Jewish calendar represents the number of years since creation, as calculated by adding up the ages of people in the Bible back to the time of creation. However, it is important to note that this date is not necessarily supposed to represent a scientific fact. For example, many Orthodox Jews will readily acknowledge that the seven "days" of creation are not necessarily 24-hour days (indeed, a 24-hour day would be meaningless until the creation of the sun on the fourth "day").

Jews do not generally use the words "A.D." and "B.C." to refer to the years on the Gregorian calendar. "A.D." means "the year of our L-rd," and we do not believe Jesus is the L-rd. Instead, we use the abbreviations C.E. (Common or Christian Era) and B.C.E. (Before the Common Era).

The "first month" of the Jewish calendar is the month of Nissan, in the spring, when Passover occurs. However, the Jewish New Year is in Tishri, the seventh month, and that is when the year number is increased. This concept of different starting points for a year is not as strange as it might seem at first glance. The American "new year" starts in January, but the new "school year" starts in September, and many businesses have "fiscal years" that start at various times of the year. Similarly, the Jewish calendar has different starting points for different purposes.

The Jewish calendar has the following months:

Month

Length

Gregorian Equivalent

In leap years, Adar has 30 days. In non-leap years, Adar has 29 days.

The length of Heshvan and Kislev are determined by complex calculations involving the time of day of the full moon of the following year's Tishri and the day of the week that Tishri would occur in the following year. I won't pretend to understand the mathematics involved, and I don't particularly recommend trying to figure it out. There are plenty of easily accessible computer programs that will calculate the Jewish calendar for more than a millennium to come.

Note that the number of days between Nissan and Tishri is always the same. Because of this, the time from the first major festival (Passover in Nissan) to the last major festival (Sukkot in Tishri) is always the same.

Source: Judaism 101

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The Jewish Calendar

The Hebrew Alphabet (Aleph-Bet) – Jewish Virtual Library

Posted By on November 14, 2021

Hebrew (and Yiddish) uses a different alphabet than English. The picture to the right illustrates the Hebrew alphabet, in Hebrew alphabetical order. Note that Hebrew is written from right to left, rather than left to right as in English, so Alef is the first letter of the Hebrew alphabet and Tav is the last. The Hebrew alphabet is often called the "alef-bet," because of its first two letters.

Note that there are two versions of some letters. Kaf, Mem, Nun, Peh and Tzadeh all are written differently when they appear at the end of a word than when they appear in the beginning or middle of the word. The version used at the end of a word is referred to as Final Kaf, Final Mem, etc. The version of the letter on the left is the final version. In all cases except Final Mem, the final version has a long tail.

- Vowels and Points- Styles of Writing- Transliteration- Numerical Values of Words

Like most early Semitic alphabetic writing systems, the alef-bet has no vowels. People who are fluent in the language do not need vowels to read Hebrew, and most things written in Hebrew in Israel are written without vowels.

However, as Hebrew literacy declined, particularly after the Romans expelled the Jews from Israel, the Rabbis realized the need for aids to pronunciation, so they developed a system of dots and dashes known as nikkudim (points). These dots and dashes are written above or below the letter, in ways that do not alter the spacing of the line. Text containing these markings is referred to as "pointed" text.

Most nikkudim are used to indicate vowels. The table at right illustrates the vowel points, along with their pronunciations. Pronunciations are approximate; I have heard quite a bit of variation in vowel pronunciation.

Vowel points are shown in blue. The letter Alef, shown in red, is used to illustrate the position of the points relative to the consonents. The letters shown in purple are technically consonents and would appear in unpointed texts, but they function as vowels in this context.

There are a few other nikkudim, illustrated and explained below.

The dot that appears in the center of some letters is called a dagesh. With most letters, the dagesh does not significantly affect pronunciation. With the letters Bet, Kaf and Pe, however, the dagesh indicates that the letter should be pronounced with its hard sound (the first sound) rather than the soft sound (the second sound). In Ashkenazic pronunciation (the pronunciation used by many Orthodox Jews and by older Jews), Tav also has a soft sound, and is pronounced as an "s" when it does not have a dagesh.

Vav, usually a consonant pronounced as a "v," is sometimes a vowel pronounced "oo" (u) or "oh" (o). When it is pronounced "oo", pointed texts have a dagesh. When it is pronounced "oh", pointed texts have a dot on top.

Shin is pronounced "sh" when it has a dot over the right branch and "s" when it has a dot over the left branch.

The style of writing illustrated above is the one most commonly seen in Hebrew books. It is referred to as block print or sometimes Assyrian text.

For sacred documents, such as Torah scrolls or the scrolls inside tefillin and mezuzot, there is a special writing style with "crowns" (crows-foot-like marks coming up from the upper points) on many of the letters. This style of writing is known as STA"M (an abbreviation for "Sifrei Torah, Tefillin and Mezuzot," which is where you will see that style of writing.

There is another style used for handwriting, in much the same way that cursive is used for the Roman (English) alphabet. This modern script style is illustrated below, at right.

Another style is used in certain texts to distinguish the body of the text from commentary upon the text. This style is known as Rashi Script, in honor of Rashi, the greatest commentator on the Torah and the Talmud. The alefbet at left is an example of Rashi Script

The process of writing Hebrew words in the Roman (English) alphabet is known as transliteration.

Transliteration is more an art than a science, and opinions on the correct way to transliterate words vary widely. This is why the Jewish festival of lights (in Hebrew, Chet-Nun-Kaf-Heh) is spelledChanukkah, Hannukah, Hanukkah, and many other interesting ways. Each spelling has a legitimate phonetic and orthographic basis; none is right or wrong.

Each letter in the alefbet has a numerical value. These values can be used to write numbers, as the Romans used some of their letters (I, V, X, L, C, M) to represent numbers. Alef through Yod have the values 1 through 10. Yod through Qof have the values 10 through 100, counting by 10s. Qof through Tav have the values 100 through 400, counting by 100s. Final letters have the same value as their non-final counterparts.

The number 11 would be rendered Yod-Alef, the number 12 would be Yod-Bet, the number 21 would be Kaf-Alef, the word Torah (Tav-Vav-Resh-He) has the numerical value 611, etc. The only significant oddity in this pattern is the number 15, which if rendered as 10+5 would be a name of G-d, so it is normally written Tet-Vav (9+6). The order of the letters is irrelevant to their value; letters are simply added to determine the total numerical value. The number 11 could be written as Yod-Alef, Alef-Yod, Heh-Vav, Dalet-Dalet-Gimmel or many other combinations of letters.

Because of this system of assigning numerical values to letters, every word has a numerical value. There is an entire discipline of Jewish mysticism known as Gematria that is devoted to finding hidden meanings in the numerical values of words. For example, the number 18 is very significant, because it is the numerical value of the word Chai, meaning life. Donations to Jewish charities are routinely made in denominations of 18 for that reason.

Sources: Judaism 101

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The Hebrew Alphabet (Aleph-Bet) - Jewish Virtual Library

Its the end of the road for ‘Orthodox’ Judaism – Haaretz

Posted By on November 14, 2021

Israels Religious Affairs Minister Matan Kahana is on a mission.

A member of Prime Minister Naftali Bennetts Yamina party, Kahana has set out to break the Chief Rabbinates monopoly on conversion and kashrut. In both cases, Kahanas strategy is the same: break the monopoly by introducing competition. But Kahanas mission goes beyond the technocratic and will have repercussions for the nature of Orthodox Judaism itself.

For many, Kahanas attempt to weaken the grip of the Chief Rabbinate over these aspects of Israeli life is long overdue. Yet, according to Kahanas proposed legislation, competition always seems to mean Orthodox competition. Specifically, the legislation is likely to bolster the authority and influence of rabbis from the modern Orthodox/national religious community the community from which Kahana himself comes.

So, will Kahanas reformist zeal ultimately have something to offer non-Orthodox Jews in Israel? What, if anything, do his reforms have to do with genuine religious pluralism? Are they just another salvo in an ongoing, and often vicious, intra-Orthodox squabble?

Alon Tal, an observant Conservative Jew and MK from Kahol Lavan, has complained that he and other Jews like him are being left out. The reforms, alleges Tal, will "not allow the majority of Jews in the world who are Conservative and Reform to develop their own systems of kashrut." His argument is that Kahana is securing religious pluralism for me, but not for thee.

Indeed, from the perspective of non-Orthodox Jews in Israel and the diaspora, the outlook may seem bleak. After all, no non-Orthodox rabbis or types of Jewish practice will be empowered, let alone legitimized, by the proposed reforms. The power of the Rabbinate, though diminished, will remain very real. And the complicated, and often corrupt, marriage of synagogue and state will go on.

And yet, the apoplectic response of the ultra-Orthodox members of Knesset and now the heads of the state-funded religious establishment to Kahana suggests that something more is going on than a reshuffling of power amongst homogenously Orthodox rabbis.

United Torah Judaism MK Moshe Gafni has gone so far as to declare that Kahanas reforms will "erase any trace of Judaism [in Israel] and prevent Jewish citizens from eating kosher."

That follows Israels two Chief Rabbis calling the reforms an "attack on our holy Torah" whosefinal goal is the "abolition of Israel's Jewish identity," warningthey would lead to "spiritual destruction" and an "uprooting of Judaism" from the state of Israel. Sephardi Chief Rabbi Yitzhak Yosef even declared they would lead to "sexual immorality" and "licentiousness" because women would be able to be kashrut inspectors.

Notwithstanding the longstanding love of hyperbole among ultra-Orthodox politicians (Gafni responded to Bennetts election as Prime Minister with a choice quote from Proverbs: "The name of the wicked shall rot"), the intensity of this backlash underscores a key dynamic about religious pluralism in Israel.

That is, the term "Orthodox" if it was ever useful has outlived its usefulness, and should be discarded. The term obscures the real debate about the meaning of religious law in all of Jewish life whether it is "Orthodox" or "non-Orthodox." The increasing obsolescence of this archaic term is probably not the fondest wish of those who hate the rabbinate and want to see Israel adopt a total separation between church and state.

Nevertheless, for anyone interested in a healthy relationship between Jewish practice and Jewish law, no matter the denominational affiliation, the demise of the term "Orthodox" would be a significant victory. And the fight over Kahanas reforms illustrates why.

Of course, Moshe Gafni and Matan Kahana both proudly refer to themselves as "Orthodox" Jews. But what does that really mean? Would Gafni eat something cooked in Kahanas kitchen? Would he be thrilled if his son were to marry Kahanas daughter? What would most of his constituents think if the answer to either of these questions was an enthusiastic "yes"?

Conversely, Kahana would almost certainly eat something served up by Mrs. Gafni. And, he would likely not object too much (though of course I cant know for sure) if his daughter gravitated in a more Haredi direction and married Gafnis son.

My point is not to attack the character of either man, nor to impugn how the Haredi world interacts with other types of Jews. The point is that "Orthodox," as it is conventionally used, is supposed to mean fealty to halakha (Jewish law).

But calling both Gafni and Kahana "Orthodox" doesnt capture the fact that they disagree profoundly about the form and function of Jewish law. It more nearly means that Kahana would abide by Gafnis stringencies, if he had to. While Gafni, on the other hand, would likely shun what he would call Kahanas "leniencies."

The point is that "Orthodoxy" is not the relevant term for demarcating Gafnis or really anyones view of which Jewish practices, though divergent from our own, remain legitimate. To make those decisions, most of us rely on more familiar and less abstract ideas: Are we comfortable? Do we know these people? What are the social costs of spurning our hosts?

It is this issue, the question of how much diversity there can be in our understanding of legitimate Jewish practice, that is the core of the controversy.

Kahanas proposed legislation will definitively expand the sphere of legitimacy. In the case of conversion, municipal rabbis will be to convene their own batei din (rabbinical courts) to perform conversions. Regarding kashrut, rabbis entirely outside the auspices of the Chief Rabbinate will be able to certify restaurants as kosher.

More rabbis, it is assumed by both the proposals proponents and opponents, is likely to correlate to a wider diversity of legal interpretation. And some of those interpretations will lead to rulings that are likely to be relatively more lenient. Leniency and stringency (and it will be much less binary than this) will then both be given official sanction serving the needs of different communities with different established practices.

The debate between Kahana and Gafni is thus really a debate about the role of religious law in the lives of the broader population of Jewish Israelis. It is a debate that may have ramifications across the Jewish world.

When Gafni says that Kahanas kashrut reform, if passed, will "prevent Jewish citizens from eating kosher," he means it. For him, there can be food that is not in fact kosher, even as other "Orthodox" Jews accept it as kosher. (Among the many ironies in this debate is the fact that much of the Orthodox population in Israel already refuses to hold by the Rabbinates kosher certification.)

According to Gafnis position, the sphere of legitimate interpretation of halakha is so narrow (and must be policed so aggressively) that an act of secular Israeli law is needed to prevent non-Haredi (but otherwise "Orthodox") Jews from even having access to food that they would otherwise consider kosher.

For Kahana, meanwhile, religious law derives its legitimacy at least in part from its being considered legitimate in the eyes of a certain community (specifically his own community). For him, the law is less of an unchanging Platonic form; sometimes it has to reflect how things are already being done.

This idea, that the already extant practices of a Jewish community have their own legitimacy in regards to what the halakha should be, has its roots in the Talmud: "If the Jewish people are not prophets, they are at least the descendants of prophets" (Pesachim 66a). In other words, established Jewish customs with or without official approval contain a spark of prophecy, so to speak.

Ultimately, the resilience of the term "Orthodoxy" requires the severing of Jewish law and Jewish practice. The term posits that there is some absolute unchanging standard of law, which covers the messiness but also the vitality of the ongoing negotiation between law and practice. This need not mean that Jewish law (Torah) is not eternal; only that the power of the human being is too limited to fathom it and put it into practice all at once.

Regardless, as the spat between Kahana and the Haredim shows, the consensus of Orthodoxy is as much a figment of the religious imagination as the ahistorical standard of practice that it claims for itself.

So where does this leave Alon Tal and other non-Orthodox Jews who feel left out of Kahanas reforms?

Well, surely if there was no longer any "Orthodoxy," there would no longer be any "non-Orthodoxy" either. And yet, the question remains for many Jews inside Israel and out: When Jewish identity becomes a matter of culture or politics, or even about prayer and faith without grounding in law, why would the kosher supervision of restaurants even be necessary? Would a critical mass of Reform and Conservative Jews vote with their mouths? Would they ultimately be more likely to go to restaurants with Reform/Conservative hashgacha than to any old restaurant?

The term "Orthodox" papers over genuine disputes about the meaning of Jewish law. But the power of the term is upheld by the "non-Orthodox," no less than the "Orthodox," when they flee the field of religious law altogether.

Kahanas reforms honor already existing social realities of divergent religious practice. If other communities whether Conservative or more open streams of Orthodoxy want in on the act, they must realize that the authority of Jewish law is a two-way street: it goes from the ground up, no less than from the top down.

Judah Isseroff is a PhD candidate in Religion, Ethics, and Politics at Princeton University. His dissertation is entitled "Beyond Political Theology: Hannah Arendts Jewish Theology of Givenness"

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Its the end of the road for 'Orthodox' Judaism - Haaretz

How Leonard Cohen’s hits were influenced by Christianity and Judaism – CBC.ca

Posted By on November 14, 2021

Leonard Cohen's beautiful verses from songs such as Hallelujah and You Want It Darker are deeply religious, and according to author Harry Freedman, they're just two of many where Cohen borrowed from ancient texts.

"Cohen grows up in this environment, and he breaks away from it around the age of 30, but before that, he has obtained for himselfa very strong, a very deep religious education and one that stays with him the rest of his life," said Harry Freedman, author of Leonard Cohen: The Mystical Roots of Genius.

In the book, Freedman took a deep dive into how Cohen used religion to make his music sing.

Freedman toldThe Sunday Magazine thatCohen grew up steeped in religion.The singer and songwriter was born in Quebec in 1934, and went to schoolin Montreal in the 1940s and 50s, and many members of his family were leaders in the Jewish community.

The book on Cohen's mystical roots isn't the first time Freedman has written about religion.He's studied and written books on the Talmud, the Kabbalah, and the Bible.

Freedman got the idea for this book one day when he was driving, and he heard Cohen's 1984 classicHallelujah on the radio. He'd heard it many times before, but never really focused on the lyrics.

But that time, something struck a chord with him.

"I heard him sing, 'I heard there was a secret chord that David played which pleased the Lord,' and a light went off in my head. I said, 'I know that, I know what he's talking about," said Freedman.

He says thewords of Hallelujah referto a Jewish legend, where King David of ancient Israel would play his harp for God. But that was just one of many religious references Freedman picked up on.

Later in the song, Cohen talks about when David sinnedby sleepingwith a married woman namedBathsheba.

"That's how I realized that Leonard Cohen is singing about something far more than just making up words for his songs," said Freedman.

"I started to listen more carefully, and I realized that nearly everything certainly a huge proportion of his music is based on religious legends, whether they are Jewish legends or Christian legends."

Freedman says it wasn't just his own Jewish faith that Cohen borrowed from. In his youth, Cohen would go to church with his nanny, so he learned a lot about the Catholic faith.

Hesays Cohen didn't find Judaism and Christianity at odds, but ratherwere working together. He considered Christianity to be the missionary arm of Judaism.

"In his songs, he morphs from one religious tradition to another without skipping a beat. He sees the two faiths as one, and I think that really comes across in his songIt Seemed the Better Way," said Freedman.

The song says, "Seemed the better way, when first I heard him speak, now it's much too late to turn the other cheek." It's from Cohen's final album You Want It Darker, released on Oct. 21, 2016, 17 days before his death.

"He's singing about how he was attracted to Christianity as a young man. It seemed the better way, but now it's too late to turn the other cheek. He's an old man by the time he sings this song."

It's far from the only song that channelsCohen's knowledge of the Christian faith.

"Suzanne is a song which is clearly about the church. He's singing about Jesus touching your perfect body with his mind," said Freedman.

In his 1992 song Anthem, Cohen borrowsfromKabbalah, a school of thought in Jewish mysticism.

The song includes one of Cohen's most famous lines:"There is a crack in everything, that's how the light gets in."

Freedman saidthat line is a reference to a kabbalisticlegend on how the Earth was createdand why it's imperfect.

"It's so evocative...."Leonard Cohen's music, which is so often dark and depressingthis [line] is his great optimism," he said.

In the eponymoussong of his final album,You Want It Darker, Cohen brings together references from multiple faiths, and submits before God as he nears the end of his life. He uses a line from a Jewish prayer, he talks about the crucifixion of Jesus, and he uses the Hebrew word hineni.

"Hineni is a Hebrew word. It occurs in the Bible. It only occurs very rarely, and it only occurs in moments of great drama and great tension, and it's a word of submission. It means'Here I am,'" said Freedman.

In the Bible's Old Testament, Moses uses the phrasewhen God talks to him through the burning bush, and Abraham says it when he's asked to sacrifice himself.

"Leonard Cohen is saying, 'Here I am. I've lived this life, I've done what I can.You, God,' he's saying,'seem to want it dark.' We don't know if it's a question or a statement. He's challenging God, but he's saying, 'Whatever you've done, hineni.Here I am,'"said Freedman.

Written by Philip Drost. Produced by Peter Mitton.

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How Leonard Cohen's hits were influenced by Christianity and Judaism - CBC.ca

Progressively Speaking: The importance of memory is vital to our Judaism – Jewish News

Posted By on November 14, 2021

Only guard yourself and guard your soul carefully, lest you forget the things your eyes saw and lest these things depart your heart all the days of your life. And you shall make them known to your children and to your childrens children. (Deuteronomy 4:9.)

At 11am this Sunday, a two-minute silence will be observed all over the country including in our Progressive Judaism buildings and offices.

Our silence on Remembrance Sunday is a tribute to all those who lost their lives fighting for our country in the two world wars and later conflicts.

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In a modern age where everything is instant and we are often glued to our phones and devices, this isa rare opportunity when the world will stand still even if just for those 120 seconds.

We should put thoughts of work or worries aside for that small amount of time and use it as the day is intended to reflect and remember.

In Judaism, there is a very clear sense of the importance of memory.

Zachor (you shall remember) is repeated nearly 200 times in our Torah, with both God and the Jewish people commanded to do so. We must remember the Sabbath, remember the covenant, remember the Exodus from Egypt and so on.

It is not only our duty to remember ourselves, but also to pass on our knowledge and history to our children and grandchildren. This is especially true when we think of Remembrance Sunday. We now have with us the last generation of British Jews who will have had any experience of the Second World War. It is vital we hear their testimonies.Not only those who fled here aschildren, escaping the Nazis, but those were already in Britain and whose parents will have fought inthe war.

The reason why remembrance is so vital in Judaism is twofold. Firstly it is to learn about what took place but, more importantly, it is to inspire action for the future.

As we stand silent on Sunday, it is the ideal time to think about where we have come from and where we are going. And as we remember all those service people, including those from our Jewish community, who have died in war we ask for their memory to be a blessing and for the day to come when such sacrifices will no longer be needed.

Rabbi Charley Baginsky is CEO of Liberal Judaism

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Progressively Speaking: The importance of memory is vital to our Judaism - Jewish News

Gift Guide 2021: Chanukiyot Crafted From Found Objects Help the Artist Create a Connection to Families, the Community and Judaism From Home Detroit…

Posted By on November 14, 2021

Betsy Besl exudes creativity. She just cant help herself. Everything she touches turns captivating.

Shes always working on a project, usually multiple at once. In time for Chanukah, Besl has created chanukiyot (Chanukah menorahs), in a way that only Besl can.

As a little girl growing up in Cincinnati, she made tiny books, about an inch square, out of pieces of paper that she had made drawings on, punched holes in then bound together. Her mother, an expert needlepointer, taught Besl the craft, but the child gave the works her own mark by creating her own fanciful designs, like caterpillars and colorful mushrooms. Her artwork was often small, and always whimsical.

I cant remember a time when I wasnt doing art, says the University of Michigan school of fine arts grad and mom of two adult daughters. When those daughters grew a little older, Besl went to work as a teaching artist at Temple Israels Early Childhood Center in West Bloomfield, where her joy of creating art was enhanced by working with children and their families. But even then, she thirsted for more: She taught art to middle- and high-school kids and adults. She held workshops for teachers on creativity in the classroom, stressing the importance of kavanah, Hebrew for intention.

Thats always been very important to me, the idea of teaching with intention, and understanding why we are doing what we are doing with these children, she says.

Naturally, Besl is also drawn to objects, often lost and forgotten or cast-aside objects that she finds beauty in. And she stores these found objects, sometimes for years, until their time comes to be resuscitated, transformed by Besl into works of art so that others will see their beauty, too.

She began embellishing vintage teapots with found charms, costume jewelry and more to create Specialteas By Betsy (she loves that they represent a combination of home, family, comfort and art).

She creates tiny sculptural mushrooms, replete with miniature creatures, insects or other details (Im just a sucker for cuteness, Besl says. I love anthropomorphic animals, fruits, vegetables, cute little faces and expressions. They are so happy and joyful.) She launched Mi She-Bei-Rocks, found stones she handpaints and embellishes with Jewish symbolism in honor of the Mi Shebeirach, a Hebrew blessing often recited for people who are ill.

Most recently, she found a new use for her collections of thousands of trinkets chanukiyot. Kitschy little figurines, salt and pepper shakers, miniature porcelain doll shoes, watches in Besls hands, all is fairgame. They are whimsical and adorable, but this project has extra meaning for Besl.

Four years ago, Besl was diagnosed with myasthenia gravis and associated thoracic cancer, putting an end to her 18-year career at Temple Israel. My whole world was the kids and the families and teaching, Besl says. I missed being in a Jewish environment, interacting creatively with children. I wanted to find a way to stay in touch with some aspect of Judaism and the playfulness of being with children. And I wanted to make something that wasnt only pretty, but useful.

Most Jewish holidays have a serious undertone, which is important. But I wanted to bring out the joyfulness, too, she says. With the chanukiyot, I found a way to stay in touch with some aspect of carrying on Judaism. A mom bought a tea set chanukiah for her one-year-olds first Chanukah, and another bought the Time chanukiah for her son at college. People have bought them for their teenage children, who I taught at temple when they were age 3.

I felt a loss when I couldnt meet the new incoming families at the temple and in our community. Even though I dont meet the families in person [for health precautions], Ive gotten to connect with new families.

Besl has a favorite quote from Mr. Rogers, which she says helped her find her direction: All I know to do is to light the candle that has been given to me.

All Ive ever known is to create things with an almost childlike vision, Besl says. I thought, You dont paint landscapes and portraits. All you can do is continue doing what youve been given and shine brightly. Perfect for Chanukah.

Contact Betsy Besl by email at betsy.teapot@gmail.com, by phone at (248) 330-8016 or on Facebook.

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Gift Guide 2021: Chanukiyot Crafted From Found Objects Help the Artist Create a Connection to Families, the Community and Judaism From Home Detroit...


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